Praised by reviewers as highly recommended, indispensable, and thorough, comprehensive, usable, and unquestionably useful, theChaucer Name Dictionary is the ultimate A-Z guide to the writer who stands at the head of the English curriculum. It provides full information on all the hundreds of proper names mentioned throughout Chaucer and essential to an understanding of his works. Each entry provides historical and/or literary definition, references to occurrences in Chaucer's works with explanations of the context, a list of related words, etymology, and a bibliography of primary and secondary works. Special Features The only reference source that identifies the hundreds of historical, literary, and mythological names mentioned in Chaucer, Provides reliable background information essential to understanding Chaucer's text, Alphabetical arrangement and clear format allow quick answers to reference questions, Includes an important Glossary of Astronomical and Astrological Terms, along with six astrological maps Suitable for courses in:Chaucer, Medieval English Poetry, Medieval Literature in Translation, Old and Middle English Literature, Glossary Also includes maps.

Band 16.1 der zehnbändige KWIC-Konkordanz zum Gesamtwerk Geoffrey Chaucers. Diese ermöglicht der Forschung erstmals, vollständige und systematische Untersuchungen an Chaucers Sprache und Texten durchzuführen. Mediävisten und Historiker der englischen Sprache erhalten damit ein Standardwerk wissenschaftlicher Arbeit. Die Konkordanz zu Chaucer basiert auf der Ausgabe „The Riverside Chaucer“, hrsg. von Larry Dean Benson (Boston, 1987 und Oxford, 1988), der heute international verbindlichen Ausgabe. Diese computer-gestützte Chaucer-Konkordanz ersetzt das von Hand erstellte Werk von Tatlock und Kennedy (1927), dem die heute veraltete „Globe-Edition“ zugrunde liegt.

Names hidden by acrostic or anagram, pseudonyms, pen-names, nicknames, nameless characters, and lists of names are all explored in this erudite and fascinating book, which encompasses literature from ancient times to modern.

The latest volume in the Chaucer Bibliographies series, meticulously assembled by Kenneth Bleeth, is the most comprehensive record of scholarship on Chaucer's Squire's Tale, Franklin's Tale, and Physician's Tale.

A re-editing of F.N. Robinson's second edition of The works of Geoffrey Chaucer published in 1957 by the team of experts at the Riverside Institute who have greatly expanded the introductory material, explanatory notes, textual notes, bibliography and glossary. The result of many years' study. The Riverside Chaucer is the most authentic and exciting edition available of Chaucer's complete works.

Examines the life and writings of Geoffrey Chaucer, including detailed synopses of his works, explanations of literary terms, character portraits, social and historical influences, and more.

Using empirical research to explore medieval writers' imaginings of time, this study presents a new morphology by which to study narratives of time in fifteenth-century literary culture, focusing on poems of John Lydgate and Thomas Hoccleve. Karen Smyth begins with an overview of medieval time-keeping devices and considers collective and individual attitudes and perceptions of time. She then examines a range of Middle English authors' appropriations and innovations in relation to such perceptions, identifying competitions of tradition and innovation, allowing for an interrogation of commonly accepted medieval theories of time. An empirically based morphology emerges and is used to examine narratives of time in Lydgate and Hoccleve's work. Through a series of close readings of selected short poems and Lydgate's Troy Book, Fall of Princes, and Siege of Thebes and of Hoccleve's Regiments of Princes and Series, Karen Smyth looks at expressions of time and examples of the authors' negotiation of time consciousness, illustrating how both poets manipulate a range of cultural narratives of time in order to create multiple and sometimes competing temporalities within a single poem. Smyth simultaneously draws attention to Lydgate's and Hoccleve's underestimated artistic skills and lays out a means to re-evaluate medieval cultural attitudes towards time.