A duke sets out to seduce an utterly uncouth lady in this historical romance by a RITA finalist . . . The year is 1725. Lady Gloriana Baniard is a beautiful fish out of water. Brought up on the mean streets of London, she is a brash, blunt, obscene force of nature. But thanks to a brief marriage to a disgraced aristocrat, she is forced to live with his noble family and endure the humiliating process of learning proper ladylike behavior. Rebelling, she runs away to Yorkshire, where she intends to be a blacksmith, a skill at which she excels. She knows she’ll need a manservant to front for her. When John Thorne appears, she hires him, stirred as much by his irresistible attraction as by his strength. John Havilland, Duke of Thorneleigh, is an arrogant, indolent gambler and womanizer. Having seen Gloriana just once, he yearns to make her his own. When he learns she has run away from her family, he makes a wild bet with his wastrel companions—he will find the lady and bed her. Disguised as a humble servant, he becomes her assistant, learning the blacksmith trade. The clash of wills between these two proud people creates more sparks than a blacksmith’s anvil. As Gloriana learns to be a lady, Thorne learns humility—and desire deepens to love . . .

This is a double volume dedicated to two masterpieces by Benjamin Britten. While Peter Grimes established Britten as a composer of international standing, Gloriana, composed for the coronation of Elizabeth II, has never enjoyed a comparable fame. The variety of mood, characterization and pace, in each, illustrates Britten's exceptional gift for theatre. Commentaries on the scores reveal, for instance, how much the popular concert extracts gain from their context in the dramas. The essay by E.M. Forster - the inspiration for Peter Grimes - is reprinted here, and Michael Holroyd discusses Lytton Strachey's controversial Elizabeth and Essex - the source for Gloriana.Contents: Benjamin Britten's Librettos, Peter Porter; George Crabbe: The Poet and the Man, E.M. Forster; 'Peter Grimes': A Musical Commentary, Stephen Walsh; Peter Grimes: Libretto by Montagu Slater; 'Peter Grimes' and 'Gloriana', Joan Cross, Peter Pears and John Evans; Some Reflections on the Operas of Benjamin Britten, Buxton Orr; 'A daring experiment', Michael Holroyd; The Librettist of 'Gloriana', Rupert Hart-Davis; The Music of 'Gloriana', Christopher Palmer; Notes on the Libretto of 'Gloriana', William Plomer; Gloriana: Libretto by William Plomer

The year is 1587. The Spanish are preparing to launch the Armada against the English and Queen Elizabeth. Ex-soldier David Becket, now responsible for the Queen's Ordnance discovers that large quantities of gunpowder are going astray. Can someone in the heart of the English government be selling it to the Spanish? Unaccountably he is plagued by vivid dreams of England invaded, an alternative story where the Armada is victorious. Patricia Finney's brilliant reworking of the Armada legend is an imaginative tour de force. Thrilling, intricate, and inspiring, this is a tale of courage, of love, and, ultimately, redemption

Ten feminist-materialist explorations of the oppression of women in England from the early Renaissance to the 1650s, draw on women's place in courtesy books, royal office, drama, and other social, political, and literary arenas. Annotation copyrighted by Book News, Inc., Portland, OR

"A fable satirizing Spenser's 'The Fairie Queen' and reflecting the real life of Elizabeth I, tells of a woman who ascends to the throne upon the death of her debauched and corrupted father, King Hern. Gloriana's reign brings the Empire of Albion into a Golden Age, but her oppressive responsibilities choke her, prohibiting any form of sexual satisfaction, no matter what fetish she tries. Her problem is in fact symbolic of the hypocrisy of her entire court. While her life is meant to mirror that of her nation - an image of purity, virtue, enlightenment and prosperity - the truth is that her peaceful empire is kept secure by her wicked chancellor Monfallcon and his corrupt network of spies and murderers, the most sinister of whom is Captain Quire, who is commissioned to seduce Gloriana and thus bring down Albion and the entire empire." -- Goodreads.com.

Gloriana rules an Albion whose empire embraces America and most of Asia. A new Golden Age of peace, enlightenment and prosperity has dawned. Gloriana is Albion and Albion is Gloriana; if one falls, so too will the other. And Gloriana is oppressed by the burden this places upon her - and by the fact that she remains incapable of orgasm. The maintenance of the delicate balance that keeps Albion and Gloriana thriving depends on Montfallcon, Gloriana's Chancellor, and on his network of spies and assassins - in particular on Quire, cold hearted seducer of virtue and murderer of innocence. When Quire falls out with Montfallcon, he forms an alliance with his greatest enemy and conceives a plan to ruin Gloriana, destroy Albion, the empire and the Golden Age itself. But even the utterly ruthless Quire does not fully understand what he has set in motion when he persuades the Queen to fall in love with him... Moorcock's masterly evocation of Gloriana's strange and secretive palace and of a vibrant London make this one of his most powerful and memorable novels.

Be Careful What You Wish For... Vampire Gloriana always wanted a family. Then her mother kidnaps her the week before her wedding. Trapped in Olympus where "blood suckers" are hated, Glory is threatened with an arranged marriage, to a god! Olympus and her mother can make all her dreams come true--she's got a perfect figure, she can eat real food again and her fangs are history. But one thing is missing... Can Glory really give up what some would call Paradise for the man she loves?