Many commentaries on the Apocalypse were produced in the early Middle Ages. This book provides translations of two Apocalypse commentaries from the seventh and eighth centuries. On the Mysteries of the Apocalypse of John is part of a large one-volume "Reference Bible" composed about 750. Written probably by an Irish teacher residing in northern France, it answers difficulties arising from the biblical text. The Handbook on the Apocalypse of the Apostle John, attributed erroneously to Jerome and written before 767, contains brief moral and allegorical interpretations of particular words and phrases of the Apocalypse. The introduction highlights the unique features of each commentary and the interrelationship of the three texts.

In this volume of the Ancient Christian Texts series, William Weinrich renders a particular service to readers interested in ancient commentary on the Apocalypse by drawing together significant Latin commentaries from Victorinus of Petovium, Caesarius of Arles, Apringius of Beja and Bede the Venerable.

This edition contains four Middle English Charlemagne romances from the Otuel cycle: Roland and Vernagu, Otuel a Knight, Otuel and Roland, and Duke Roland and Sir Otuel of Spain. A translation of the romances' source, the Anglo-French Otinel, is also included. The romances center on conflicts between Frankish Christians and various Saracen groups, and deal with issues of racial and religious difference, conversion, and faith-based violence.

This work examines a centuries-long intellectual tradition in the early Latin church linking the imagery associated with the opening of the Seven Seals of the Apocalypse with programs of ecclesiastical expansion and ascetic reform.

This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Latin is the language in which the New Testament was copied, read, and studied for over a millennium. The remains of the initial 'Old Latin' version preserve important testimony for early forms of text and the way in which the Bible was understood by the first translators. Successive revisions resulted in a standard version subsequently known as the Vulgate which, along with the creation of influential commentaries by scholars such as Jerome and Augustine, shaped theology and exegesis for many centuries. Latin gospel books and other New Testament manuscripts illustrate the continuous tradition of Christian book culture, from the late antique codices of Roman North Africa and Italy to the glorious creations of Northumbrian scriptoria, the pandects of the Carolingian era, eleventh-century Giant Bibles, and the Paris Bibles associated with the rise of the university. In The Latin New Testament, H. A. G. Houghton provides a comprehensive introduction to the history and development of the Latin New Testament. Drawing on major editions and recent advances in scholarship, he offers a new synthesis which brings together evidence from Christian authors and biblical manuscripts from earliest times to the late Middle Ages. All manuscripts identified as containing Old Latin evidence for the New Testament are described in a catalogue, along with those featured in the two principal modern editions of the Vulgate. A user's guide is provided for these editions and the other key scholarly tools for studying the Latin New Testament.

This volume is the second of the thirteen in preparation that will offer the first complete scholarly edition of the poetry and music of Guillaume de Machaut, the foremost practitioner of these related arts at the end of the Middle Ages in France. It provides a freshly prepared edition based on the most reliable manuscript of two of Machaut's best known dits, the Remede de Fortune (Remedy for Fortune) and the Confort d'ami (Consolation from a Friend), both of which adapt the central ideas of Boethian philosophy to the love poetry tradition. The French texts are accompanied by facing English translations, and the musical passages are presented in situ in a performance-accessible form.

This collection of new essays examines the long-standing question of apocalyptic expectations around the turn of the first millennium. Including works by scholars of medieval history, literature, and religion, this book argues that apocalyptic expectations did exist around the year 1000. It provides a more balanced and nuanced approach to the issue than the traditional views that either identify a time of fear, the 'terrors of the year 1000', or deny that awareness of the millennium existed. This book, instead, recognizes that there were a variety of responses to the eschatological years 1000 and 1033 and that these responses contributed to the broader social and religious developments associated with the birth of European civilization.

This long overdue new edition of Guillaume de Machaut's twenty-three motets, the largest surviving collection of such works by a single composer in this period, is based on the most authoritative of the surviving manuscripts and is designed to meet the needs both of advanced scholars and musicians as well as students and performers. This user-friendly format indicates variants on the scores and has a layout that makes each work's structure clearly visible; the lyrics, with full English translation, are presented at the end of each work.

These six poems explore some of the courtly and chivalric themes that preoccupied late medieval Scottish society. The volume includes Sir David Lyndsay's Historie and Testament of Squyer Meldrum, as well as his Answer to the Kingis Flyting; and three anonymous fifteenth-century poems: Balletis of the Nine Nobles, Complaint for the Death of Margaret, Princess of Scotland, and Talis of the Fyve Bestes.

In this interesting and insightful work, Eugenia Scarvelis Constantinou, the leading expert on Andrew of Caesarea and the first to translate his Apocalypse commentary into any modern language, identifies an exact date for the commentary and a probable recipient. Her groundbreaking book, the first ever written about Andrew, analyzes his historical milieu, education, style, methodology, theology, eschatology, and pervasive and lasting influence. She explains the direct correlation between Andrew of Caesarea and fluctuating status of the Book of Revelation in Eastern Christianity through the centuries.