A lively, accessible and wide-ranging introduction to the life and work of the fourteenth-century poet Geoffrey Chaucer.

The book begins with a brief prefatory discussion of its relation to structuralist and post-structuralist criticism. The first chapter, `Apocryphal Voices', surveys the basis of modern critical approaches to persona and `irony' in Chaucer's poetry, and suggests that such approaches are better suited to unequivocally written contexts. A systematic hesitation between a wholly written and a wholly spoken context requires critical distinctions between types of persona, and a number of distinctions in the range between persona and voice. `Morality in its Context' examines the Pardoner and his tale and argues against a `dramatic' view of the tale itself, while the third chapter, 'Chaucer's Development of Persona', is a study of possible sources for Chaucer's handling of the narratorial '1', looking at the English `disour', the French `dits amoureux', Italian and Latin sources of influence, and the Roman de la Rose. The last two chapters apply the principles outlined so far to Troilus and The Canterbury Tales, with a particular examination of the literary history of the Squire'stale to show that modern interest in dramatic persona has obscured many other important issues and leads to drastic misreading. This is a challenging and lucid work which questions many of the received attitudes of recentChaucer criticism, and offers a reasoned and approachable alternative view.

Introduction: Canterbury tales IV-V and literary value -- Clerk -- Merchant -- Squire -- Franklin.

The school of Paradise -- The genesis of hermeneutics -- The Garden of eloquence -- The Old English epic of the Fall -- The seducer and the daughter of Eve -- The carnal letter in Chaucer's earthly paradise -- Signs of the Fall: from the Middle Ages to Postmodernism.

Chaucer's Drama of Style: Poetic Variety and Contrast in the Canterbury Tales

This second volume, which completes the first comprehensive catalogue of Chaucer's manuscripts, describes the 56 extant copies and the fragments of 8 otherwise lost copies of the Canterbury Tales. These manuscripts, last examined together over 50 years ago, are here described after a fresh appraisal and in the light of modern scholarship, and some revisions of date, decoration, dialect, location, provenance, and script are suggested. The Introduction defines some of the major textual problems posed by the manuscripts and presents some thoughts thereon, while suggesting solutions to some incidental cruces. The Indices and Appendices record the citation of lost and unidentified copies of the Canterbury Tales, the names of former owners and associates, and addenda et corrigenda for Volume I. The Catalogue is designed as a reference work for those teachers and students who wish to know what and where the extant material is without the labour of its collection and for those able in the various specialities of manuscript bibliography to advance present knowledge.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1992.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

This compilation of new essays and essays published over the past fifty years explores Chaucer's experiences with the cultural other, especially Chaucer's relationship to Far Eastern, Islamic, and African sources. While studies of Chaucer's orientalism have heretofore focused on the Squire's Tale , Chaucer's Cultural Geography considers many different Chaucerian works in the context of sexual geographies and colonizing and postcolonizing discourses. It comes at a time when critical methodology is being debated and a variety of approaches to Chacuer studies using modes of analyses normally reserved for later periods, including Said's orientalism theories, Dollimore's transgressive proximity and new French feminism. Moreover, the book fits well into the new emphasis in the Chaucer curriculum on globalism and multiculturalism.