Thomas Keightley's 'The Fairy Legends' is a captivating collection of folklore and mythology surrounding fairies, highlighting their significance in various cultural traditions. Keightley meticulously explores the history and origins of fairy tales, providing readers with an in-depth analysis of these magical beings. Written in a scholarly yet accessible style, the book delves into the literary context of fairy legends, showcasing their evolution over time. Keightley's attention to detail and comprehensive research make this work a valuable resource for readers interested in folklore and mythological studies. Thomas Keightley, a renowned scholar of folk legends and mythology, brings his expertise to 'The Fairy Legends,' drawing upon his extensive knowledge of fairy lore to create a comprehensive and engaging collection. His passion for uncovering the mysteries behind fairy tales shines through in this meticulously researched book, offering readers a deeper understanding of the cultural significance of fairies in storytelling. I highly recommend 'The Fairy Legends' to anyone interested in folklore, mythology, or literary studies. Keightley's insightful exploration of fairy legends is sure to fascinate and educate readers seeking a deeper understanding of these enchanting creatures.

DigiCat Publishing presents to you this special edition of "Japanese Fairy Tales" by Yei Theodora Ozaki. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Gathered by the renowned Irish poet, playwright, and essayist William Butler Yeats, the sixty-five tales and poems in this delightful collection uniquely capture the rich heritage of the Celtic imagination. Filled with legends of village ghosts, fairies, demons, witches, priests, and saints, these stories evoke both tender pathos and lighthearted mirth and embody what Yeats describes as “the very voice of the people, the very pulse of life.” “The impact of these tales doesn’t stop with Yeats, or Joyce, or Oscar Wilde,” writes Paul Muldoon in his Foreword, “for generations of readers in Ireland and throughout the world have found them flourishing like those persistent fairy thorns.”

This collection opens with marginalized responses to the highly politicized Cinderella traditions in the Anglophone world. In the United States, Cinderella was incorporated into the gendered narrative of the American Dream and narratives of empire in the colonial world, particularly in the mid-1800s. Marginalized writers have responded to these nationalistic colonial traditions in two distinctive ways: clever Cinderellas who negotiate a broken system or passive Cinderellas who die as anti-heroes in disenchanting fairy tales. This dual tradition of marginalized Cinderellas is also apparent across the Anglophone world. Potential texts include the out-of-print works of Sinèad de Valera, excerpts from the novels of Hannah Crafts, Jessie Fauset, and Julia Kavanagh, along with dramas by Ann Devlin, and collected oral tales.

Beautiful and talented Princess Amanda, the next queen of Milathonia, has it all. Yet, she, along with her father and brother, are cursed with misophonia, the hatred of certain sounds. Isolated from other kingdoms, Amanda has lived a sheltered life. As a gifted artist, Amanda begs her father to let her attend the art academy in Zolonia. The king agrees, but only if she uses a fake identity and finds the proper suitor. Captain Dash Lysander, a returning war hero, takes a well-paying job as a bodyguard to an academy student. Traumatized by war, which included battling man-eating fleshers, Dash hopes he can do his duty without suffering from day tremors. Upon meeting his charge Dash is immediately smitten. However, his duty is to protect her, not court her. Princess Amanda and Dash are drawn to one another. They do their best to stave their hidden passion despite the looming danger of fleshers and secrets that could ruin everything.

Many of the Irish legends, superstitions, and ancient charms now collected were obtained chiefly from oral communications made by the peasantry themselves, either in Irish or in the Irish-English which preserves so much of the expressive idiom of the antique tongue. These narrations were taken down by competent persons skilled in both languages, and as far as possible in the very words of the narrator; so that much of the primitive simplicity of the style has been retained, while the legends have a peculiar and special value as coming direct from the national heart.