Where Do You Turn When daddy runs away from home and no matter where you are, you always feel alone. Where Do You Turn When mama's trying to find herself in another man's bed, and often times, you find yourself wishing you were dead. Where Do You Turn When Blunts, Booz and accommodating woman and men can't seem to feel the hole, you have within.' Phyllis & J turned to each other, and what Ghetto Matrimony has brought together; no man shall tear apart. BUT SOME WILL DIE TRYING

Superman was first published in 1938, so how come he still looks to be about 25 years old in the stories set in 2022? Ditto for all the other superheroes from The Golden Age Of Comics still being published today. Why isn't Captain America collecting Social Security? Why isn't The Flash using a walker to get around? Why isn't The Human Torch complaining about his hip replacement? Why isn't Wonder Woman deciding what Medicare plan she wants? Why isn't Batman retired? Why isn't Plastic Man stretching his dollars to afford his nursing home bills? Why isn't The Green Lantern The Green Flashlight by now? Er, never mind about that last question. But the answer to the other ones is money. As long as the corporate comics companies can milk money out of them, these characters will be kept forever young, aside from the occasional "imaginary story" or whatnot. But in stunting their growth, only half the story gets told. What does happen when a superhero ages with the times and eventually becomes elderly? What's so super about getting old? Well, it probably beats being dead. Just ask Bucky. Er, never mind. Anyway, leave it to one of America's worstselling authors who hasn't given up yet to venture in and tell the rest of the superhero story. In the case of Harry Fox, the superhero known as Fast Guy, he finds he can't outrace time or death. His worst foe though is an existential crisis brought on by saving the world numerous times only to have it result in a shallow, selfish place populated mainly by morons and jerks, and sometimes even moronic jerks and jerky morons. Living alone in his old ranch house in a town filled with new McMansions, he is wondering what to do with himself and worrying about what will happen to the world when he is gone. And the reader is left wondering if Harry is really a superhero. Although he claims he's saved the world more times than he can remember from nuclear annihilation, he delights in pooping on world leaders, which sounds more like a supervillain, or, at the very least, a person with issues than it does a superhero. Or maybe he's just a lonely old man with a very active imagination. In a world less than super, can a senior citizen still be a hero? Find out in Fast Guy Slows Down!

Edited by founder and chairman of the National Fatherhood Initiative Don Eberly, The Faith Factor in Fatherhood addresses the key role that religious institutions can play in reviving what Eberly calls the 'sacred vocation of fatherhood.' In response to the wider debate regarding the increased expectations that are being placed by policy makers on faith-based institutions to serve important public purposes, contributors to this volume guide denominations, places of worship, and religious social agencies to recover the role they once played in reaching and supporting young men with a message of responsible fatherhood. Ecumenical in scope, the book addresses what each faith community can do to recover its particular heritage of engaged, involved fathering, through methods including instruction, rites of passage programs, stories, ceremonies, mentoring, and community outreach.

Crime and Racial Constructions: Cultural Misinformation about African Americans in Media and Academia critically examines how the film industry and criminologists have constructed African Americans in their effort to explain observed race differences in crime. Of particular concern is how the images they paint of violent, out-of-control blacks result in hardline criminal justice policies.

In his autobiography, Adam Starks provides a valiantly candid account of the turbulence faced during his years leading up to and while in foster care. In a path breaking twist from other well-written memoirs of former foster youth, his story reflects on the acting out that ensued as a result of a constant sense of instability in the world around him. Amid his internal struggles, Adam properly attributes his ability to remain steadfast toward achieving his successful breakaway from the cycle to his education and the ones who gathered around him during his times of need. His story provides inspiration for anyone searching for a sign of strength to relate to their own struggle. Broken Child Mended Man is a testimony for anyone who wants to overcome trials in their life and realize their ultimate worth.

Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the “Arab Spring,” while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a “westernizing” or “secularizing” force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim. With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)