By the time he was nineteen, Royston Vasey had married, divorced, fathered two children, spent two years in Britain's toughest Borstal, served three prison stretches and been stabbed while in the Merchant Navy. He thought his only career choice would be a life of crime. Fifteen years later, he was one of Britain's most successful comics, playing live to half a million fans a year as Roy 'Chubby' Brown. COMMON AS MUCK! tells an incredible story of hardships, heartbreak and, ultimately, success. From an impoverished childhood with his abusive father, to his brand of comedy too rude for television and his determined fight against throat cancer, COMMON AS MUCK! is a frank telling of a remarkable life, laced with Roy's irrepressible humour.

Presents the complete lyrics of rock musician Ian Dury, along with handwritten notes, candid photographs, and an audio CD featuring previously unreleased material.

Englishness is an ancient and powerful concept, but no one seems sure exactly what it means in the twenty-first century. In exploring our national identity, Tony Thorne has compiled a fascinating compendium of the hundred words and phrases that have become the cornerstones of modern English, and have been used - sometimes deliberately, but often inadvertently - to stake out our common ground, to define what makes us essentially English, and thus different from those beastly foreigners who lurk just off our shores.

Unquestionably, The Word Factory is the perfect guide to better English Grammar and effortless writing. According to one newspaper report, universities in England had begun to penalise students who employed incorrect grammar in their essays. In South Africa, the analysis of seventy-four thousand short stories found that written work of children was littered with SMS language, American slang, exclamation marks, and references to celebrities. All through my formative years, I had to contend with five different languagesEnglish, Afrikaans, and two other dialects, which for the most part, accounted for my inability to translate thought into words effortlessly and inhibited my willingness to participate in lively social discussions especially in the course of my high school years. However, possessed of determination, I had vowed to overcome that infirmity. My need to succeed at all costs precipitated the memorisation of the entire Pocket Oxford Dictionary, an accomplishment that spanned ten long years, following which a further ten years were spent in acquainting myself with most English phrases, idiomatic expressions, and collecting the data and fully researching it. I decided to name the compilation The Word Factory. The fruits of my efforts, but more specifically the extensive employment of The Word Factory, not only marked my rise onto the podiums as master of ceremonies and public speaker, but had also enabled me to write approximately twenty-five articles to the Cape Argus, Cape Towns pre-eminent newspaper, within the space of two years, with 100 per cent publication rate.

This provocative collection of short stories charts the growth of a generation from the liberating irreverence of the late 1970s to the dilemmas of responsibility and fidelity of the 1990s. The stories resonate with Hanif Kureishi's dead-on observations of human passion and folly, his brilliant depiction of seedy locales and magical characters, and his original, wicked sense of humor.

Are schools failing working class children or does working class life present alternative means for gaining social status that conflict with what it means to do well at school? Focusing on Southeast London, this book provides insight into class values and reveals the complex cultural politics of white working class pride.

Report for 1898 has Appendix: Condensed index of reports of Connecticut Board of Agriculture, 1866-1898.