Digital television is a multibillion-dollar industry with commercial systems now being deployed worldwide. In this concise yet detailed guide, you will learn about the standards that apply to fixed-line and mobile digital television, as well as the underlying principles involved. The digital television standards are presented to aid understanding of new systems in the market and reveal the variations between different systems used throughout the world. Discussions of source and channel coding then provide the essential knowledge needed for designing reliable new systems. Throughout the book the theory is supported by over 200 figures and tables, whilst an extensive glossary defines practical terminology. This is an ideal reference for practitioners in the field of digital television. It will also appeal to graduate students and researchers in electrical engineering and computer science, and can be used as a textbook for graduate courses on digital television systems.

As the world of television moves from analog to digital, political and economic forces are being brought to bear on companies as they attempt to deal with changes occurring in their industries. The impetus for the conversion from analog to digital TV comes from many quarters, including the broadcasting industry, the computer industry, governments, consumer electronics manufacturers, content developers, and the Internet. The widespread acceptance of digital technology in both the home and the workplace account for the ready acceptance of the belief that the move to digital television is an appropriate advancement. Not all authors in this volume however are believers. This book is divided into four sections each dealing with one aspect of the transition from analog to digital TV broadcasting. The first section presents the various technologies. It establishes a structure for understanding the technologies currently in use as well as those being developed by the industries involved in the delivery of digital television. Section two presents information about consumer TV viewing and includes examples of innovative, experimental interactive programs. Economics and financial issues are addressed from a variety of perspectives in section three. Section four concludes the book with a look at the international environment and the history of digital TV globally.

Digital Transmission Systems, Third Edition, is a comprehensive overview of the theory and practices of digital transmission systems used in digital communication. This new edition has been completely updated to include the latest technologies and newest techniques in the transmission of digitized information as well as coverage of digital transmission design, implementation and testing.

In accessible language, this resource describes how to upgrade an existing home entertainment system to digital television, and describes the core technologies involved. It looks closely at the DVB and ATSC video protocols and examines how they are used in satellite, cable, and over-the-air TV broadcasting.

This book covers channel coding and modulation technologies in DTTB systems from the general concepts to the detailed analysis and implementation. Covers the Chinese DTTB standard which was announced recently and hasn’t been covered in detail Introduces the SFN network using the successful implementation of DTMB in Hong Kong as an example Introduces the latest announced systems including the ATSC M/H and DVB-NGH

Writing for readers with a background in electronics, some knowledge of analog television, and a basic digital background, Benoit (Philips Semiconductors, France) intends this book as a summary and starting point rather than a handbook for experts. He describes the complex problems that had to be solved in order to define reliable standards for broadcasting digital pictures, and he explains the solutions chosen for the European digital video broadcasting (DVB) system based on the international MPEG-2 compression standard. The book ends with a description of a digital integrated receiver decoder, or set-top box, and a discussion of future prospects. Adapted and translated by the author from a 1996 work published in French (Paris: Dunod). The second edition adds a chapter on software interoperability. Annotation copyrighted by Book News, Inc., Portland, OR.

With the milestones of Digital TV and HDTV, there are lots of questions to be asked about television of today... Understanding Digital Television explains complex technical systems and solutions in an easy to comprehend manner along with visual 3D graphics. It helps non-technical individuals such as managers, executives, general media professionals, as well as TV and home cinema enthusiasts gain a practical understanding of the equipment, technical aspects of digital television, and various ways of distributing. Most examples are from a European perspective, but also include comparisons with North American systems. This book answers the confusing questions about new devices and digital formats, what to do when the analog TV transmitters are switched off, watching TV using your broadband connection, and much more.

The rapid increase in computing power and communication speed, coupled with computer storage facilities availability, has led to a new age of multimedia app- cations. Multimedia is practically everywhere and all around us we can feel its presence in almost all applications ranging from online video databases, IPTV, - teractive multimedia and more recently in multimedia based social interaction. These new growing applications require high-quality data storage, easy access to multimedia content and reliable delivery. Moving ever closer to commercial - ployment also aroused a higher awareness of security and intellectual property management issues. All the aforementioned requirements resulted in higher demands on various - eas of research (signal processing, image/video processing and analysis, com- nication protocols, content search, watermarking, etc.). This book covers the most prominent research issues in multimedia and is divided into four main sections: i) content based retrieval, ii) storage and remote access, iii) watermarking and co- right protection and iv) multimedia applications. Chapter 1 of the first section presents an analysis on how color is used and why is it crucial in nowadays multimedia applications. In chapter 2 the authors give an overview of the advances in video abstraction for fast content browsing, transm- sion, retrieval and skimming in large video databases and chapter 3 extends the discussion on video summarization even further. Content retrieval problem is tackled in chapter 4 by describing a novel method for producing meaningful s- ments suitable for MPEG-7 description based on binary partition trees (BPTs).

Abstract The transmission of digital TV signals to mobile receivers is often error-prone. As most TV broadcasting techniques provide only moderate error robustness, horizontal lines of consecutive image blocks are lost during decoding of the received video signals. In order to ensure high viewing experiences, these lost slices have to be filled by error concealment techniques. However, the reconstruction qualities of classical approaches which exploit spatial, temporal, or spatio-temporal signal correlations are not convincing yet. In the future, mobile TV receivers will support different broadcasting techniques in parallel. As a result, an erroneous high-resolution video signal and a correctly received low-resolution video signal, both representing the same TV service, will often be available. Focusing on the outlined scenario for multi-broadcast reception of digital TV signals, this thesis introduces the novel category of inter-sequence error concealment algorithms. The basic idea is to fill lost slices of the high-resolution video signal by the interpolated low-resolution video signal. Since the images of this reference signal are often cropped and delayed, robust spatio-temporal image alignment is crucial. By including a pixel-based or a feature-based alignment scheme, the proposed concealment algorithms provide excellent visual qualities and outstanding reconstruction qualities of up to 41 dB PSNR. Classical concealment techniques are outperformed by up to 15 dB PSNR. To further enhance the reconstruction quality, several extensions are introduced. First, the alignment robustness and the interpolation quality are increased. Subsequently, a classical temporal approach is incorporated as an alternative concealment mode to cope with low image qualities of the reference signal. Novel aspects include robust mode selection, enhanced motion estimation, and the reconstruction of the displaced frame differences from the reference signal. As a last extension, spatial refinement tackles blurring of concealed image blocks. Missing spectral components are recovered in a frequency selective way based on approximation and extrapolation principles. By combining all relevant extensions, the PSNR gain adds up to 20 dB with respect to classical concealment. Finally, inter-sequence error concealment is adapted to multi-broadcast reception of two erroneous high-resolution video signals. While spatial alignment can be omitted, classical concealment of blocks, being lost in both video signals, and drift compensation in predictively-coded frames are novel aspects. Again, high visual qualities are obtained and classical concealment is outperformed by up to 15 dB PSNR. Zusammenfassung Der Empfang digitaler Fernsehsignale mit mobilen Endgeräten wird meist durch Übertragungsfehler gestört. Da viele der eingesetzten Übertragungsstandards nur unzureichende Korrekturmechanismen bieten, können bei der Decodierung der empfangenen Videosignale Blockzeilenverluste auftreten. Um die Verlustgebiete zu verschleiern, werden üblicherweise zeitliche, örtliche oder zeitlich-örtliche Signalkorrelationen ausgenutzt. Die dabei erzielte Rekonstruktionsqualität ist jedoch häufig nicht zufriedenstellend. Zukünftig werden mobile Fernsehempfänger mehrere Übertragungsstandards parallel unterstützen. Durch den Einsatz dieser Mehrfachempfänger ist jedes Fernsehprogramm typischerweise in Form eines gestörten, hochauflösenden Videosignals und eines ungestörten, niedrigauflösenden Videosignals verfügbar. Ausgehend vom Mehrfachempfang digitaler Fernsehsignale wird in dieser Arbeit eine neue Gruppe von Verfahren zur Fehlerverschleierung beschrieben. Die grundlegende Idee dieser Ansätze besteht darin, verlorene Bildblöcke des hochauflösenden Videosignals durch Blöcke des interpolierten niedrigauflösenden Referenzsignals zu ersetzen. Da das Referenzsignal häufig nur Bildausschnitte zeigt und zudem meist zeitverzögert eintrifft, ist die korrekte Bestimmung der örtlichen Abbildungsparameter und des zeitlichen Versatzes ausschlaggebend für eine hochqualitative Verschleierung. Durch den Einsatz bildbasierter oder merkmalsbasierter Schätzverfahren werden eine exzellente visuelle Bildqualität und eine außergewöhnlich hohe Rekonstruktionsqualität erzielt. Der Spitzensignal-Rauschabstand beträgt bis zu 41 dB. Herkömmliche Verfahren werden um bis 15 dB übertroffen. Um die Rekonstruktionsqualität weiter zu erhöhen werden zahlreiche Erweiterungen der beschriebenen Verschleierungsansätze vorgeschlagen. Zuerst werden die Zuverlässigkeit der Parameterschätzung und die Interpolationsqualität verbessert. Danach wird ein herkömmliches zeitliches Verschleierungsverfahren integriert, um eine niedrige Bildqualität des Referenzsignals zu kompensieren. Neue Aspekte sind dabei die robuste Wahl des besseren Verschleierungsmodus, eine verbesserte Bewegungsschätzung und die Rekonstruktion des Prädiktionsfehlers unter Verwendung des Referenzsignals. Zuletzt wird die Bildschärfe bereits verschleierter Blöcke erhöht. Dazu werden fehlende Spektralanteile basierend auf frequenzselektiven Approximations- oder Extrapolationsansätzen wiederhergestellt. Durch die Kombination aller relevanten Erweiterungen wird die Rekonstruktionsqualität herkömmlicher Verfahren um bis zu 20 dB übertroffen. Abschließend werden die beschriebenen Fehlerverschleierungsverfahren an ein Szenario für den Mehrfachempfang digitaler Fernsehsignale angepasst, bei dem zwei fehlerhafte hochauflösende Videosignale verfügbar sind. Während die Schätzung der örtlichen Abbildungsparameter entfällt, müssen Bildblöcke, die in keinem der beiden Videosignale korrekt empfangen wurden, durch herkömmliche Verfahren verschleiert werden. Als weitere Neuerung wird ein Verfahren zur Kompensation des Drifteffekts in prädiktiv codierten Bildern vorgeschlagen. Auch bei diesem Empfangsszenario wird eine hohe visuelle Bildqualität erzielt und die Rekonstruktionsqualität herkömmlicher Verfahren um bis zu 15 dB übertroffen.