Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.

The American cowboy has long been a popular figure in fiction, motion pictures, and studies of the West, but over the years inaccuracies have crept in, distorting the image of the real cowboy. Philip Ashton Rollins, in The Cowboy, sets out to provide a complete, accurate handbook on the everyday life of the cowboy - trailing, herding, branding, round-up, and horsebreaking. He also discusses tools of the trade, including types of saddles, bits, riatas, boots, and spurs. Most vivid is his presentation of the cowboy's personality, code, mores, and amusements. This new paperback edition, a reprint of the enlarged (1936) edition, contains revisions to the text of the first edition, a new chapter on riding "buckers, " thirty-one illustrations, and an index. In a new foreword, Richard W. Slatta discusses Rollin's life and compares modern histories of the cowboy with Rollins's classic volume.

This cultural journey down memory lane showcases how major Western figures, events, and places have been portrayed in folk legends, art, literature, and popular culture. Ever since the days of the 49ers and George Armstrong Custer, the Old West has been America's most potent source of legend. But it is sometimes hard to separate fact from fiction. Did you know, for example, that Annie Oakley was a talented marksman who shot an estimated 40,000 rounds per year while practicing and performing for Buffalo Bill Cody's Wild West Show in the late l800s? Or that many interpreters believe that The Wonderful Wizard of Oz is not just a fairy tale, but also a Populist allegory? These are just two of the folk legends dissected and examined in this veritable cultural geography. The volume covers everything from billionaire Howard Hughes and composer Aaron Copeland to Aztlan (the legendary first city of the Aztecs) and Area 51, the top-secret U.S. Air Force base at Groom Lake, Nevada, that has fascinated UFO and conspiracy buffs.

Although as much romanticized as the American cowboy, the Argentine gaucho lived a persecuted, marginal existence, beleaguered by mandatory passports, vagrancy laws, and forced military service. The story of this nineteenth-century migratory ranch hand is told in vivid detail by Richard W. Slatta, a professor of history at North Carolina State University at Raleigh and the author of Cowboys of the Americas (1990).

In 1769–1770, Spanish Catholic missionaries, soldiers, and Cochimí Indians traveled to Alta California. They relied on domesticated animals, like horses and cattle, for food security in the continual expansion of the Spanish empire. These rapidly increasing herds consumed traditional sources of Indigenous foods, medicines, tools, and weapons and soon outstripped the ability of soldiers and priests to control them. This reality forced the Spanish missionaries to train trusted American Indian converts in the art of cowboying and cattle ranching. American Indian Cowboys in Southern California, 1493–1941: Survival, Sovereignty, and Identity by David G. Shanta provides new insights into the impact of horses and cattle on the Indigenous peoples of the Spanish Borderlands after early colonization. He examines how the American Indian cowboys formed the backbone of Spanish mission economies, the international trade in cowhides and tallow that created the Mexican ranchero class known as Californios, and later on American cattle operations. Shanta shows that California Native peoples adopted cowboying and cattle ranching, first as a survival strategy, but then also acquiring and running their own herds and forming a new, California American Indian economy based on cattle. Their new economy reinforced their demands for sovereignty over their ancestral lands with exclusive rights to essential elements, including the essential elements of pasturage and water. This book affirms the innovative nature of American Indian Cowboys and brings to light how they survived, kept their cultures alive, and gained recognition of their sovereign status.

Prostitution, gunfights, barroom brawls and cattle rustling - while prevailing images from the American old West - have typically been absent from histories of the Canadian frontier. In Cowboys, Gentlemen, and Cattle Thieves Warren Elofson demonstrates that the Canadian frontier was less restrained, law-abiding, and insulated from death and violence than has been believed. He challenges traditional views that Canadian ranching society was a microcosm of the "Old World," arguing that the greatest influence on ranchers and settlers was the need to deal with the frontier environment.

In Frontier Cattle Ranching in the Land and Times of Charlie Russell, Warren Elofson debunks the myth of the American "wild west" and the Canadian "mild west" by demonstrating that cattlemen on both sides of the forty-ninth parallel shared a common experience. Focusing on Montana, Southern Alberta, Southern Saskatchewan, and the well-known figure of Charlie Russell - an artist and storyteller from that era who spent time on both sides of the border - Elofson examines the lives of cowboys and ranch owners, looking closely at the prevalence of drunkenness, prostitution, gunplay, rustling, and vigilante justice in both Canada and the United States.

Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.

Papers from a conference held at the Glenbow Museum in Sept. 1997.