It is the tumultuous 1960s: Kennedy, Vietnam, the Civil Rights movement, and youth culture are on everyone's minds and lips. Prosperity and progress are undergirded with a sense of uneasiness for the Stuart family, along with the rest of the country. With a movie deal on the horizon, Bobby Stuart's star may be rising, but his descent into celebrity drug culture might be his undoing. And young love is blooming between two people who never expected it. Gilbert Morris fans will be delighted with his foray into a colorful and controversial decade. Dawn of a New Day is the final, never-before-published conclusion to the popular American Century series.

Pirate radio in the Hauraki Gulf and the first DC8 jets landing at Mangere; feminists liberating pubs and protests over the closing of Post Offices; kohanga reo and carless days: Changing Times is a history of New Zealand since 1945. From a post-war society famous around the world for its dull conformity, this country has become one of the most ethnically, economically and socially diverse countries on earth. But how did we get from Nagasaki to nuclear-free? What made us embrace small-state, free-market ideology with such passion? And were we really leaving behind a society known for its fretful sleepers and 'the worship of averages'? In Changing Times, Jenny Carlyon and Diana Morrow answer those questions, taking us from the 'Golden Weather' of post-war economic growth, through the globalisation, economic challenges and protest of the 1960s and 1970s, and on to the free market revolution and new immigrants of the 1980s and 1990s. Throughout, stories from the lives of New Zealanders are key: a tank driver yelling in his sleep after World War II, a woman in the Wairarapa discovering The Feminine Mystique, a Tapawera forestry worker losing his job. This is a powerful history of the transformation of New Zealand life.

First published in 1996 Documents a wide range of American yard art and distills from it insights into attitudes and values about places, homes, neighborhoods, communities, mediating relationships between culture and nature, negotiate consumer culture, and reusing and individualizing mass- produced things.

How children and children’s literature helped build America’s empire America’s empire was not made by adults alone. During the nineteenth and twentieth centuries, young people became essential to its creation. Through children’s literature, authors instilled the idea of America’s power and the importance of its global prominence. As kids eagerly read dime novels, series fiction, pulp magazines, and comic books that dramatized the virtues of empire, they helped entrench a growing belief in America’s indispensability to the international order. Empires more generally require stories to justify their existence. Children’s literature seeded among young people a conviction that their country’s command of a continent (and later the world) was essential to global stability. This genre allowed ardent imperialists to obscure their aggressive agendas with a veneer of harmlessness or fun. The supposedly nonthreatening nature of the child and children’s literature thereby helped to disguise dominion’s unsavory nature. The modern era has been called both the “American Century” and the “Century of the Child.” Brian Rouleau illustrates how those conceptualizations came together by depicting children in their influential role as the junior partners of US imperial enterprise.

Moments in History II is similar in format to Moments in History, but each book stands alone in that one does not have to read one in order to enjoy the other. They each contain chapters that examine a historical event and then look at the life of the individual at the center of that event. These people are sometimes famous, sometimes obscure, sometimes heroic, and sometimes scoundrels--but they are always interesting.

In the depths of the Great Depression, when America's future seemed bleak, nearly one hundred million people visited expositions celebrating the "century of progress." These fairs fired the national imagination and served as cultural icons on which Americans fixed their hopes for prosperity and power. World of Fairs continues Robert W. Rydell's unique cultural history—begun in his acclaimed All the World's a Fair—this time focusing on the interwar exhibitions. He shows how the ideas of a few—particularly artists, architects, and scientists—were broadcast to millions, proclaiming the arrival of modern America—a new empire of abundance build on old foundations of inequality. Rydell revisits several fairs, highlighting the 1926 Philadelphia Sesquicentennial, the 1931 Paris Colonial Exposition, the 1933-34 Chicago Century of Progress Exposition, the 1935-36 San Diego California Pacific Exposition, the 1936 Dallas Texas Centennial Exposition, the 1937 Cleveland Great Lakes and International Exposition, the 1939-40 San Francisco Golden Gate International Exposition, the 1939-40 New York World's Fair, and the 1958 Brussels Universal Exposition.

What we ate, how we ate, and how eating changed during America’s first real food revolution, 1900–1910. Before Julia Child introduced the American housewife to France’s cuisine bourgeoise, before Alice Waters built her Berkeley shrine to local food, before Wolfgang Puck added Asian flavors to classical dishes and caviar to pizza, the restaurateurs and entrepreneurs of the early twentieth century were changing the way America ate. Beginning with the simplest eateries and foods and culminating with the emergence of a genuinely American way of fine dining, Repast takes readers on a culinary tour of early-twentieth-century restaurants and dining. The innovations introduced at the time—in ingredients, technologies, meal service, and cuisine—transformed the act of eating in public in ways that persist to this day. Illustrated with photographs from the time as well as color plates reproducing menus from the New York Public Library’s Buttolph Menu Collection, Repast is a remarkable record of the American palate.

Describes consumers' shifting habits of fuel consumption, tracing how use of wood led to burning coal and coal gas, to the arrival, to the arrival of the arc lamp, and then the coming of electricity. Shows that the city government and utility brokers faced two problems: how to generate a cheap supply of electricity, and how to sell electrical energy to people who were already enjoying gas services. The solutions were found by Samuel Insull, president of Commonwealth Edison Company, who put electrical technology on a sound economic footing.

The 1992 Los Angeles riots catapulted the problems of the city back onto the policy agenda. The cauldron of social problems of the city, as the riots showed, offers no simple solutions. Indeed, urban policy includes a range of policy issues involving welfare, housing, job training, education, drug control, and the environment. The myriad of local, state, and federal agencies only further complicates formulating and implementing coherent policies for the city. This volume, while not offering specific proposals to remedy the problems of the city, provides a broad historical context for discussing contemporary urban policy and for arriving at new prescriptions for relieving the ills of the American city. The essays address issues related to public housing, poverty, transportation, and the environment. In doing so, the authors discuss larger themes in urban policy as well as provide case studies of how policies have been implemented over time in specific cities. Of particular interest are two essays that discuss the role of the historian in shaping urban policy and the importance of historical preservation in urban planning.

This is a study of the way in which popular words and music relate to American life. The question of what popular song was, and why it came into existence, as well as how each song fitted within the context of the larger 20th century society are considered and explained clearly and fruitfully. The author also offers insight into why musical styles were seen to change as they did during this time period.