This book offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals in the poetry.

"In this text, author and editor David Fillingim turns his attention to the West - West Georgia that is. This book examines how the contemporary cowboy poetry revival that sprung up in 1985 in Elko, Nevada, has borne fruit in the Peach State. First, Fillingim traces the history of cowboy poetry and its emergence as a cultural phenomenon. Then he recounts the story of how Georgia became home to a vibrant cowboy poetry scene. But the largest part of the book is an anthology of poems by some of the finest cowboy poets anywhere, and they all happen to be in Georgia." "As celebrated cowboy-poet Doris Daley says in the preface, "everywhere is west of somewhere". So settle in, and travel with Fillingim to someplace west of wherever you are, and enjoy this unique combination of shrewd scholarly analysis and heartwarming cowboy poetry." --Book Jacket.

The National Cowboy Poetry Gathering is the granddaddy of all cowboy poetry events, proclaimed by the US Senate in 2000 in recognition of its pioneering role in the preservation and revitalization of this important American tradition. In conjunction with the 30th anniversary of the event, this commemorative volume collects 100 poems by various cowboy poets who have appeared at the gathering over the last three decades, from Baxter Black and Wallace McRae to Georgie Sicking and Paul Zarzyski. Representing the best contemporary cowboy poetry from the first gathering to the present, the poets and poems are culled for their importance and quality with consideration for a wide range of topics that represent the richness and depth of this broad genre. In addition to poems that will make you smile, sigh, or sit up straight in your saddle, the anthology features expressive photos of the contributors, biographical and explanatory headnotes, relevant artwork from the Western Folklife Center’s extensive archives, and illuminating sidebars on various topics such as working cattle; life on the land; the relationship between cowboy poetry and song; gear, horses, or cattle mentioned in poems; and profiles and photos of important cowboy poets from earlier times. Cowboy poet extraordinare Baxter Black will provide a foreword, and Charlie Seemann, executive director of the Western Folklife Center, will write an introduction that gives context both to the event itself and to cowboy poetry in general, from the days of the trail drives in the nineteenth century to the lives of the hardworking men and women who still ranch and live on the land in the West today.

These recent works are from America's best cowboy and cowgirl poets, most of whom are regular participants in local cowboy poetry gatherings and in the Granddaddy Gathering held each January in Elko, Nevada. Included here are some of the best-known poets, such as Waddie Mitchell, Wally McRae, and more who breathe reality into the myth of the ranching life. Cowboy Poetry is a cultural phenomenon that continues to spread like wildfire across the country.

This collection of poems was chosen from among 10, 000 gathered from cowboy reciters, ranch poets and from a library of over 200 published works of cowboy verse. One third of the poems are classics that have proven their vitality by having lived in the hearts and minds of cowboys and ranchers for decades. The remaining two-thirds are new, created within the last few years. "Most cowboy poems speak of real events and people, from bucking horses and cagey cows to old Stetson hats and long winter travels. Although they focus on the ordinary stuff of life, their truths . . . seem no less eternal than those penned by William Shakespeare. Some cowboy poems are bust-a-gut funny; a few are downright dirty . . . most carry an honest, primitive power." --Michael Riley, TIME Magazine

The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

Inside the Classroom (and Out) examines folklore and its many roles in education. Several articles explore teaching in rural school houses in the early twentieth century, while others provide insight into more serious academic scholarship in the field of folklore itself. One chapter looks at the "early years," including works about day care centers, scout programs, children's books, and the basic definition of what we mean by "folklore." Another chapter covers high school: cheerleading, football, yearbooks, and beliefs of Hispanic students. There is a chapter dedicated to Paul Patterson and his contribution to teaching; a chapter that covers college experiences, with stories about early Aggies, ghosts on university campuses, and collegiate cowgirls; and a chapter involving scholarly works, such as ways to help improve our memories, a linguistic study of cowboy poetry, and a comprehensive look at folklore studies.

Part memoir, part how-to, all Baxter Black, Lessons from a Desperado Poet is a humorous, witty take on making a living by doing the right thing and trying everything. According to Baxter Black, success “does not require a genius; it just requires the persistence of a glacier. Remember, often it’s not ability that gets you ahead, it’s reliability. The world is run by those who show up.” Lessons from a Desperado Poet leaves a trail of self-improvement and motivational tortilla crumbs that readers will follow with delight—before, that is, squirreling them away in their own cerebral pockets for later use.