In Echoes of an Invisible World Jacomien Prins offers an account of the transformation of the notion of Pythagorean world harmony during the Renaissance and the role of the Italian philosophers Marsilio Ficino (1433-1499) and Francesco Patrizi (1529-1597) in redefining the relationship between cosmic order and music theory. By concentrating on Ficino’s and Patrizi’s work, the book chronicles the emergence of a new musical reality between the fifteenth and sixteenth centuries, a reality in which beauty and the complementary idea of celestial harmony were gradually replaced by concepts of expressivity and emotion, that is to say, by a form of idealism that was ontologically more subjective than the original Pythagorean and Platonic metaphysics.

"To investigate the unexplained laws of Nature and the powers latent in humanity" is one object of the Theosophical Society. Annie Besant (1847–1933), outspoken feminist, political activist, and early president of the TS, thought that psychic and spiritual development should be available to everyone, not just a chosen few. In her many books and articles providing guidelines, her goal was not to help students develop supernormal powers, but to help them increase consciousness in order to receive instruction from the ascended Masters. Besant believed this work had positively changed her life and wanted others to enjoy the same benefit. Although penned a century ago, Besant’s wisdom on the subject is still germane. Her prose is clear and inspiring, and Kurt Leland’s introduction and notes are well-informed. He helpfully divides Besant’s writings into four parts — Occultism Light and Dark, Higher Life Training, the Investigation of Different Worlds, and the Science of the Superphysical.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. It is funded by the University of Otago, New Zealand. Farming Inside Invisible Worlds argues that the farm is a key player in the creation and stabilisation of political, economic and ecological power-particularly in colonised landscapes like New Zealand, America and Australia. This open access book reviews and rejects the way that farms are characterised in orthodox economics and agricultural science and then shows how re-centring the farm using the theoretical idea of political ontology can transform the way we understand the power of farming. Starting with the colonial history of farms in New Zealand, Hugh Campbell goes on to describe the rise of modernist farming and its often hidden political, racial and ecological effects. He concludes with an examination of alternative ways to farm in New Zealand, showing how the prior histories of colonisation and modernisation reveal important ways to farm differently in post-colonial worlds. Hugh Campbell's book has wide-ranging implications for understanding the role farms play in both our food systems and landscapes, and is an exciting new addition to food studies.

This is the first volume to explore the reception of the Pythagorean doctrine of cosmic harmony within a variety of contexts, ranging chronologically from Plato to 18th-century England. This original collection of essays engages with contemporary debates concerning the relationship between music, philosophy, and science, and challenges the view that Renaissance discussions on cosmic harmony are either mere repetitions of ancient music theory or pre-figurations of the ‘Scientific Revolution’. Utilizing this interdisciplinary approach, Renaissance Conceptions of Cosmic Harmony offers a new perspective on the reception of an important classical theme in various cultural, sequential and geographical contexts, underlying the continuities and changes between Antiquity, the Middle Ages and the Renaissance. This project will be of particular interest within these emerging disciplines as they continue to explore the ideological significance of the various ways in which we appropriate the past.

How did traditional beliefs about the supernatural change as a result of the Reformation, and what were the intellectual and cultural consequences? Following a masterly interpretative introduction, Peter Marshall traces the effects of the Reformers’ assaults on established beliefs about the afterlife. He shows how debates about purgatory and the nature of hellfire acted as unwitting agents of modernization. He then turns to popular beliefs about angels, ghosts and fairies, and considers how these were reimagined and reappropriated when cut from their medieval moorings. Contents PART 1: HEAVEN, HELL AND PURGATORY: HUMANS IN THE SPIRIT WORLD 1. After Purgatory: Death and Remembrance in the Reformation World 2. ‘The Map of God’s Word’: Geographies of the Afterlife in Tudor and Early Stuart England’ 3. Judgment and Repentance in Tudor Manchester: The Celestial Journey of Ellis Hall 4. The Reformation of Hell? Protestant and Catholic Infernalisms, c. 1560-1640 5. The Company of Heaven: Identity and Sociability in the English Protestant Afterlife PART 2: ANGELS, GHOSTS AND FAIRIES: SPIRITS IN THE HUMAN WORLD 6. Angels Around the Deathbed: Variations on a Theme in the English Art of Dying 7. The Guardian Angel in Protestant England 8. Deceptive Appearances: Ghosts and Reformers in Elizabethan and Jacobean England 9. Piety and Poisoning in Restoration Plymouth 10. Transformations of the Ghost Story in Post-Reformation England 11. Ann Jeffries and the Fairies: Folk Belief and the War on Scepticism

The complex relationship between myths and music is here investigated.