Cheong Soo Pieng: Layer by Layer presents a unique insight into the artist’s innovative use of materials in painting through examples from the 1940s to 1980s. This exhibition catalogue features artwork plates presented alongside technical photographs that illuminate Cheong’s artistic process and choice of materials. Accompanied by essays that explore the intersections between conservation science and art historical research, it poses the question: what makes a painting?

A giant among artists of his generation, Wu Guanzhong is celebrated for his distinctive synergy of Western oil painting and Chinese ink aesthetics, as well as his modernisation of Chinese ink painting. This catalogue accompanies the National Gallery Singapore’s exhibition that showcases Wu’s oeuvre over five decades and inaugurates the permanent gallery dedicated to the artist. Accompanying essays within expand upon themes of the exhibition and offer insight into Wu’s beliefs regarding the function of art. A bilingual publication in English and Chinese.

What is modernism in Southeast Asia? What is modern art, as embodied in the paintings of Southeast Asia? These questions and more are answered in Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, published in conjunction with the exhibition of the same name. Featuring 217 works, in full colour, by 51 Southeast Asian and European artists, from the Centre Pompidou and National Gallery Singapore, as well as other Southeast Asian collections in the region and beyond, this catalogue tells the compelling story of modernism as it developed across continents, and reveals artists' powerful, and sometimes surprising, responses to modernity.

"This is a bold project recording the lives of a particular group of Southeast Asians. Most of the people whose biographies are included here have settled down in the ten countries that constitute the region. Each of them has either self-identified as Chinese or is comfortable to be known as someone of Chinese ancestry. There are also those who were born in China or elsewhere who came here to work and do business, including seeking help from others who have ethnic Chinese connections. With the political and economic conditions of the region in a great state of flux for the past two centuries, it is impossible to find consistency in the naming process. Confucius had stressed that correct names make for the best relationships. In this case, Professor Leo Suryadinata has been pursuing for decades the elusive goal of finding the right name to give to the large numbers of people who have, in one way or another, made their homes in, or made some difference to, Southeast Asia. I believe that, when he and his colleagues selected the biographies to be included here, they have taken a big step towards the rectification of identities for many leading personalities. In so doing, he has done us all a great service." - Professor Wang Gungwu, National University of Singapore

Published to accompany National Gallery Singapore’s inaugural exhibition Siapa Nama Kamu?, the catalogue stands on the shoulders of giants to present a survey of Singapore art from the 19th century to the present, charting major themes across broad time periods. Over 400 works of art in a wide range of media are brought together to trace the ebb and flow of the history of Singapore art. Curatorial essays provide insight into the exhibition making, as well as examine the geographical confines of Singapore, the parameters of national identity and margins of time.

Modern Art of Southeast Asia: Introductions from A to Z features 60 concise and accessibly written accounts of the key ideas and currents underlying modern art in the region. These are accompanied by over 250 beautifully reproduced artworks from the collection of National Gallery Singapore, and other public and private collections in Southeast Asia and beyond. The book offers an informative first encounter with art as well as refreshing perspectives, and is a rewarding resource for students.

A biography of the author''s background which provides insight into his training in medicine and his opinions on the concepts and training that are necessary to be a good doctor. The aims of this book are to first show how coronary angioplasty was pioneered in Australia, Singapore and China. Second, it is to illustrate the founding of a long-awaited medical school in Xiamen, China where the author''s ancestors originate. Third, it is to describe the reformation of healthcare, cardiology, medical research and Art academy in Singapore. Fourth, it is to demonstrate the vision and realization of the third Asia Pacific cardiovascular intervention block. Last but not least, this book describes the merging of East West culture, medicine, art and a personal Christian testimony. This book hopes to show that with hard work, determination and vision, any young man or woman should be able to write a similar life story of their own. It is particularly important for young doctors to learn how not to bring grief but goodness to their patients and relatives. This book also illustrates the history of the development of coronary intervention in China and the rise of the Asia Pacific region in this field. Finally, this book provides a unique, personal perspective in the convergence of Eastern and Western culture, medicine and art. Sample Chapter(s). Foreword (241 KB). Chapter 1: Early Years (917 KB). Contents: Early Years; Vow to be a Doctor; A Good Doctor; Goodness not Grief; Xiamen University Medical College; Health Reform and Centres of Excellence; Asia Pacific OCo The Third Block; East and West, Science and God. Readership: Students, professional, and general public."