Goodbye, Guns N’ Roses transports the reader into a mind-altering trip through the colors, scandals, nihilism, and mythology that make Guns N’ Roses so much more than another “hair metal” band. A valentine and a breakup letter to one of rock’s most controversial bands. Goodbye, Guns N’ Roses is a genre-rattling attempt to explain the appeal of America’s most divisive rock band. While it includes uncharted history and the self-lacerating connoisseurship of a Guns N’ Roses fetishist, it is not a recycled chronicle — this book is a deconstruction of myth, one that blends high and low art sketches to examine how Guns N’ Roses impacted popular culture. Unlike those who have penned other treatments of what might be considered a clichéd subject, Art Tavana is not writing as a GNR patriot or former employee. His book aims to provide an untethered exploration that machetes through the jungle of propaganda camouflaging GNR’s explosive appeal. After circling the band’s three-decade plundering of American culture, Goodbye, Guns N’ Roses uncovers a postmodern portrait that persuades its viewer to think differently about their symbolic importance. This is not a rock bio but a biography of taste that treats a former “hair metal” band like a decomposing masterpiece. This is the first Guns N’ Roses book written for everyone; from the Sunset Strip to a hyper-digital generation’s connection to “Woke Axl,” it is a pop investigation that dodges no bullets.

Guns 'N' Roses and their 1991 album, Use Your Illusion.

Le frasi più belle dei Guns N' Roses, non il solito libro, ma una raccolta di aneddoti,frasi,testi,interviste,pensieri dei famosi Gunners di Los Angeles.Axl, Slash e Co. come non li avete mai "letti".

A pathway to community, growth, and change This collection of inclusive essays explores the role of debate in understanding and critiquing injustice and inequality. Edited by Shawn F. Briscoe, these essays closely examine multiple approaches to debate, considering their respective merits and controversies. This detailed compilation analyzes how debate methodologies are useful in everyday life and whether certain approaches have any value at all. Briscoe provides an in-depth look into the varying styles of debate and contributes to a greater understanding of argument theory by discussing three stylistic approaches: audience-centered, technical/progressive, and nontraditional/performative. The book demonstrates that all three approaches offer students opportunity to engage in a socioemotional learning space, a discipline that prepares students for undergraduate and graduate work, a study that prepares participants for future careers, and a field that investigates current controversies and how to tackle them. Briscoe offers compelling narratives from BIPOC, LGBTQIA, and women authors that explore the personal impact of debate on social equality within this academic discipline, our educational system, and society. The diversity in gender and race of the contributing authors allows for a multitude of perspectives on the complex styles, benefits, and issues discussed in Transcending the Game. Briscoe peels back the mystery that shrouds the benefits of academic, competitive debate from outsiders and insiders alike. A myriad of personal narratives tell stories about the role of debate in their lives; challenge the unproductive discourse in debate, education, and society; and offer diverse insight into why we debate.

Hello from Japan. Not much new here. My four-year-olds attacked me, my crazy female stalkers jumped on the desk and professed their love for me, my depressed coworkers fist-fought each other at the all-you-can-drink karaoke bar, and I have no idea what I ate yesterday but it was uncooked and squishy. Pretty much the usual. What's new from home? Ben took the teaching job in Japan because he wasn't quite ready to figure out what he wanted to do with his life. Instead, his efforts were put towards figuring out his new students, coworkers, and dinner. He is a "gaijin," the Japanese word for "foreigner." From festivals and temples to bicycles and cleaning supplies, Memoirs of a Gaijin: Emails from Japan is the one-year collection of emails and journals that chronicle Ben's experiences in the comedic and confusing country of Japan. "A witty, honest work. Ben Hesse's Memoirs of a Gaijin should be a required read for those college grads who are contemplating the increasingly popular first 'real life' step of teaching English abroad."-C.J. Renner, author of Tried to Say

In the weeks following the death of my son Tony aged just Thirteen, I started writing his memoirs as cathartic therapy in an effort to make some sense of the turmoil I was experiencing and to contain the anger I was feeling. Tony was to experience many prejudices in his life. Bullied from a young age, racism and from the age of nine, he was to live as a diabetic that proved to be brittle and difficult to control. Tony always rose to his challenges with a winning smile and a maturity that belied his age. He experienced premonitions, including his own death. He was a strange mysterious child but he enriched the lives of all those who knew him. I know Tony would wish for any person working in the medical or educational fields. To read his book, thereby preventing any other child suffering the injustices he was forced to endure. I still take strength from my son every single day, and for all bereaved parents that feel such isolation, please read my book. You are not alone...............

'Last Of the Giants is the mad, funny, dark and often painful story of a lost band from a now-distant time' CLASSIC ROCK MAGAZINE INCLUDES BRAND NEW CHAPTER COVERING GUNS N' ROSES EPIC WORLD TOUR 'Any story about Guns is worth reading. But when the author is Mick Wall it's absolutely essential' KERRANG Many millions of words have already been written about Guns N' Roses, the old line-up, the new line-up. But none of them have ever really gotten to the truth. Which is this: Guns N' Roses has always been a band out of time, the Last of the Giants. They are what every rock band since the Rolling Stones has tried and nearly always failed to be: dangerous. At a time when smiling, MTV-friendly, safe-sex, just-say-no Bon Jovi was the biggest band in the world, here was a band that seemed to have leapt straight out of the coke-smothered pages of the original, golden-age, late-sixties rock scene. 'Live like a suicide', the band used to say when they all lived together in the Hell House, their notorious LA home. And this is where Mick Wall first met them, and became part of their inner circle, before famously being denounced by name by Axl Rose in the song 'Get in the Ring'. But this book isn't about settling old scores. Written with the clear head that 25 years later brings you, this is a celebration of Guns N' Roses the band, and of Axl Rose the frontman who really is that thing we so desperately want him to be: the last of the truly extraordinary, all-time great, no apologies, no explanations, no giving-a-shit rock stars. The last of his kind.