The aim of this book is to tell a fuller story of postmodernism as applied to philosophy and a few other related disciplines. The book considers postmodernism from different angles. Apart from examining the nexus between postmodernism and different branches of philosophy. The ideas of leading postmodern thinkers we critically discussed. In an age where students find it very difficult to buy relevant books, this book is a handy reference material because it covers the very essential areas of postmodernism. I must commend the Editors of the book for their editorial astuteness and all the contributors for exhibiting a wonderful and overwhelming enlightenment for philosophy students and students of related disciplines. I strongly recommend the book for these and enlightened readers who seek a deeper knowledge of the subject.

V.1 Foundational essays -- V.2 Critical Texts -- V.3 Disciplinary texts: Humanities and social sciences -- V.4 Legal studies, psychoanalytic studies, visual arts and architecture.

John McGowan brings a fresh perspective to ongoing debates about the political implications of postmodernist thought and the relationship of intellectuals to contemporary culture. In addition to providing a comprehensive overview of the philosophical context of postmodernism, he considers the kinds of freedom and oppositional politics that are possible under postmodern conditions.

In this comprehensive and scholarly book, the essential critical strands in organizational analysis are explained. It examines how central traditions have realigned in relation to the challenge of postmodernism and the new reflexive turn in organizational studies. Judicious, innovative and written with the needs of students in mind, this book offers a renewed and revitalized critical accent in organization studies - one that focuses on existing and emerging social tendencies, contestations and struggles. It will be essential reading for senior students of organization studies and sociology.

The Encyclopedia of Postmodernism provides comprehensive and authoritative coverage of academic disciplines, critical terms and central figures relating to the vast field of postmodern studies. With three cross-referenced sections, the volume is easily accessible to readers with specialized research agendas and general interests in contemporary cultural, historical, literary and philosophical issues. Since its inception in the 1960s, postmodernism has emerged as a significant cultural, political and intellectual force that many scholars would argue defines our era. Postmodernism, in its various configurations, has consistently challenged concepts of selfhood, knowledge formation, aesthetics, ethics, history and politics. This Encyclopedia offers a wide-range of perspectives on postmodernism that illustrates the plurality of this critical concept that is so much part of our current intellectual debates. In this regard, the volume does not adhere to a single definition of postmodernism as much as it documents the use of the term across a variety of academic and cultural pursuits. The Encyclopedia of Postmodernism, it must be noted, resists simply presenting postmodernism as a new style among many styles occuring in the post-disciplinary academy. Documenting the use of the term acknowledges that postmodernism has a much deeper and long-lasting effect on academic and cultural life. In general, the volume rests on the understanding that postmodernism is not so much a style as it is an on-going process, a process of both disintegration and reformation.

Criticism that takes an ideological approach to Canadian writing is scarce; political-rhetorical studies are even more uncommon. In this original approach to postwar Canadian fiction Glenn Deer presents provocative readings of ideologies as well as experiments with authorial stances.

Postmodernism and Notions of National Difference examines the critical construction of postmodern fiction raising the question of whether the construction of postmodernism has sufficiently accounted for national difference. Geoffrey Lord argues that current meta-national conceptions of postmodernism need serious reconsideration to take national cultural contexts into account. Through a comparative investigation of the theoretical debate, literary traditions and close textual reading of a number of postmodern texts, Lord makes a persuasive case for his broad claim that national cultural differences are more persistent and powerful than usually allowed by established theories of postmodernity which claim a general collapse of traditional cultural orders and the meta-narratives that justify them.

"I've worried some about why write books when presidents and senators and generals do not read them, and the university experience taught me a very good reason: you catch people before they become generals and senators and presidents, and you poison their minds with humanity. Encourage them to make a better world." — Kurt Vonnegut Kurt Vonnegut's desire to save the planet from environmental and military destruction, to enact change by telling stories that both critique and embrace humanity, sets him apart from many of the postmodern authors who rose to prominence during the 1960s and 1970s. This new look at Vonnegut's oeuvre examines his insistence that writing is an "act of good citizenship or an attempt, at any rate, to be a good citizen." By exploring the moral and philosophical underpinnings of Vonnegut's work, Todd F. Davis demonstrates that, over the course of his long career, Vonnegut has created a new kind of humanism that not only bridges the modern and postmodern, but also offers hope for the power and possibilities of story. Davis highlights the ways Vonnegut deconstructs and demystifies the "grand narratives" of American culture while offering provisional narratives—petites histoires—that may serve as tools for daily living.

From accounts of the Holocaust, to representations of AIDS, to predictions of environmental disaster; from Hal Lindsey's fundamentalist 1970s bestseller The Late Great Planet Earth, to Francis Fukuyama's The End of History and the Last Man in 1992, the sense of apocalypse is very much with us. In Postmodern Apocalypse, Richard Dellamora and his contributors examine apocalypse in works by late twentieth-century writers, filmmakers, and critics.