‘Empire and the Animal Body: Violence, Identity and Ecology in Victorian Adventure Fiction’ develops recent work in animal studies, eco-criticism and postcolonial studies to reassess the significance of exotic animals in Victorian adventure literature. Depictions of violence against animals were integral to the ideology of adventure literature in the late nineteenth and early twentieth centuries. However, the evolutionary hierarchies on which such texts relied were complicated by developing environmental sensitivities and reimaginings of human selfhood in relation to animal others. As these texts hankered after increasingly imperilled areas of wilderness, the border between human and animal appeared tense, ambivalent and problematic.

Victorian culture was characterized by a proliferation of shows and exhibitions. These were encouraged by the development of new sciences and technologies, together with changes in transportation, education and leisure patterns. The essays in this collection look at exhibitions and their influence in terms of location, technology and ideology.

Kingdoms, Empires, and Domains explores the history of the idea that there is more to the living world than plants and animals. Progressing chronologically through philosophical, religious, literary, and other pre-scientific traditions, leading molecular systematist Mark A. Ragan traces how transgressive creatures such as sponges, corals, algae, fungi, and diverse microscopic beings have been described, categorized, and understood throughout history. The book also explores how the concept of a "third kingdom of life" evolved within the fields of scientific botany and zoology, and continues to evolve up to the present day.

The Earth is in crisis. We know this. We have known this for a long time. In the throes of the unfolding nightmare we call “capitalism” it is not hard to see and hear the violence that is being enacted against the planet. If we are to move beyond the idea that humanity is tasked with expressing our dominion over nature and towards a renewed integral understanding of humanity as firmly located within the biosphere, as an anarchist political ecology demands, then we have to start interrogating the privileges, hierarchies, and human-centric frames that guide our ways of knowing and being in the world. This volume centers around the idea that anarchism, as a conceptual framework, encourages us to contend with the multiple lines of difference, the various iterations of privilege, and the manifold set of archies that undergird our understandings of the world, and crucially, our place within it.

From fur coats to nude paintings, and from sports to beauty contests, the body has been central to the literal and figurative fashioning of ourselves as individuals and as a nation. In this first collection on the history of the body in Canada, an interdisciplinary group of scholars explores the multiple ways the body has served as a site of contestation in Canadian history in the nineteenth and twentieth centuries. Showcasing a variety of methodological approaches, Contesting Bodies and Nation in Canadian History includes essays on many themes that engage with the larger historical relationship between the body and nation: medicine and health, fashion and consumer culture, citizenship and work, and more. The contributors reflect on the intersections of bodies with the concept of nationhood, as well as how understandings of the body are historically contingent. The volume is capped off with a critical introductory chapter by the editors on the history of bodies and the development of the body as a category of analysis.

Empire's Nature: Mark Catesby's New World Vision

Political Animals offers a unique study and perspective on the relationship between politics and the art found in American zoos and aquariums. Jesse Donahue and Erik Trump examine the ways that zoos and aquariums have successfully served as sculptural gardens for the masses and have incorporated art and architecture that convey political messages about both the patrons and the animals. This book demonstrates how art has been used for a range of economic and political purposes including providing jobs, a medium to reach out to minority interest groups, a fundraising tool, and a surrogate for the animals themselves. Donahue and Trump skillfully analyze and compare zoos to other areas of public art to highlight the calculated strategies on the part of the zoos that have incorporated a range of artistic styles for different audiences. Incorporating photographs of zoo and aquarium art from around the country, Political Animals is an exciting and captivating text for the mind and eye.

The Oxford Handbook of Environmental History draws on a wealth of new scholarship to offer diverse perspectives on the state of the field.