Presents prairie wildlife and the art of nature photography covering one hundred fifty species, explaining the ecology, behavior, and life histories of these creatures.

"Wishart and the staff of the Center for Great Plains Studies have compiled a wide-ranging (pun intended) encyclopedia of this important region. Their objective was to 'give definition to a region that has traditionally been poorly defined,' and they have

This lively book sweeps across dramatic and varied terrains—volcanoes and glaciers, billabongs and canyons, prairies and rain forests—to explore how humans have made sense of our planet’s marvelous landscapes. In a rich weave of scientific, cultural, and personal stories, The Face of the Earth examines mirages and satellite images, swamp-dwelling heroes and Tibetan nomads, cave paintings and popular movies, investigating how we live with the great shaping forces of nature—from fire to changing climates and the intricacies of adaptation. The book illuminates subjects as diverse as the literary life of hollow Earth theories, the links between the Little Ice Age and Frankenstein’s monster, and the spiritual allure of deserts and their scarce waters. Including vivid, on-the-spot accounts by scientists and writers in Saudi Arabia, Australia, Alaska, England, the Rocky Mountains, Antarctica, and elsewhere, The Face of the Earth charts the depth and complexity of our interdependence with the natural world.

The smallpox epidemic of 1837-1838 forever changed the tribes of the Northern Plains.a Before it ran out of human fuel, the disease claimed 20,000 souls.a R.G. Robertson tells the story of this deadly virus with modern implications. "

Actor Anthony James has played killers, psychopaths, and other twisted characters throughout his Hollywood career. In the summer of 1967, James made his motion picture debut as the murderer in the Academy Award-winning Best Picture, In the Heat of the Night. His role in the 1992 Academy Award-winning Best Picture, Unforgiven, culminated a unique, twenty-eight-year career. Behind his menacing and memorable face, however, is a thoughtful, gentle man, one who muses deeply on the nature of art and creativity and on the family ties that have sustained him. James's Acting My Face renders Hollywood through the eyes and experience of an established character actor. James appeared on screen with such legendary stars as Clint Eastwood, Bette Davis, Gene Hackman, and Sidney Poitier, and in such classic television shows as Gunsmoke, The Big Valley, Starsky and Hutch, Charlie's Angels, and The A-Team. Yet, it is his mother's heroic story that captures his imagination. In an odyssey which in 1940 took her and her newly wedded husband from Greece to a small southern town in America where she bore her only child, James's mother suffered the early death of her husband when James was only eight years old. In the blink of an eye, she went from grand hostess of her husband's lavish parties to hotel maid. But like the lioness she was, she fought with great ferocity and outrageous will in her relentless devotion to James's future. And so it was, that on an August morning in 1960, eighteen-year-old James and his mother took a train from South Carolina three thousand miles to Hollywood, California, to realize his dream of an acting career. They possessed only two hundred dollars, their courage, and an astonishing degree of naiveté. After his retirement in 1994, James and his mother moved to Arlington, Massachusetts, where he concentrated on his painting and poetry. His mother died in 2008 at the age of ninety-four, still a lioness protecting her beloved son. Acting My Face is an unusual memoir, one that explores the true nature of a working life in Hollywood and how aspirations and personal devotion are forged into a career.

Having received such lavish praise for the first volume of his definitive taxonomic handbook, Daniel Otte now turns his attention to the bandwing grasshoppers. As before, the book includes: - Highly detailed, full-color drawings of all species, including more than one color phase when appropriate; - Illustrated keys and lists of principal recognition features; - Information on distributional limits, habitat preferences, ecology, behavior, and life cycle; - Excellent point-distribution maps; - Pertinent references, taxonomic index, history of name changes, and an explanation of the characters used to derive phylogenies. Like its predecessor, this volume will be useful to scientists in agriculture, environmental assessment, biogeography, grassland ecology, and insect taxonomy. It will also appeal to amateur naturalists.

Edward S. Curtis's The North American Indian is the most ambitious photographic and ethnographic record of Native American cultures ever produced. Published between 1907 and 1930 as a series of twenty volumes and portfolios, the work contains more than two thousand photographs intended to document the traditional culture of every Native American tribe west of the Mississippi. Many critics have claimed that Curtis's images present Native peoples as a "vanishing race," hiding both their engagement with modernity and the history of colonial violence. But in this major reappraisal of Curtis's work, Shamoon Zamir argues instead that Curtis's photography engages meaningfully with the crisis of culture and selfhood brought on by the dramatic transformations of Native societies. This crisis is captured profoundly, and with remarkable empathy, in Curtis's images of the human face. Zamir also contends that we can fully understand this achievement only if we think of Curtis's Native subjects as coauthors of his project. This radical reassessment is presented as a series of close readings that explore the relationship of aesthetics and ethics in photography. Zamir's richly illustrated study resituates Curtis's work in Native American studies and in the histories of photography and visual anthropology.