From the descriptive styles which mirror 19th Century Romanticism to the bold starkness of contemporary dialects, these stories offer myriad insights into the many facets of the masculine soul. These are not cat stories. Well actually there is one. But for the most part this is a collection of first person narratives in short fiction which are certain to leave the reader begging to dialogue with every page. As with his powerful and imaginative science fiction novels, The Last Champion of Earth and The Planet of Mortal Worship, Donald Templeman entertains, stuns and unveils lurid insights into the human condition with every keystroke. "Author Templeman is a skilled writer and accomplished storyteller"-WRITER'S DIGEST 12TH ANNUAL BOOK AWARDS

Over a period of more than thirty years Gerda Koepff devoted herself passionately to collecting Art Nouveau glass, which reached a previously unattained quality towards the end of the nineteenth century in France. The exceptional collection she amassed during those years, comprising 126 pieces of considerable international importance, provides an overview of the very best in Art Nouveau glass while hearing the unmistakable stamp of a personal selection. Among the earliest pieces are works by Francois Eugene Rousseau, Ernest Bapuste Leveille and Auguste Jean, who, with vessels exuding a distinctly Japanese air, paved the way for Art Nouveau's sweeping success in Paris. These were followed by exquisite works created by another artist working in Paris Eugene Michel. The focus of the collection is placed on two comprehensive groups, each consisting of more than forty pieces, by Emile Galle and by the Daum Freres glassworks in Nancy. Virtually all are studio pieces of the highest quality; produced in limited editions, each piece was designed individually. Vases made by Burgun, Schverer & Co. and by the company's sometime studio manager Desire Christian, as well as works by Muller Freres and Paul Nicolas, provide a representative overview of an era that has gone down in the history of glass design as one of its supreme highlights. Art Nouveau Glass includes in-depth commentaries on individual pieces, supplemented by a number of illuminating essays and contributions published in English for the first time. In addition, intensive archive research has brought new material to light, particularly on Daum Freres. A comprehensive, scholarly appendix includes artists' biographies, details on the various glass manufacturers and, of particular note, thirty-five drawings from Galle's studio. Book jacket.

Fun and fright have long been partners in the cinema, dating back to the silent film era and progressing to the Scary Movie franchise and other recent releases. This guide takes a comprehensive look at the comedy-horror movie genre, from the earliest stabs at melding horror and hilarity during the nascent days of silent film, to its full-fledged development with The Bat in 1926, to the Abbott and Costello films pitting the comedy duo against Frankenstein's Monster, the Mummy and other Universal Studio monsters, continuing to such recent cult hits as Shaun of the Dead and Black Sheep. Selected short films such as Tim Burton's Frankenweenie are also covered. Photos and promotional posters, interviews with actors and a filmography are included.

Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.

Tracing the modern photographic portrait over the past 150 years, the book reveals the many ways the photographic arts have investigated, represented, interpreted, and subverted the human face and, consequently, the human spirit.

It's easy for people to write about their feelings in a journal. It's more difficult, however, to convert personal experiences into stories worthy of publication—fiction, non-fiction, or poetry. Filled with engaging exercises, Write from Life guides writers in identifying story-worthy material and transforming their raw material into finished pieces, through conquering fears associated with personal exposure, determining a story's focus, shaping the material into a cohesive whole, and editing and revising as needed. Writers working in any form will find this book invaluable for supplying them with the inspiration and practical instruction they need to get their experiences and emotions into print. In addition, they will learn to: Tap into difficult, guarded parts of their lives to tell the stories they desire Write emotionally intense material Decide which literary form is right for their stories Create the illusion of real speech with effective dialogue Tell their stories with authority Develop effective beginnings, middles, and ends Share their work with others and deal with reactions courageously Files' friendly, encouraging advice makes it a pleasure for writers to write the stories they are most passionate about. In an age when publishing can mean pushing a button on Facebook, Twitter, or a blog, there is an enduring urge to send stories out into the world. In an atmosphere of misinformation and lies that social media and the ease of publishing may encourage, we especially crave truth. The time to start telling it is now—so many aspiring writers have truths worth sharing and stories begging to be told! Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

The brash young artist James Ensor painted Christ's Entry into Brussels in 1889 during a period of extraordinary artistic and political fomentation in his native Belgium. It is one of the most dazzling, innovative, and perplexing paintings created in Europe in the late nineteenth century, rivaling any work of its period in audacity and ambition. Huge in scale, complex in design and execution, and brimming with social commentary, the startling canvas presents a scene filled with clowns, masked figures, and--barely visible amid the swirling crowds--the tiny figure of Christ on a donkey entering the city of Brussels. This insightful volume examines the painting in light of Belgium's rich artistic, social, political, and theological debates in the late nineteenth century, and in the context of James Ensor's exceptional career, in order to decipher some of the painting's messages and meanings.

Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity and community afforded by virtual domains; and new economies of visibility accelerated by social media. Throughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. This development, and others that followed in quick succession, modernized the internet, and in the process radically changed our way of life--from how we access and generate information, make friends and share experiences, to how we imagine our future bodies and how nations police national security. 1989 also marked a watershed moment across the globe, with significant shifts in politics, geographies, and economies. Events such as the fall of the Berlin Wall and protests in Tiananmen Square signaled the beginning of our current globalized age, which cannot be imagined without the internet.

Contains 165,000 entries, more than 225,000 definitions, and over 40,000 usage examples and includes biographical and geographical sections.