This book explores the visual transformation of the contemporary European city, focusing on the most emblematic and visibly wounded of all European cities – Berlin. Taking as its subject the "intricately assembled, relentlessly disassembling metropolitan screen", it charts the virulent implosions of culture, the distortions and violence that give city-living its fractured and hallucinatory quality. Provocatively written as a series of inter-locking poetic fragments, the text evokes the formation of metropolitan "identity" as it ricochets between the physical surface of the city and the vulnerable but manipulating consciousness of city dwellers. Barber has discovered a powerful new vocabulary – a vocabulary charged with the visual and sonic impact of the cinema. Like the city, the text pulsates, creatively chaotic, raw and exhilarating.

"This book takes the form of a series of journeys around the peripheries of Europe and its cities, via a number of the areas from which the defining moments and images of contemporary Europe have been generated." --introd.

Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.

Democracy, Citizenship and the Global City focuses on the controversial, neglected theme of citizenship. It examines the changing role of citizens; their rights, obligations and responsibilities as members of nation-states and the issue of accountability in a global society. Using this interdisciplinary approach, the book offers an innovative collection of work from Robert A. Beauregard, Anna Bounds, Janine Brodie, Richard Dagger, Gerard Delanty, Judith A. Garber, Robert J. Holton, Warren Magnusson, Raymond Rocco, Nikolas Rose, Evelyn S. Ruppert, Saskia Sassen, Bryan S. Turner, John Urry, Gerda R. Wekerle and Nira Yuval-Davis.

China’s rapid urbanization has restructured the great socialist cities Beijing, Shanghai, and Guangzhou into mega cities that embrace global capitalism. This book focuses on the urban transformations of these three cities: Beijing is the nation’s political and cultural capital; Shanghai is the economic and financial powerhouse; and Guangzhou is the capital of Guangdong Province and the regional center of south China. All are historical cities with rich imperial, colonial, and regional heritages, and all have been drastically transformed in the last six decades. This book examines the cities’ continuous urban legacies since 1949 in relation to state governance, economic reforms, and cultural production. By adopting local historical perspectives, it offers more nuanced accounts of the current urban change than the modernization/globalization paradigm and conceptualizes the change in the context of the cities’ socialist, colonial, and imperial legacies. Specifically, Samuel Y. Liang offers an overview of the urban planning and territorial expansion of the great cities since 1949; explores the production and consumption of urban housing, its spatial forms, media representations, and socio-political implications; and examines the state-led redevelopment of old urban cores and residential neighborhoods, and the urban conservation movement. Remaking China’s Great Cities will be of great interest to students and scholars working across a range of fields including Chinese studies, Chinese culture and society, urban studies and architecture.

'European Cinema in Crisis' examines the conflicting terminologies that have dominated the discussion of the future of European film-making. It takes a fresh look at the ideological agendas, from 'avante-garde cinema' to the high/low culture debate and the fate of popular European cinema.

In the planning of city development, it is important that different groups should be able to live in peaceful coexistence. This is how the concept 'multicultural' came about. During the 1970s, multiculturalism was developed into a model of political democracy-a strategy for society's rapid change. The term multiculturalism suggests that contemporary urban cultures somehow co-exist in a condition of mutual respect and possible equality. The new multiculturalism seems very different from the migration that took place in the 1960s and 1970s. The essays in this collection address the general themes of ethnicity and contemporary European urbanism in many different ways, examining a wide variety of cities and city pairings. The common bond in these writings is the impact that a contemporary merging of ethnicity and culture is having on the new urbanity that is now widely accepted as driving the new Europe. The effect is far greater than might be predicted from the relative social powerlessness of many of the bearers of these cultures. At the same time, existing urban processes continue to ensure the marginality of these groups.

Martha Pollak offers a pan-European, richly illustrated study of early modern military urbanism, an international style of urban design.

'Ethnologia Europaea' has set itself the task of breaking down not only the barriers which divide research into Europe from general ethnology, but also the barriers between the various national schools within the continent. With this manifesto 'Ethnologia Europaea' was started in 1969. Since then, it has acquired a central position in the international co-operation between ethnologists in the various European countries, in the East as well as in the West. It is, however, a journal of topical interest, not only for ethnologists, but also for anthropologists, social historians and others studying the social and cultural forms of everyday life in recent and historical European societies.