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Barrett H. Clark's 'How to Produce Amateur Plays: A Practical Manual' is a comprehensive guide that offers valuable insights into the intricacies of amateur dramatic productions. The book delves into the practical aspects of staging plays, including detailed instructions on set design, costume creation, lighting, sound, and overall production management. Clark's writing style is clear and concise, making this manual a user-friendly resource for aspiring playwrights, directors, and producers. Set in the early 20th century, the book is a valuable reflection of the theatrical practices and trends of the time, providing a glimpse into the world of amateur theater production during that era. Clark's expertise in the field shines through in his meticulous attention to detail and practical advice, making this book a must-read for anyone interested in amateur dramatics. As a respected theater historian and playwright himself, Barrett H. Clark's 'How to Produce Amateur Plays' is a timeless classic that continues to be a relevant and informative guide for theater enthusiasts of all levels.

Plays...And How to Produce Them provides a basic introduction for all individuals and groups wishing to undertake the production of a play. It is aimed at the amateur enthusiast and anyone intending to pursue their interest further and undertake professional training. The author, who has over 30 years of experience in drama, takes the reader through the production of a play step by step, from setting up a drama group to the first night and entire run. The book can be read straight through or consulted as a handy reference work. Includes sections on starting a drama group, financing, organising and attracting members; choosing a director, choosing plays, auditions and casting; stage management, lighting, sound, costume, props, and prompting; music and choreography; choosing a venue, and designing and building sets; rehearsing and rehearsal schedules; actors' games and exercises, and make-up; publicity and media coverage; technical rehearsals, dress rehearsals, first nights, last nights, get-ins and get-outs. Additional sections deal with special concerns and interests: producing plays in the open air; schools productions; producing plays with non-English speakers; expatriate productions; plays without scripts; producing Shakespeare and Brecht. The resources section includes plentiful information about helpful drama organisations

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