Joseph Conrad is famous for being an unusual, strange, and even eccentric English writer. However, despite his difference, English criticism has primarily interpreted his fiction from the perspective of the English culture. In turn, Polish criticism has portrayed Conrad as a Pole who happened to write in English. Considering Conrad’s transcultural background, neither exclusively English nor an exclusively Polish writer, this volume investigates the essential features of his expatriate writing as a form distinctly different from any writing done within a single culture. Conrad's unique contribution to English literature and sensibility stems from his ability to incorporate the complexity of the exilic condition without discussing it explicitly. Furthermore, this book establishes Conrad's expatriation archetypes and examines them as they manifest themselves not only in a realistic, but, more importantly, in a symbolic mode. Those archetypal features demonstrate themselves through Conrad’s thematic choices, narrative structure, and critical discourse that reflect his complex relationship with both the parent and the adopted reader. While the existence of these patterns in Conrad's fiction are not entirely obvious, this book aims to illuminate Conrad’s contributions to the current critical debate concerning the place of the author in his/her own narrative.

In 1908, Joseph Conrad was criticised by a reviewer for being a man ‘without either country or language’: even his shipboard communities were the product of a ‘cosmopolitan’ vision. This book takes off from that criticism and begins by exploring the history and meanings of the term ‘cosmopolitan’. It then considers the multinational world of Conrad’s ships – and of the Merchant Marine more generally – to differentiate multinationalism from cosmopolitanism. Subsequent chapters then address nationalism, nation-formation and the concept of the nation through a reading of Nostromo; cosmopolitanism and internationalism in The Secret Agent; nationalism, internationalism and transnational activism in relation to Under Westen Eyes; and Conrad’s own transnational activism in his later essays. While drawing distinctions between cosmopolitanism, internationalism and transnationalism as the appropriate conceptual framings for Conrad’s works, this book traces Conrad’s own engagement with nationalism, cosmopolitanism, and transnational activism in relation to the political events of his time.

Considering Conrad's transcultural background, this volume investigates the essential features of his expatriate writing as a form distinctly different from any writing done within a single culture.

Focusing on Faulkner, Morrison and Coetzee as authors, critics and Nobel Prize-winning intellectuals, this book explores shifting representations of disability in 20th and 21st century literature and proposes new ways of reading their works in relation to one another, whilst highlighting the ethical, aesthetic and imaginative challenges they pose.

Focusing on the figure of the storyteller, this study breaks new ground in the approach to reading contemporary literature by identifying a growing interest in storytelling. For the last thirty years contemporary fiction has been influenced by theoretical discourses, textuality and writing. Only since the rise of postcolonialism have academic critics been more overtly interested in stories, where high theory frameworks are less applicable. However, as we move through various contemporary contexts engaging with postcolonial identities and hybridity, to narratives of disability and evolutionary accounts of group and individual survival, a common feature of all is the centrality of story, which posits both the idea of survival and the passing on of traditions. This book closely examines this preoccupation with story and storytelling through a close reading of sixteen contemporary international novels written in English which are about actual 'storytellers', revealing how death of the author has given birth to the storyteller.

As a result, the reader will find that Buck's female characters, with their different degrees of individuality and typicality, form a realistic picture of Chinese women."--BOOK JACKET.

Contains nearly 32,500 entries that provide a bibliography of interpretations that have appeared since 1900 of short stories published since 1800.

A diverse and multinational volume, this book showcases the passages of Joseph Conrad's narratives across geographical and disciplinary boundaries, focusing on the transtextual and transcultural elements of his fiction. Featuring contributions from distinguished and emergent Conrad scholars, it unpacks the transformative meanings which Conrad's narratives have achieved in crossing national, cultural and disciplinary boundaries. Featuring studies on the reception of Conrad in modern China, an exploration of Conrad's relationship with India, a comparative study of the hybrid art of Conrad and Salman Rushdie, and the responses of Conrad's narratives to alternative media forms, this volume brings out transtextual relations among Conrad's works and various media forms, world narratives, philosophies, and emergent modes of critical inquiry. Gathering essays by contributors from Canada, Hong Kong, India, Japan, Norway, Poland, Taiwan, the United Kingdom, and the United States, this volume constitutes an inclusive, transnational networking of emergent border-crossing scholarship.

Outlandish addresses geographical displacement as a lived experience in the twentieth century, as a predicament of writing, and as a problem for theory. It focuses on the work of three transnational writers from diverse backgrounds working in different genres: Joseph Conrad, the Ukrainian-born Polish novelist and storywriter living in Britain at the turn of the century; Theodor W. Adorno, the German-Jewish philosopher and sociologist transplanted to Los Angeles during the Second World War; and Salman Rushdie, the Indian-born British novelist and journalist, recently released from the peculiar conditions of his notorious houseless arrest. The author argues that Conrad, Adorno, and Rushdie emblematize significant shifts over the course of the century, from a modernist expression of almost universal deracination, to a post-Auschwitz disarticulation of home and subjectivity, to an emergent conceptualization of displacement in terms of migrancy, hybridity, and flow. He theorizes a mode of reading between exile and diaspora--two fundamentally different descriptions of displacement--and allows the "outlandish" writing of these three figures to complicate this seemingly continuous trajectory. Drawing on texts from literary theory, philosophy, psychoanalysis, anthropology, and geography, the author explores what he calls the "rhetoric of displacement"--the struggle to assert identity out of place. He reads this writing predicament against the backdrop of the century's salient economic and technological changes, political upheavals, and mass migrations. In doing so, he draws attention to those aspects of exile and diaspora that have remained insufficiently considered: their relation to nationalism and colonialism, to authority and institutionality, and, above all, to broader questions of subjectivity, "race," location, and language, as these concepts themselves subtly change over the course of the century.