This book explores the dynamics of the interaction between the development of creative industries and urban land use in Nanjing, a metropolis and a growth pole in the Yangtze River Delta. In the last two decades, China's economy has been undergoing dramatic growth. Yet, accompanying with China's economic success is the disturbing environmental deterioration and energy concerns. These issues together with the diminution of the advantage of low-cost labour force present many Chinese cities, particularly big cities specialising in manufacturing in the most developed regions, the urgency to find new approaches to "creative China". As an ancient city featured by abundance of cultural heritages and legacies of heavy industries, Nanjing has been striving for a decade to transform its economy towards a creative economy by cultivating creative industries. In parallel with the flourishing of creative industries are contest for land resources among different interest parties and restructuring of urban land use. Both are new challenges for urban planning. This complex process is examined in this book by an interdisciplinary approach which integrates GIS, ABM, questionnaire investigation and interview.

This book collects a selection of the best articles presented at the CUPUM (Computers in Urban Planning and Urban Management) conference, held in the second week of July 2013 in Utrecht, the Netherlands. The articles included were selected by external reviewers using a double blind process.

Interdisciplinary, internationally focused, policy-informed, and strategic, this book sets out agendas for advancing research into creative industries as a productive and innovative intervention in public policy. With contributions from leading scholars, policy and industry specialists, this Research Agenda will be a vital resource for students and academics working in the fields of communication, culture, film and media, geography, business and policy studies, and Internet and social media studies.

In this book, Eleonora Redaelli investigates the arts in American cities, providing insight into urban cultural policy discourse through the lens of space. By unpacking the ways in which scholars and policymakers account for geographic configuration and spatial relation, this monograph presents a unique approach to the arts and public policy. Redaelli analyses five main concepts of the international discourse in cultural policy — cultural planning, cultural mapping, creative industries, cultural districts and creative placemaking — highlighting how each of them contributes to the understanding of how the arts connect with place. Employing a selection of American cities as case, this book is an essential contribution to our understanding of cultural policy and its effects. It will be of interest to students and scholars of sociology, public policy, urban studies, arts management and cultural studies.

Since the late 1990s, there have been broad discussions concerning the rapid rise of the creative economy. Creative or cultural industry is seen as the new engine of the regional growth for both developed economies and emerging nations. At the point of transition in economy and society, China is recently striving to transform its economy from “made in China” towards “created in China”. This book provides an insight into creative industries and spaces in Shanghai, which is the fastest growing megacity in China and the center of modern economic development on a global scale. Underpinned by new approaches from economic geography and urban studies, it deals with the new relations between the creative economy and urban environment in Shanghai. Over the last decade, creative clusters have been rapidly emerging in particular locations in the central city of Shanghai. This spatial phenomenon is explained in the book through an analysis of dynamics, networks and implications.

This book constitutes the proceedings of the First International Conference on Spatial Data and Intelligence, SpatialDI 2020, which was held on May 8-9, 2020. The conference was planned to take place in Shenzhen, China, and changed to an online format due to the COVID-19 pandemic. The 21 full papers presented in this volume were carefully reviewed and selected from 50 submissions. They were organized in topical sections named: traffic management; data science; and visualization science.

China's cities are subject to dramatic changes. Cities develop into Megacities, economic growth as well as the drastic increase of traffic contribute to a profound transformation of urban infrastructure. However, the processes are more visible than the stakeholders supporting such transformations. What are the location factors, spatial principles and planning philosophies that direct the cities' growth and reconstruction? The articles of this anthology investigate the above mentioned questions. Using various case studies, they analyse processes of location choice and transformation in Chinese coastal Megacities and in inland areas; they explore urban governance processes and - vice versa - also include the planning concepts of rural areas.

Heritage Politics in China: The Power of the Past studies the impact of heritage policies and discourses on the Chinese state and Chinese society. It sheds light on the way Chinese heritage policies have transformed the narratives and cultural practices of the past to serve the interests of the present. As well as reinforcing a collective social identity, heritage in China has served as an instrument of governance and regulation at home and a tool to generate soft power abroad. Drawing on a critical analysis of heritage policies and laws, empirical case studies and interviews with policymakers, practitioners, and local communities, the authors off er a comprehensive perspective on the role that cultural heritage plays in Chinese politics and policy. They argue that heritage-making appropriates international, national, and local values, thereby transforming it into a public good suitable for commercial exploitation. By framing heritage as a site of cooperation, contestation, and negotiation, this book contributes to our understanding of the complex nature of heritage in the rapidly shifting landscape of contemporary China. Heritage Politics in China: The Power of the Past is essential reading for academics, researchers and students in the fi elds of heritage studies, cultural studies, Asian studies, anthropology, tourism and politics.

La difficoltà di "collocare" le attività economiche derivanti dalla cultura e dalla creatività in un contesto di coerenza ed intelligibilità ha impedito agli studiosi e ai responsabili delle politiche economiche di giungere a conclusioni condivise sui criteri di definizione di questo settore economico. La mancanza di chiarezza nella terminologia raggiunse l'apice alla fine degli anni Novanta, quando le "industrie creative" sostituirono le "industrie culturali", termine fino ad allora ampiamente diffuso e utilizzato nelle politiche culturali nazionali e internazionali. Alla luce dell'intenso dibattito accademico sviluppato attorno alle industrie culturali e creative, la prima parte di questo libro analizza tensioni, dibattiti e divergenze nelle definizioni, nonché le peculiari caratteristiche di queste industrie. Vengono inoltre illustrati gli effetti dell'applicazione di diversi schemi di classificazione del settore culturale e creativo sul suo peso economico, e discusse le difficoltà che esso incontra nella competizione con altri settori per accedere ai programmi di finanziamento europeo. La seconda parte del libro indaga le molteplici relazioni che le industrie creative installano tra di loro e con il contesto urbano. I modelli di localizzazione delle imprese creative vengono analizzati in un caso di studio nella Città metropolitana di Roma. Le distribuzioni spaziali dei diversi settori creativi sono studiate utilizzando punti georiferiti come input per un modello statistico basato sulla funzione K di Ripley. Un'ipotesi nulla di distribuzione casuale viene verificata per le seguenti condizioni: analizzando la distribuzione spaziale di ogni singolo settore creativo rispetto al resto delle attività creative; confrontando a coppie i settori creativi per identificare quelli che rivelano attrazione reciproca; confrontando, per ciascun settore creativo, i modelli di localizzazione delle attività core-creative rispetto alla localizzazione delle rispettive funzioni di servizio. L'analisi empirica ha mostrato che, nella maggior parte dei casi, i settori core-creativi hanno la tendenza di raggrupparsi nello spazio a piccole distanze mentre i rispettivi settori di servizio sono dispersi internamente e disposti attorno al cuore. I confronti reciproci hanno rivelato l'esistenza di cluster creativi urbani caratterizzati dalla coesistenza di diverse attività creative.

As digitalization meets local traditions, there is great potential for creative industries (CI) to promote economic and social development in middle- and low-income countries. This book explores the economic and cultural relevance of these industries in India. The book identifies key topics regarding cultural and creative industries in India, which has a rich cultural heritage and a young demographic and is undergoing swift socio-economic change. It contains the most sophisticated and comprehensive mappings of CI in India to date. It also features numerous case studies, which illuminate the growth of CI in India, its intersections with caste and gender, the central role of handloom, handicraft, and other local practices within communities, as well as the specific challenges in safeguarding and harnessing various creative industry assets to promote sustainable development and social change. Rich with empirical data, this book will be an essential read for scholars and researchers of cultural studies, economics, history, social work, development studies, media studies, and South Asian studies.