"A fable satirizing Spenser's 'The Fairie Queen' and reflecting the real life of Elizabeth I, tells of a woman who ascends to the throne upon the death of her debauched and corrupted father, King Hern. Gloriana's reign brings the Empire of Albion into a Golden Age, but her oppressive responsibilities choke her, prohibiting any form of sexual satisfaction, no matter what fetish she tries. Her problem is in fact symbolic of the hypocrisy of her entire court. While her life is meant to mirror that of her nation - an image of purity, virtue, enlightenment and prosperity - the truth is that her peaceful empire is kept secure by her wicked chancellor Monfallcon and his corrupt network of spies and murderers, the most sinister of whom is Captain Quire, who is commissioned to seduce Gloriana and thus bring down Albion and the entire empire." -- Goodreads.com.

This volume is based on a selection of papers presented during a study course devoted to Gloriana held at the Britten-Pears School for Advanced Musical Studies in 1991. Glorianahas been a source of controversy since its premire as part of the Coronation celebrations in 1953. It was planned as a national opera of broad appeal by its authors, Benjamin Britten and William Plomer, but, despite wide coverage in the media, the opera failed to establish itself in the repertoire until a new production in 1966 revealed it to be a powerful and stageworthy work. In recent years it has attracted an increasing amount of scholarly attention. This volume offers essays by ROBERT HEWISON, PHILIP REED, ANTONIA MALLOY, DONALD MITCHELL and PETER EVANS which explore the opera's cultural background, the early stages of its creative evolution, the first critical responses, and various aspects of the work itself: these are supplemented by a list of source materials for the opera and the works derived from it, and an extensive bibliography.

Gloriana rules an Albion whose empire embraces America and most of Asia. A new Golden Age of peace, enlightenment and prosperity has dawned. Gloriana is Albion and Albion is Gloriana; if one falls, so too will the other. And Gloriana is oppressed by the burden this places upon her - and by the fact that she remains incapable of orgasm. The maintenance of the delicate balance that keeps Albion and Gloriana thriving depends on Montfallcon, Gloriana's Chancellor, and on his network of spies and assassins - in particular on Quire, cold hearted seducer of virtue and murderer of innocence. When Quire falls out with Montfallcon, he forms an alliance with his greatest enemy and conceives a plan to ruin Gloriana, destroy Albion, the empire and the Golden Age itself. But even the utterly ruthless Quire does not fully understand what he has set in motion when he persuades the Queen to fall in love with him... Moorcock's masterly evocation of Gloriana's strange and secretive palace and of a vibrant London make this one of his most powerful and memorable novels.

A duke sets out to seduce an utterly uncouth lady in this historical romance by a RITA finalist . . . The year is 1725. Lady Gloriana Baniard is a beautiful fish out of water. Brought up on the mean streets of London, she is a brash, blunt, obscene force of nature. But thanks to a brief marriage to a disgraced aristocrat, she is forced to live with his noble family and endure the humiliating process of learning proper ladylike behavior. Rebelling, she runs away to Yorkshire, where she intends to be a blacksmith, a skill at which she excels. She knows she’ll need a manservant to front for her. When John Thorne appears, she hires him, stirred as much by his irresistible attraction as by his strength. John Havilland, Duke of Thorneleigh, is an arrogant, indolent gambler and womanizer. Having seen Gloriana just once, he yearns to make her his own. When he learns she has run away from her family, he makes a wild bet with his wastrel companions—he will find the lady and bed her. Disguised as a humble servant, he becomes her assistant, learning the blacksmith trade. The clash of wills between these two proud people creates more sparks than a blacksmith’s anvil. As Gloriana learns to be a lady, Thorne learns humility—and desire deepens to love . . .

This is a double volume dedicated to two masterpieces by Benjamin Britten. While Peter Grimes established Britten as a composer of international standing, Gloriana, composed for the coronation of Elizabeth II, has never enjoyed a comparable fame. The variety of mood, characterization and pace, in each, illustrates Britten's exceptional gift for theatre. Commentaries on the scores reveal, for instance, how much the popular concert extracts gain from their context in the dramas. The essay by E.M. Forster - the inspiration for Peter Grimes - is reprinted here, and Michael Holroyd discusses Lytton Strachey's controversial Elizabeth and Essex - the source for Gloriana.Contents: Benjamin Britten's Librettos, Peter Porter; George Crabbe: The Poet and the Man, E.M. Forster; 'Peter Grimes': A Musical Commentary, Stephen Walsh; Peter Grimes: Libretto by Montagu Slater; 'Peter Grimes' and 'Gloriana', Joan Cross, Peter Pears and John Evans; Some Reflections on the Operas of Benjamin Britten, Buxton Orr; 'A daring experiment', Michael Holroyd; The Librettist of 'Gloriana', Rupert Hart-Davis; The Music of 'Gloriana', Christopher Palmer; Notes on the Libretto of 'Gloriana', William Plomer; Gloriana: Libretto by William Plomer

The formal gardens of Elizabethan England were among the glories of their age. Complementing the great houses of the day, they reflected the aspirations of their owners, whose greatest desire was to achieve success at Court and to delight the Queen. No leading courtier would be without his great house, no great house was complete without its garden. In this richly illustrated work, Jane Whitaker explores these gems of Elizabethan England, focusing on the gardens of the Queen and her leading courtiers. Drawing on the cultural and horticultural sources of the day, as well as evidence surviving on the ground, she recreates these lost gardens, revealing both the rich and Renaissance culture that underlay them and the sumptuous world of the Elizabethan aristocracy. The result is an evocation of one of the most opulent reigns in English history and an entertaining and informative study of one of the most interesting periods of garden history.

Long John Silver, the villain in Robert Louis Stephenson's adventure story, Treasure Island, had a parrot. This story is another episode in the life of that parrot. She was hatched in the household of Queen Elizabeth, "Good Queen Bess," and named Gloriana by Queen Elizabeth herself. Captured by pirates, she went ashore many years later with one of the pirates who opened a pawn shop at Port Adelaide. Nine-year-old twins, Jennifer and Christopher, bought the parrot and discovered her conversational abilities. Gloriana tells the twins she knows where the pirates' treasure is buried. Accompanied by their parents, they set off to recover the treasure, traveling across inland Australia from Adelaide to Northern Queensland, pursued by three villains. Jennifer is kidnapped by the villains who want to exchange her for Gloriana; but Gloriana, aided by squadrons of parrots, rescues her. After further adventures, Jennifer, Christopher, and their parents, recover the treasure, which turns out to be ancient Chinese porcelain, not gold, silver and jewels. The villains chase Gloriana and her human companions in a speedboat, but its engine breaks down and the villains get horribly seasick. The twins' father hands the villains over to the police.

"Gloriana; or, the revolution of 1900" by Florence Lady Dixie. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.