"Nothing in my army training had prepared me for what happened in Jerusalem in February 1965." In Chris McQuaid's stunning memoir, Elegy for a Broken Soldier, a traumatic event led to his Post-Traumatic Stress Disorder (PTSD). Music became the only respite that provides him solace. Chris was a member of the Irish Army guard of honour for the visit of US President John F. Kennedy to Dublin in June 1963. With the cheers of the crowds lining the presidential route still ringing in his ears, he felt "ten feet tall" as he prepared for his first UN peacekeeping mission to the Congo. On a UN mission to Cyprus in 1965, trauma changed Chris's life forever, marking the beginning of his PTSD. In Lebanon in 1980, his life was threatened, and the shock effectively ended his military career. Neither event originated on the battlefield, but from within the Irish Army. Despite severe depression and suicidal thoughts, Chris continued his education and returned to the service to become a commissioned officer. He left the army in 1986 with a glowing service record. A long legal wrangle and a succession of psychiatric and psychological assessments have led to even greater health problems, but Chris has survived it all.

The English countryside has inspired some of the most exquisite and well-loved poetry ever composed in the language. This selection of verse includes, among others, Thomas Gray's reflective and moving meditation on mortality, 'Elegy Written in a Country Church Yard', the soaring beauty of Wordsworth's lines on Tintern Abbey and Keats's ode to Autumn, the deceptively simple words of Emily Brontë and the personal and evocative verse of Thomas Hardy, bringing together the greatest riches of English poetry. Generations of inhabitants have helped shape the English countryside - but it has profoundly shaped us too.It has provoked a huge variety of responses from artists, writers, musicians and people who live and work on the land - as well as those who are travelling through it.English Journeys celebrates this long tradition with a series of twenty books on all aspects of the countryside, from stargazey pie and country churches, to man's relationship with nature and songs celebrating the patterns of the countryside (as well as ghosts and love-struck soldiers).

Defying critical suggestions that the pastoral elegy is obsolete, Iain Twiddy reveals the popularity of the form in the work of major contemporary poets Seamus Heaney, Ted Hughes and Paul Muldoon, Michael Longley, Douglas Dunn and Peter Reading. As Twiddy outlines the development of the form, he identifies its characteristics and functions. But more importantly his study accounts for the enduring appeal of the pastoral elegy, why poets look to its conventions during times of personal distress and social disharmony, and how it allows them to recover from grief, loss and destruction. Informed by current debates and contemporary theories of mourning, Twiddy discusses themes of war and peace, social pastoral and environmental change, draws on the enduring influence of both Classical and Romantic poetics and explores poets' changing relationships with pastoral elegy throughout their careers. The result is a study that demonstrates why the pastoral elegy is still a flourishing and dynamic form in contemporary British and Irish poetry.