"Truth is stranger than fiction." Stranger is, the truth may be happening to many of you right here right now. Reading like fiction, this nonfiction account candidly shares with no embellishment stories of magical, mystical, spiritual experiences such as the appearances of beings of light, prophetic dreams, astral travel, the Sri Yantra (blue pearl), NDE (near-death experience), the master-disciple relationship, and more. The witness and experiencer (author) of Grateful Witness illuminates the process of freeing oneself from misery and illusion, carrying one upon wave after wave of peak experience, breakthrough, illumination, catharsis (processing) and integration. All lead to an attainment of the realization of oneness with God, of God consciousness.

How do we transform American Culture through our religious convictions? Discover here the compelling stories of thirteen pioneers for social justice who engaged in peaceful protest and gave voice to the marginalized, working courageously out of their religious convictions to transform American culture. Their prophetic witness still speaks today. Comprising a variety of voices—Catholic and Protestant, gay and straight, men and women of different racial backgrounds—these activist witnesses represent the best of the church’s peacemakers, community builders, and inside agitators. Written by select authors, Can I Get a Witness? showcases vibrant storytelling and research-enriched narrative to bring these significant “peculiar people” to life. CONTRIBUTORS & SUBJECTS: Daniel P. Rhodes on Cesar Chavez Donyelle McCray on Howard Thurman Grace Y. Kao on Yuri Kochiyama Peter Slade on Howard Kester Nichole M. Flores on Ella Baker Carlene Bauer on Dorothy Day Heather A. Warren on John A. Ryan Becca Stevens on William Stringfellow W. Ralph Eubanks on Mahalia Jackson Susan M. Glisson and Charles H. Tucker on Lucy Randolph Mason Soong-Chan Rah on Richard Twiss David Dark on Daniel Berrigan M. Therese Lysaught on Mary Stella Simpson

Veteran missionary-scholar Roberta King draws on a lifetime of study and firsthand mission experience to show how witness through contextualized global arts can dynamically reveal Christ to all peoples. King offers the global church biblical foundations, historical pathways, theoretical frameworks, and effective practices for communicating Christ through the arts in diverse contexts. Supplemented with stories from the field, illustrations, and discussion questions, this textbook offers innovative and dynamic approaches essential for doing mission in transformative ways through the arts. It also features a full-color insert of artwork discussed in the book.

The role of witness is a recurring theme in the work of Stanley Hauerwas: it is through enacting the truth in a world of lies, through seeking peace in a world of violence, that witnesses show who God is, who we are, and what the world is like. The Necessity of Witness is a study of Hauerwas and his fascinating but complex understanding of witness. Ariaan W. Baan argues that Hauerwas's approach makes a significant contribution to current debates in systematic theology on the relation between truth and life. Reading Hauerwas can be a precarious adventure. His rhetoric is overwhelming, but his argument is not always crystal clear and carefully formulated. With the help of semiotic and philosophical analysis and biblical exegesis, Baan articulates Hauerwas's intuitions, fills some of the gaps in his argumentation, and discloses hidden biases. The results of this analysis sometimes surprise. Baan notes that unexpected pericopes in Scripture such as Isaiah and Revelation support Hauerwas's account of witness, and concludes that his work offers insight into how in our late modern society such diverse groups as martyrs and pop stars offer implicit witness through their lives.

Much like theology itself, the experience of trauma has the potential to reach into almost any aspect of life, refusing to fit within the tramlines. A follow up to the 2020 volume "Feminist Trauma Theologies", "Bearing Witness" explores further into global, intersectional, and as yet relatively unexplored perspectives. With a particular focus on poverty, gender and sexualities, race and ethnicity, and health in dialogue with trauma theology the book seeks to demonstrate both the far reaching and intersectional nature of trauma, encouraging creative and ground-breaking theological reflections on trauma and constructions of theology in the light of the trauma experience. A unique set of insights into the real-life experience of trauma, the book includes chapters authored by a diverse group of academic theologians, practitioners and activists. The result is a theology which extend far into the public square

The risen Jesus sends his disciples out as “witnesses of repentance and the forgiveness of sins” in his name. In a time of uncertainty for the western church—particularly for “mainline” congregations—this commission offers a simple framework for faithful, contextual work and witness, growing in the way of the God who sets captives free and raises the dead. One part call to action, one part celebration of the miracle that is the local church, Witnesses of These Things is an invitation to grab hold of the life that is truly life for which each one of us and this God-beloved world are made.

"Banwell Hill: A Lay of the Severn Sea" is a poetic work that immerses readers in the beauty and grandeur of the Severn Sea. Set against the backdrop of Banwell Hill, the poem captures the majestic landscapes, rolling waves, and picturesque vistas that characterize the region. Through vivid imagery and lyrical language, the poet transports readers on a journey of the senses, inviting them to experience the sights, sounds, and smells of the coastal environment. As the poem unfolds, readers are enveloped in the timeless rhythms of nature and the ever-changing moods of the sea. With its evocative descriptions and immersive storytelling, "Banwell Hill: A Lay of the Severn Sea" celebrates the awe-inspiring power of the natural world and the enduring connection between land and sea. Whether read aloud or savored in solitude, the poem invites readers to pause, reflect, and marvel at the wonders of the natural world that surrounds them.

From the Foreword This Concordance of the Qur'an in English satisfies a paramount need of those—and there are millions of them—who have no command of the Arabic language and yet desire to understand the Qur'an. The benefit derivable from English translations of the Sacred Book is, in principle, limited because, first, the Qur'an is not a "book" but a collection of passages revealed to Muhammad over a period of about twenty-three years and, second, because the Qur'an is not really translatable. This does not mean that the Qur'an should not be translated. It does mean that translations lose much in tone and nuance, let alone the incommunicable beauty, grandeur, and grace of the original. . . . The main distinction of Hana Kassis's concordance, in my view, is that it utilizes the semantic structure of Arabic vocabulary itself in revealing the meaning of the Qur'an on any given issue, point or concept. A reader who looks in the index of this concordance for a word which he has encountered in reading an English translation of the Qur'an—the word pride, for example—is directed immediately to the roots of the Arabic, Qur'anic terms for pride. At tne entries for these Arabic roots, all the derivative forms are shown, and the verses of the Qur'an in which they appear are there listed in translation. . . . I am confident that any person who is sincerely interested in understanding the Qur'an and appreciating the nuances of its diction and shades of its meaning can satisfy his need more fully with this book than in any way short of developing a real command over the Arabic language itself. —Fazlur Rahman, Professor of Islamic Thought, University of Chicago

DIVPainstakingly researched history of Salem village and the notorious witchcraft trials held there in the late 17th century. Fascinating, classic account of one of the darkest episodes in early American history. /div