The second issue of H.P. Lovecraft's Magazine of Horror is dedicated to classic fantasy writer Richard Matheson, presenting an original story, interview, and critical overview of his movies. An additional 11 stories fill out the issue, including work by such luminaries as Tanith Lee, Ray Russell, Chris Bunch, a classic reprint from E. Hoffman Price, and much more. Plus all the usual features by editor Marvin Kaye, book reviewer Craig Shaw Gardner, and film critic Greg Lamberson. Plus poetry by H.P. Lovecraft, Lynn Jamneck, and Mike Allen. Rounding out the issue is a fine selection of artwork by Steve Hickman (cover), Allen Koszowski, Alex McVey, Britt Spencer, George H. Scithers, Mike Dublisch, and David Grilla.

The fourth issue of H.P. Lovecraft's Magazine of Horror presents a stellar lineup of fiction and non-fiction. Includes a conversation with best-selling author Laurell K. Hamilton, as well as fiction by such luminaries as Darrell Schweitzer ("Sometimes You Have to Shout About It"), Ken Rand ("Crickets, Everywhere"), Jay Lake ("Ever"), Erin Donahoe ("The Old Ones Reborn"), Yoiya Finley ("The Taxidermist's Collection"), Esther Friesner ("The Really Big Sleep"), Morgan Llywelyn ("The View from Here"), Leah Bobet ("Scars"), Nick Knight ("Thinking of You"), and Ron Goulart ("The Problem of the Missing Werewolf").

Richard Matheson was one of the leading writers of science fiction, fantasy, and horror in the twentieth century. Matheson’s most famous early works, the novels I Am Legend (1954) and The Shrinking Man (1956), both depict traditionally masculine figures thrust into extraordinary situations. Other thought-provoking novels, including Hell House (1971), Bid Time Return (1975), and What Dreams May Come (1978)—as well as short stories and screenplays—convey the ambiguous status of masculinity: how men should behave vis-à-vis women and what role they should occupy in the family dynamic and in society at large. In Richard Matheson’s Monsters: Gender in the Stories, Scripts, Novels and Twilight Zone Episodes, June M. Pulliam and Anthony J. Fonseca examine how this groundbreaking author’s writings shed light on society’s ever-shifting attitudes on masculinity and domesticity. In this first full-length critical study of Matheson’s entire literary output, the authors discuss how I Am Legend, The Shrinking Man, and other works question traditional male roles. The authors examine how Matheson’s scripts for The Twilight Zone represented changing expectations in male behavior with the onset of the sexual and feminist revolutions, industrialization and globalization, and other issues. In a society where gender roles are questioned every day, Matheson’s work is more relevant than ever. Richard Matheson’s Monsters will be of interest to scholars of literature, film, and television, as well those interested in gender and masculinity studies.

This special edition of Strange Tales #9 is presented in the original magazine's dimensions. In addition to great work by Hugh B. Cave, L. Sprague de Camp, and many more, this edition adds "The Devil's Crypt," a novelet by E. Hoffmann Price.

The latest edition of the world's foremost annual showcase of horror and dark fantasy fiction. Here are some of the very best short stories and novellas by today's finest exponents of horror fiction - including Kim Newman, Neil Gaiman, China Miéville, Paul McAuley, Glen Hirshberg, Ramsey Campbell and Tanith Lee. The Mammoth Book of Best New Horror 16 also contains the most comprehensive overview of horror around the world during the year, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.

Finalist for the HWA’s Bram Stoker Award for Best Anthology Named one of the Best Books of the Year by Slate and the San Francisco Chronicle From across strange aeons comes the long-awaited annotated edition of “the twentieth century’s greatest practitioner of the classic horror tale” (Stephen King). "With an increasing distance from the twentieth century…the New England poet, author, essayist, and stunningly profuse epistolary Howard Phillips Lovecraft is beginning to emerge as one of that tumultuous period’s most critically fascinating and yet enigmatic figures," writes Alan Moore in his introduction to The New Annotated H. P. Lovecraft. Despite this nearly unprecedented posthumous trajectory, at the time of his death at the age of forty-six, Lovecraft's work had appeared only in dime-store magazines, ignored by the public and maligned by critics. Now well over a century after his birth, Lovecraft is increasingly being recognized as the foundation for American horror and science fiction, the source of "incalculable influence on succeeding generations of writers of horror fiction" (Joyce Carol Oates). In this volume, Leslie S. Klinger reanimates Lovecraft with clarity and historical insight, charting the rise of the erstwhile pulp writer, whose rediscovery and reclamation into the literary canon can be compared only to that of Poe or Melville. Weaving together a broad base of existing scholarship with his own original insights, Klinger appends Lovecraft's uncanny oeuvre and Kafkaesque life story in a way that provides context and unlocks many of the secrets of his often cryptic body of work. Over the course of his career, Lovecraft—"the Copernicus of the horror story" (Fritz Leiber)—made a marked departure from the gothic style of his predecessors that focused mostly on ghosts, ghouls, and witches, instead crafting a vast mythos in which humanity is but a blissfully unaware speck in a cosmos shared by vast and ancient alien beings. One of the progenitors of "weird fiction," Lovecraft wrote stories suggesting that we share not just our reality but our planet, and even a common ancestry, with unspeakable, godlike creatures just one accidental revelation away from emerging from their epoch of hibernation and extinguishing both our individual sanity and entire civilization. Following his best-selling The New Annotated Sherlock Holmes, Leslie S. Klinger collects here twenty-two of Lovecraft's best, most chilling "Arkham" tales, including "The Call of Cthulhu," At the Mountains of Madness, "The Whisperer in Darkness," "The Shadow Over Innsmouth," "The Colour Out of Space," and others. With nearly 300 illustrations, including full-color reproductions of the original artwork and covers from Weird Tales and Astounding Stories, and more than 1,000 annotations, this volume illuminates every dimension of H. P. Lovecraft and stirs the Great Old Ones in their millennia of sleep.

A New York Times Book Review Editors' Choice Selection "The most exciting and definitive collection of Lovecraft's work out there." –Danielle Trussoni, New York Times Book Review No lover of gothic literature will want to be without this literary keepsake, the final volume of Leslie Klinger’s tour-de-force chronicle of Lovecraft’s canon. In 2014, The New Annotated H. P. Lovecraft was published to widespread acclaim— vaunted as a “treasure trove” (Joyce Carol Oates) for Lovecraft aficionados and general readers, alike. Hailed by Harlan Ellison as an “Olympian landmark of modern gothic literature,” the volume included twenty-two of Lovecraft’s original stories. Now, in this final volume, best- selling author Leslie S. Klinger reanimates twenty-five additional stories, the balance of Lovecraft’s significant fiction, including “Rats in the Wall,” a post– World War I story about the terrors of the past, and the newly contextualized “The Horror at Red Hook,” which recently has been adapted by best- selling novelist Victor LaValle. In following Lovecraft’s own literary trajectory, readers can witness his evolution from Rhode Island critic to prescient literary genius whose titanic influence would only be appreciated decades after his death. Including hundreds of eye- opening annotations and dozens of rare images, Beyond Arkham finally provides the complete picture of Lovecraft’s unparalleled achievements in fiction.

Join editor George Wilhite and the authors of Thirteen O'Clock Press on a hunt for the bizarre and strange. Is what they find supernatural, or is there a logical explanation for the terror they experience? What recorded stories will YOU come across in this a

Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.