Kreyling instead reveals the dynamic growth in the depth and complexity of Welty's vision and literary technique over the course of her career."--BOOK JACKET.

In this definitive account of the life of one of the finest writers of the 20th century, Marrs restores Eudora Welty's story to human proportions, tracing Welty's history from her roots in Jackson, Mississippi, to her rise to international stature.

Presents a brief biography of Eudora Welty, thematic and structural analysis of her works, critical views, and an index of themes and ideas.

Eudora Welty is a beloved institution of Southern fiction and American literature, whose closely guarded privacy has prevented a full-scale study of her life and work--until now. A significant contribution to the world of letters, Ann Waldron's biography chronicles the history and achievements of one of our greatest living authors, from a Mississippi childhood to the sale of her first short story, from her literary friendships with Katherine Anne Porter and Elizabeth Bowen to her rivalry with Carson McCullers. Elegant and authoritative, this first biography to chart the life of a national treasure is a must-have for Welty fans and scholars everywhere.

Eudora Welty: Thirteen Essays edited by Peggy W. Prenshaw This collection of essays about the writings of Eudora Welty, a southern writer in the grand tradition of American literature, reflects the range of Welty criticism. Themes, forms, and stylistic features in her work are given careful consideration by some of the most notable of Welty scholars: Chester E. Eisinger, John A. Allen, J. A. Bryant, Jr., John Edward Hardy, Albert J. Devlin, Warren French, Julia L. Demmin and Daniel Curley, Daniele Pitavy-Souques, Robert B. Heilman, Seymour L. Gross, Barbara McKenzie, Michael Kreyling, and Ruth M. Vande Kieft. The essays included in this volume were selected from the 1979 publication Eudora Welty: Critical Essays also edited by Peggy W. Prenshaw. Eudora Welty: Thirteen Essays retains the breadth of subject and approach that marked the earlier volume. Dr. Peggy W. Prenshaw is currently the Millsaps College Humanities Scholar in Residence. She recently retired from the Fred C. Frey Chair in Southern Studies at Louisiana State University. She has published widely on southern women writers, including Eudora Welty and Elizabeth Spencer.

A centennial consideration of the great author's vision as expressed in her renowned photography

Presenting the first full-length collection of essays on Eudora Welty's novel, Delta Wedding (1946), this volume is the fourth book in Rodopi Press's Dialogue Series. Within these pages, emerging and experienced literary critics engage in an exciting dialogue about Welty's noted novel, presenting a wide range of scholarship that focuses on feminist concerns, pays tribute to the rhetoric of exclusion and empowerment, examines the role of outsider and boundaries, explores meaning-making, and highlights the novel's humor and musicality. This volume will no doubt be of interest to Welty aficianados as well as southern studies and feminist scholars and to those who are interested in the craft of writing fiction.

Pulitzer Prize-winning author Eudora Welty's writing and photography were the subject of more than one thousand reviews, of which over two hundred are collected here. From the first, reviewers loved Welty's language and disparaged her lack of plot. Their eager anticipation for the next book is rarely diminished by the shock of reading entirely different styles of writing. Her work was admired even as it challenged its readers. The reviews selected for reprinting here represent the diversity of Welty's reception and assessment. Reviews from small towns, urban centers, noted fiction writers, professional reviewers, academics, and everyday readers are included. The comments of reviewing rivals such as the New York Times and the New York Herald Tribune, Nation and New Yorker, when read side by side, reveal the nuances both of the reviewers and of the work of this important Southern writer.

The Late Novels of Eudora Welty offers readings of two of the works considered to be Welty's most exciting both in innovative technique and postmodern existential statement. Fourteen new essays by internationally distinguished critics of Southern literature provide focused appraisals of Welty's last two novels: Losing Battles (1970), a provocative experiment in narration, and Pulitzer Prize-winning The Optimist's Daughter (1972), a profound comment on our time.