In 'Famous Singers of To-day and Yesterday' by Henry Charles Lahee, readers are taken on a captivating journey through the lives and careers of renowned vocalists from different eras. Lahee's detailed exploration of each singer's unique style and influence provides valuable insights into the development of vocal performance over time. Through engaging narratives and critical analysis, the book offers a comprehensive look at the impact these artists have had on the world of music. Lahee's scholarly approach to storytelling enriches the reading experience and places each singer within their appropriate literary context. The book is a rich tapestry of musical history that will appeal to both scholars and music enthusiasts alike. Henry Charles Lahee, a respected music historian and critic, draws on his vast knowledge and experience to bring these famous singers to life in his book. His passion for music and dedication to preserving its legacy shine through in his meticulous research and compelling writing style. Lahee's expertise in the field makes 'Famous Singers of To-day and Yesterday' a must-read for anyone interested in the evolution of vocal performance and the contributions of prominent singers. I highly recommend 'Famous Singers of To-day and Yesterday' to readers who appreciate a well-crafted blend of music history, biography, and critical analysis. Lahee's insightful exploration of famous singers offers a fascinating glimpse into the world of vocal performance and its enduring influence on the cultural landscape.

Using creativity, ingenuity, and pizzazz, early African American women virtually invented many of the wonderful foods that have endured hundreds of years to still grace our tables and delight our taste buds to this day! Meet these admirable women, learn their cooking secrets, and try their recipes for yourself! This 36-page reproducible book is a sampling of the talent from the past and present.

Yesterday’s Melodies Todays Memories is a rare collection of profiles of all important music-makers of the Hindi Film Industry between 1931 and 1970. It not only gives a biographical background of each music artiste, but it goes further to interview many of the surviving giants and completes the task by listing some of the best songs with which that person is associated. Here are singers that include the whole gamut from KL Saigal to Asha Bhosle, lyricists that include Sahir and Gulzar, music composers from Naushad to RD Burman, artistes that were part-time singers and full time actors like Ashok Kumar, melody queens like Noor Jahan and Lata Mangeshkar, gentlemen lyricists like Prem Dhawan and gentlemen singers like Manna Dey, mischief-makers like Kishore Kumar and rebels without pause like OP Nayyar and Majrooh Sultanpuri. In fact, this book is a house in which all these great talents live happily, each in a separate room, given space for self-expression. The serious research that has gone into this book is evident as you move from one chapter to another, opening layers after layers presented non-seriously. Over 100 music makers are presented this way and many more in a huge single chapter.

It seems more than passing strange that Atlanta, where the Sherman war machine attained the maximum in destructive force, should have become the most dynamic power in the rehabilitation of the South; that a city which was fed to the flames in times of internecine conflict, should have become as a shining light, leading an exhausted and impoverished people into peaceful conquests out of which came wealth and happiness undreamed. The intention of the author of this valuable book is to point out the important developments in the history of Atlanta, beginning with the transfer in 1821 of the land upon which the City stands and continuing until 1902.

Book Two in Robert Westbrook's epic "Hollywood Noir" Torch Singer Thriller series. “An Almost Perfect Ending ranks alongside the best Hollywood noir. It takes the reader on a journey which leads relentlessly towards a final, fatal conclusion.” Daily Mail Book Two, An Almost Perfect Ending opens with sultry heroine Sonya Saint-Amant at the height of her career—a glittering, triumphant appearance at Ciro’s, the clubhouse for the stars in 1950s Hollywood where everyone wants to claim her as their friend. But in 1954, popular music is undergoing a revolution in which all but the biggest stars will be cast aside. With her looks and popularity fading, Sonya believes she has come up with the perfect plan to save her career . . . if only she can maneuver a tricky path through the many dangers that beset her, a vortex of politics, sex, blackmail, and murder . . . “Pacy and unstoppable, the second book in the The Torch Singer series takes over where the first left off, grabbing your wrist, tugging you along, refusing to let go.” Evening Standard “The Torch Singer exposes the fragility of fame. The higher the edifice the greater the risk that some element of deep-set animal emotion or human baseness will bring everything crashing down . . . and watching it happen is not just compulsive—it’s addictive and unmissable.” Event Magazine “Robert Westbrook is a born storyteller and a bit of a magician.” Ally Sheedy Ambition, blackmail, murder . . . THE TORCH SINGER is an unforgettable journey through the shadowlands of fame.

'A desire is a piece of love but it's beautiful than actually being in love' Mahin Roy, an aspiring artist, had a desire, desire to make a flawless portrait of her with an aid of those obscure feelings he'd indulged in that murmuring rain. Nandini Sikdar, an aspiring khattak dancer, had an ideology, ideology that if you feel someone as pure as you then thoughtlessly grasp in the person in your life. WHILE their lives took them where, not their destinies, but their individual desires had pre devised.

The third part of Neurological Disorders in Famous Artists presents painters, musicians, and writers who had to fight against an acute or chronic neurological disease. Sometimes this fight was without success (e.g. Shostakovich, Schumann, Wolf, Pascal), but often a dynamic and paradoxical creativity of the clinical disorder was integrated into their artistic production (e.g. Klee, Ramuz). Occasionally, some even wrote the first report of a medical condition they observed in themselves, like Stendhal who made a detailed report of aphasic transient ischemic attacks before dying of stroke shortly thereafter. In rarer instances, a neurological disease was inaccurately attributed to an artist in order to explain certain features of his work (de Chirico, Schiele). Some chapters in this publication focus on neurological conditions reported in artistic work, including descriptions by Shakespeare and Dumas. Bringing new light to both artists and neurological conditions, this book serves as a valuable and entertaining read for neurologists, psychiatrists, physicians, and anybody interested in arts, literature and music.