In the early 1970s, a number of West German left-wing activists took up arms, believing that revolution would lead to social change. In the years to come, the bombings, shootings, kidnappings and bank robberies of the Red Army Faction (RAF) and Movement 2nd June dominated newspaper headlines and polarized legislative debates. Half of the terrorists declaring war on the West German state were women who understood their violent political actions to be part of their liberation from restrictive gender norms. As women participating in a brand of systematic violence usually associated with masculinity, they presented a cultural paradox, and their political decisions were viewed as gender transgressions by the state, the public, and even the burgeoning women’s movement, which considered violence as patriarchal and unfeminist. Death in the Shape of a Young Girl questions this separation of political violence from feminist politics and offers a new understanding of left-wing female terrorists’ actions as feminist practices that challenged existing gender ideologies. Patricia Melzer draws on archival sources, unpublished letters, and interviews with former activists to paint a fresh and interdisciplinary picture of West Germany’s most notorious political group, from feminist responses to sexist media coverage of female terrorists to the gendered nature of their infamous hunger strikes while in prison. Placing the controversial actions of the Red Army Faction into the context of feminist politics, Death in the Shape of a Young Girl offers an innovative and engaging cultural history that foregrounds how gender shapes our perception of women’s political choices and of any kind of political violence.

The symbolic value of targets is what differentiates terrorism from other forms of extreme violence. Terrorism is designed to inflict deep psychological wounds on an enemy rather than demolish its material ability to fight. The September 11, 2001 attacks, for example, demonstrated the power of symbolism. The World Trade Center was targeted by Al Qaeda because the Twin Towers epitomized Western civilization, U.S. imperialism, financial success, modernity, and freedom. The symbolic character of terrorism is the focus of this textbook. A comprehensive analysis, it incorporates descriptions, definitions, case studies, and theories. Each chapter focuses on a specific dimension of symbolism in terrorism and explains the contexts and processes that involve the main actors as well as the symbolism of both the purposes and targets of terrorism. Also discussed are new religious movements, which represent another important aspect of terrorism, such as Aum Shinrikyo, the Japanese cult that used sarin gas in the Tokyo subway in 1995. Over forty areas of symbolism are covered throughout the chapters, including physical and non-physical symbolism, linguistic symbolism, the social construction of reality, rituals, myths, performative violence, iconoclasm, brand management, logos, semiotics, new media, and the global village. This allows for an in-depth examination of many issues, such as anti-globalization, honor killing, religious terrorism, suicide terrorism, martyrdom, weapons, female terrorism, public communication, visual motifs, and cyberspace. Main concepts are clearly defined, and followed by theory illustrated by international case studies. Chapter summaries, key points, review questions, research and practice suggestions are recurring components as well. This groundbreaking text encompasses all major aspects of symbolism in terrorism and will be an essential resource for anyone studying terrorism.

Life and death in a sixteenth-century masterpiece The portrait we have come to call Little Girl with Dead Bird is an enigma. On the one hand, we hardly know anything about this sixteenth-century masterpiece. But even so, on the other hand, the picture fascinates viewers to this day. This painting's indeterminate yet compelling status provides Volkmar Mühleis grounds to look beyond its historical significance and to explore its anthropological scope as well, from an intercultural perspective and, moreover, against the backdrop of its complex of themes concerning life and death. To do so, Mühleis returns to the conceptual premises that frame the relationship between the history of art and the anthropology of images, along with those that juxtapose Western and Eastern philosophies.

Screening the Red Army Faction: Historical and Cultural Memory explores representations of the Red Army Faction (RAF) in print media, film and art, locating an analysis of these texts in the historical and political context of unfolding events. In this way, the book contributes both a new history and a new cultural history of post-fascist era West Germany that grapples with the fledgling republic's most pivotal debates about the nature of democracy and authority; about violence, its motivations and regulation; and about its cultural afterlife. Looking back at the history of representations of the RAF in various media, this book considers how our understanding of the Cold War era, of the long sixties and of the RAF is created and re-created through cultural texts.

A provocative description of the power of population change to create the conditions for societal transformation. As the world nears 8 billion people, the countries that have led the global order since World War II are becoming the most aged societies in human history. At the same time, the world’s poorest and least powerful countries are suffocating under an imbalance of population and resources. In 8 Billion and Counting, political demographer Jennifer D. Sciubba argues that the story of the twenty-first century is less a story about exponential population growth, as the previous century was, than it is a story about differential growth—marked by a stark divide between the world’s richest and poorest countries. Drawing from decades of research, policy experience, and teaching, Sciubba employs stories and statistics to explain how demographic trends, like age structure and ethnic composition, are crucial signposts for future violence and peace, repression and democracy, poverty and prosperity. Although we have a diverse global population, demographic trends often follow predictable patterns that can help professionals across the corporate, nonprofit, government, and military sectors understand the global strategic environment. Through the lenses of national security, global health, and economics, Sciubba demonstrates the pitfalls of taking population numbers at face value and extrapolating from there. Instead, she argues, we must look at the forces in a society that amplify demographic trends and the forces that dilute them, particularly political institutions, or the rules of the game. She shows that the most important skills in demographic analysis are naming and being aware of your preferences, rethinking assumptions, and asking the right questions. Provocative and engrossing, 8 Billion and Counting is required reading for business leaders, policy makers, and anyone eager to anticipate political, economic, and social risks and opportunities. A deeper understanding of fertility, mortality, and migration promises to point toward the investments we need to make today to shape the future we want tomorrow.

The New York Times bestselling author of Kill For Me recounts the true-crime story of the mysterious death of a Pennsylvania housewife. In the midst of Pennsylvania's Amish country, on a peaceful summer night in 2008, the body of forty-five-year-old Jan Roseboro was found at the bottom of her backyard pool. Her husband Michael, a successful businessman and member of a prominent family, showed no emotion as he learned of her death. But the next day an autopsy revealed Jan had been savagely beaten and strangled before being tossed in the water to drown. Soon Michael's secret lover, pregnant with his child, stepped into the media spotlight. And a horrifying true story of illicit passion, deadly deceit, and cold-blooded murder unfolded . . . Praise for New York Times bestselling author M. William Phelps “One of our most engaging crime journalists.” —Katherine Ramsland, New York Times – bestselling author of Confession of a Serial Killer: The Untold Story of Dennis Rader, the BTK Killer “Phelps creates a vivid portrait.” —Publishers Weekly “One of America's finest true-crime writers.” —Vincent Bugliosi, New York Times bestselling author of Helter Skelter Includes sixteen pages of revealing photos

Love You to Death is the first book in Meg Cabot's thrilling The Mediator series, followed by High Stakes, Mean Spirits, Young Blood, Grave Doubts and Heaven Sent. Being a mediator doesn't exactly make Susannah Simon your typical sixteen-year-old. Her job is to ease the path for the unhappy dead to their final resting place. Not all ghouls want to be guided, but Suze is inclined to kick some serious ghost butt if she has to. Now she's moved to California with her new stepfamily and is starting out at a brand-new school. From her first day, her mediator skills are tested to the max when Suze finds herself the target of the murderous spirit of ex-class beauty, Heather. At least she's sharing her new bedroom with Jesse, who just happens to be the hottest ghost in history. Suze is totally warm for his form and is determined to win the heart of the sexiest spirit in town. But can this girl get her ghost?

Reflections on Life, Love, and Events That Shape Them This book is a departure from the books I've published in the past, which are mostly on business history and processes and several collections of poetry. This book of essays combines reflections on my own life experiences with thoughts on subjects including a look at what I see happening in our country today, thoughts on God and religion, the life of Anne Frank and her continuing influence today, directions in medicine and treatment, and several other topics. It also looks at my background in sports and how it exposed me to a broad range of people and events that fueled my knowledge and experience to support this book.