This book offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals in the poetry.

This collection of poems was chosen from among 10, 000 gathered from cowboy reciters, ranch poets and from a library of over 200 published works of cowboy verse. One third of the poems are classics that have proven their vitality by having lived in the hearts and minds of cowboys and ranchers for decades. The remaining two-thirds are new, created within the last few years. "Most cowboy poems speak of real events and people, from bucking horses and cagey cows to old Stetson hats and long winter travels. Although they focus on the ordinary stuff of life, their truths . . . seem no less eternal than those penned by William Shakespeare. Some cowboy poems are bust-a-gut funny; a few are downright dirty . . . most carry an honest, primitive power." --Michael Riley, TIME Magazine

In Cowboy Poetry: The Reunion we lift our lariats and salute twenty years of poetry sharing at the National Cowboy Poetry Gathering in Elko, Nevada. Reflective and rascally, tough and fresh, clever and insightful, this book holds the history, the heritage, and the future of the vibrant voices of the West. This anthology comprises some of the best of traditional cowboy poetry predating the present cowboy poetry revival, as well as work created since 1985. It is a great retrospective, giving us a sense of where we have been and where we are going, as well as a fitting tribute to the men and women whose words reflect an authentic American West. Virginia Bennett is the editor of Cowgirl Poetry, also published by Gibbs Smith, Publisher.

Author Sharon Carpenter was introduced to the cowboy poetry writing and performing style by Joel Hayes, founder of Douglas County's Poetry Writers Group located in Douglasville, Georgia. She was a performing poet with the Fourth, Fifth and Sixth Annual Georgia Cowboy Gatherings. Now, she has collected her cowboy poetry into one volume. Western Cowboy Poetry: An African American Perspective is an engaging collection of poems specifically written to be delivered at cowboy poetry gatherings. These verses provide an imaginary yet entertaining perspective on what life experiences might have been like for African Americans who strived to live in the western region of the United States during both the pre- and post-civil war era. These poems offer historical and contemporary cowboy viewpoints and they are based upon research of historical contributions of African Americans. Western Cowboy Poetry consists of four sections, emphasizing the journey and contributions of African American cowboys; the work experience for these cowboys; cowboy love stories; and the perspective of African American cowhands of the time on values. Isom Dart Let me tell you the story Of ol' Isom Dart, How he broke my will and my soul, And also my heart. He was as elusive as them horses He was always chasin'; You think you landed him, Then you find—time, it was a wastin' ... "Sharon's unique style brings an African American perspective on western cowboy poetry." —Douglas County Sentinel

The National Cowboy Poetry Gathering is the granddaddy of all cowboy poetry events, proclaimed by the US Senate in 2000 in recognition of its pioneering role in the preservation and revitalization of this important American tradition. In conjunction with the 30th anniversary of the event, this commemorative volume collects 100 poems by various cowboy poets who have appeared at the gathering over the last three decades, from Baxter Black and Wallace McRae to Georgie Sicking and Paul Zarzyski. Representing the best contemporary cowboy poetry from the first gathering to the present, the poets and poems are culled for their importance and quality with consideration for a wide range of topics that represent the richness and depth of this broad genre. In addition to poems that will make you smile, sigh, or sit up straight in your saddle, the anthology features expressive photos of the contributors, biographical and explanatory headnotes, relevant artwork from the Western Folklife Center’s extensive archives, and illuminating sidebars on various topics such as working cattle; life on the land; the relationship between cowboy poetry and song; gear, horses, or cattle mentioned in poems; and profiles and photos of important cowboy poets from earlier times. Cowboy poet extraordinare Baxter Black will provide a foreword, and Charlie Seemann, executive director of the Western Folklife Center, will write an introduction that gives context both to the event itself and to cowboy poetry in general, from the days of the trail drives in the nineteenth century to the lives of the hardworking men and women who still ranch and live on the land in the West today.

A collection of Michael Whitaker cowboy poetry, songs, and philosophy depicting the glories of blue moons, western skies, mountain trails, and countrysides. In addition, poignant vignettes portray friends and strangers he met on his travels. And he includes a touch of romance. Whitaker aimed to preserve the age old traditions of cowboy history and lifestyle through his rhyming stories and musings. He wrote of family, home, friends old and new, and life’s simple pleasures through word paintings. Performed before American northwest audiences as part of the three-some group, the Rockin’ HW, these poems are illustrated by beautiful original photography.

"In this text, author and editor David Fillingim turns his attention to the West - West Georgia that is. This book examines how the contemporary cowboy poetry revival that sprung up in 1985 in Elko, Nevada, has borne fruit in the Peach State. First, Fillingim traces the history of cowboy poetry and its emergence as a cultural phenomenon. Then he recounts the story of how Georgia became home to a vibrant cowboy poetry scene. But the largest part of the book is an anthology of poems by some of the finest cowboy poets anywhere, and they all happen to be in Georgia." "As celebrated cowboy-poet Doris Daley says in the preface, "everywhere is west of somewhere". So settle in, and travel with Fillingim to someplace west of wherever you are, and enjoy this unique combination of shrewd scholarly analysis and heartwarming cowboy poetry." --Book Jacket.

These recent works are from America's best cowboy and cowgirl poets, most of whom are regular participants in local cowboy poetry gatherings and in the Granddaddy Gathering held each January in Elko, Nevada. Included here are some of the best-known poets, such as Waddie Mitchell, Wally McRae, and more who breathe reality into the myth of the ranching life. Cowboy Poetry is a cultural phenomenon that continues to spread like wildfire across the country.

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.