After stopping a robbery in progress, Elliott Cronholm is approached by someone wishing help him become a costumed vigilante crime-fighter. After refusing, his fiancee is attacked in their home by a stalker. In the wake of the attack, Elliott accepts the role he had been asked to play. While still learning the use of the costume and weapons he has been given, Elliott must track down and stop the first man put on the streets of the city by the same woman - a man with his own warped moral code who relishes killing the criminals he fights, a man who wishes to kill Elliott Cronholm as well, upon learning of Elliott's new role.

As Peter wanders around the ruined castle of Carreg Cennen he makes an amazing discovery - a rusted metal gauntlet. As he slips it on to his hand he is transported back to the fourteenth century, to a time when his Norman ancestors held the castle. Accepted as the eldest son of Sir Roger de Blois, Peter learns how to hawk, fight, and shoot a longbow. But, when a rebellion arises, it's up to Peter to escape from the besieged castle and fetch help. Ronald Welch is celebrated as one of the best writers of historical fiction for children and this thrilling story has been captivating readers for many years with its combination of fast-paced adventure and authentic historical detail. This edition also features the original black and white illustrations that bring the story and the era vividly to life.

When twelve-year-old Farah and her two best friends get sucked into a mechanical board game called The Gauntlet of Blood and Sand, a puzzle game akin to a large Rubik's cube, they know it is up to them to defeat the game's diabolical architect in order to save themselves and those who are trapped inside, including her baby brother Ahmed.

“Outstanding, intriguing. Dark, grim, fast paced, nerve wracking!” “A riot to read!” “Read it in a single sitting.” “An exciting addition to the LitRPG field with loads of character development and interaction, I found this a difficult book to put down.” “Humor, action, suspense, mysteries and twists!” “Crimson Gauntlet certainly will appeal to fans of both the LitRPG and apocalyptic subgenres of sci-fi. It sticks the ending and opens up an intriguing world to explore further.” Even as the world burns, the game is everything… When a wave of monsters attack the town of Bell Park, Eddie Rush has no idea the invasion is an introduction to a new interactive experience. Crimson Gauntlet Online wasn’t supposed to go live for weeks. But for Eddie and his group of gamer friends, the chilling realization dawns on them that the promised game is responsible for the spreading destruction and death. If Eddie wants to survive, he’ll need to learn the rules, and fast. Because Crimson Gauntlet isn’t taking prisoners. Full of action, dark humor, and mystery, Crimson Gauntlet is perfect for fans of Dungeon Crawler Carl, Ready Player One, and Robopocalypse. From the award-winning author of Shadows of Mars and The Seraph Engine. Discover a new favorite series in this post-apocalyptic LitRPG adventure. Grab your copy and enjoy the ride!

Jane Peterson is on a mission. A Gulf War veteran and CEO of a multinational company, she's been crisscrossing the United States for over a year, giving speeches to rapidly growing crowds about candidates she believes will help unify the country. Though her message resonates with an electorate worn down by years of political discord, she's reluctant to do what many are urging her to do: declare her own candidacy for president. For now, she's taking a break from the campaign trail to visit her daughter, Sue, in Atlanta and meet Sue's new boyfriend. What begins as an opportunity to assess her potential son-in-law suddenly morphs into a life-or-death situation. Middle Eastern terrorists have come to the Deep South with Jane as their target, taking Sue hostage to ensure Jane's compliance with their demands. Now Jane has one night to match wits with a dangerous enemy, navigate a near-impossible set of challenges, and come to grips with a deep secret she thought she'd left in the past.

On Bloody Sunday, January 30, 1972, British paratroopers killed thirteen innocent men in Derry. It was one of the most controversial events in the history of the Northern Ireland conflict and also one of the most mediated. The horror was recorded in newspapers and photographs, on TV news and current affairs, and in film and TV drama. In a cross media analysis that spans a period of almost forty years up to the publication of the Saville Report in 2010, "The British Media and Bloody Sunday" identifies two countervailing impulses in media coverage of Bloody Sunday and its legacy: an urge in the press to rescue the image and reputation of the British Army versus a troubled conscience in TV current affairs and drama about what was done in Britain's name. In so doing, it suggests a much more complex set of representations than a straightforward propaganda analysis might allow for, one that says less about the conflict in Ireland than it does about Britain, with its loss of empire and its crisis of national identity.

Infinity Gauntlet 1-5

It's the Avengers, the New Warriors, the X-Men and more against the omnipotent Eternal, Thanos! The Mad Titan has become the most powerful being in the universe, and enslavement or destruction may be the only choices he gives it! Collects Infinity Gauntlet (1991) #1-6.

‘Ricardo’s Gauntlet’ advances a critique of the mainstream economic case for international free trade. While the core of the case for free trade is David Ricardo’s principle of comparative advantage, the book argues that this case relies on a cluster of interconnected and mutually enforcing ‘economic fictions’ – economic theories or doctrines that pretend to be fact but which upon examination turn out to be mirages. Exposing the layers of fictions nested in the subfields of mainstream economies empties comparative advantage of its persuasiveness, bringing down the case for free trade. This book is not, however, confined to dealing with esoteric puzzles within economic theory. Rather, it takes a social theoretical perspective and grapples with comparative advantage and its associated economic fictions as ideas that ground an argument with social currency, social validity and social effects. While ‘Ricardo’s Gauntlet’ engages in economic debates, it does so with the purpose of demonstrating the fragility of mainstream economic ideology and the flaw at the heart of its justification of free trade. Proposing a novel disaggregation of the case for free trade into its component fictions – and drawing on and uniting heterodox and radical strands including social theory and political philosophy – ‘Ricardo’s Gauntlet’ reveals that the case for free trade fails precisely on its own terms. This failure unnecessarily and dangerously limits our understanding of what is right and wrong, with high sociopolitical stakes.