'Fanny's First Novel' is a biographical fiction that follows the story of the English satirical novelist, diarist, and playwright Fanny Burney. It covers the wonderful phase in her life when she wrote and published her first novel, 'Evelina or the History of a Young Lady's Entrance into the World' anonymously. The novel was a critical success, with praise from influential personalities. It was celebrated for its comic view of wealthy English society and realistic portrayal of working-class London dialects.

First critical study of prize-winning French author Marie NDiaye.

This study explores the prevalence of bigamy in Victorian fiction to challenge traditional understanding of the period's social and narrative conventions.

This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical concepts, and critical methodologies. The volume turns to the nineteenth century as a formative era in American literary history, a time that saw both the rise of the novel as a genre, and the emergence of an independent, confident American culture. A broad range of concise essays by European and American scholars demonstrates how some of America‘s most well-known and influential novels responded to and participated in the radical transformations that characterized American culture between the early republic and the age of imperial expansion. Part I consists of 7 systematic essays on key historical and critical frameworks ― including debates aboutrace and citizenship, transnationalism, environmentalism and print culture, as well as sentimentalism, romance and the gothic, realism and naturalism. Part II provides 22 essays on individual novels, each combining an introduction to relevant cultural contexts with a fresh close reading and the discussion of critical perspectives shaped by literary and cultural theory.

Based on the biographies of some three hundred people in each city, this book shows how such distinguished Boston families as the Adamses, Cabots, Lowells, and Peabodys have produced many generations of men and women who have made major contributions to the intellectual, educational, and political life of their state and nation. At the same time, comparable Philadelphia families such as the Biddles, Cadwaladers, Ingersolls, and Drexels have contributed far fewer leaders to their state and nation. From the days of Benjamin Franklin and Stephen Girard down to the present, what leadership there has been in Philadelphia has largely been provided by self-made men, often, like Franklin, born outside Pennsylvania.Baltzell traces the differences in class authority and leadership in these two cites to the contrasting values of the Puritan founders of the Bay Colony and the Quaker founders of the City of Brotherly Love. While Puritans placed great value on the calling or devotion to one's chosen vocation, Quakers have always placed more emphasis on being a good person than on being a good judge or statesman. Puritan Boston and Quaker Philadelphia presents a provocative view of two contrasting upper classes and also reflects the author's larger concern with the conflicting values of hierarchy and egalitarianism in American history.

'Heroic Disobedience: The Forced Marriage Plot and the British Novel, 1747-1880' shows the ways in which eighteenth- and nineteenth-century novels used what the author terms the forced marriage plot - a plot arc in which a greedy father tries to force his daughter into a marriage she does not want but that would be financially expedient to himself - to explore capitalism’s detrimental impacts on women’s right to autonomy. As capitalist economic practices replaced mercantilism, a woman’s value was seen primarily in the economic sense. That is, men came to recognize that women – especially young, marriageable women – could be used as objects of exchange between men. Recognizing this phenomenon, the novelists considered in 'Heroic Disobedience' – Samuel Richardson, Charlotte Lennox, Mary Robinson, Charlotte Smith, Jane Austen, Charles Dickens, Elizabeth Stone, and Anthony Trollope – depict the very specific ways in which women were raised to become willing pawns in this system. Religious discourse, conduct guides, marriage and property laws, wages, lack of meaningful education, and inheritance practices combined to leave women with no other options besides dependence on their patriarchs. Importantly, authors who use the forced marriage plot go beyond exposing women’s subjugation by creating – and celebrating – heroically disobedient heroines who believe, above all else, that they have the right to determine their own futures: futures in which they are autonomous agents, not subjected objects.

'Enlivens the standard tale of swashbuckling adventure, adding feminist spice ... Rich and immersive' SUNDAY TIMES HISTORICAL FICTION BOOK OF THE MONTH 'Remarkable' HILARY MANTEL 'A vivid, narrative-packed splice of historical fiction' DAILY MAIL A Wild & True Relation opens during the Great Storm of 1703, as smuggler Tom West confronts his lover Grace for betraying him to the Revenue. Leaving Grace's cottage in flames, he takes her orphaned daughter Molly on board ship disguised as a boy to join his crew. But Molly, or Orlando as she must call herself, will grow up to outshine all the men of Tom's company and seek revenge - and a legacy - all of her own. Woven into Molly's story are the writers - from Celia Fiennes and George Eliot to Daniel Defoe and Charles Dickens - who are transfixed by her myth and who, over three centuries, come together to solve the mystery of her life. With extraordinary verve , Sherwood remakes the eighteenth-century novel and illuminates women's writing and women's roles throughout history. 'Breathlessly swashbuckling' DAILY TELEGRAPH 'Vividly imagined, relentlessly entertaining, rich and resonant in scope and context, it's both a thrilling adventure and a vital witness to women's voices' EMMA STONEX, author of The Lamplighters 'A young writer of immense talent' ANDREW MILLER 'A breathtaking feat of historical fiction and utterly astounding. It is wise, urgent and entirely compelling. I was bereft when it ended' WYL MENMUIR 'This book is a rarity - a novel as remarkable for the vigour of the storytelling as for its literary ambition. Kim Sherwood is a writer of capacity, potency and sophistication' HILARY MANTEL 'A thrilling adventure novel' FIONA MOZLEY

The later diaries of Eliza Frances Andrews, an upper-class Southern woman whose earlier diaries have already been published as The Wartime Journal of a Georgia Girl: 1864-1865. Covering the period 1870-1872, the diaries cover her trip to New Jersey to visit Northern relatives and the beginnings of her first novel, ending with her mother's death. Annotation copyrighted by Book News, Inc., Portland, OR

This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s.