A Finalist for the 2016 National Jewish Book Award Forty-two stories from America’s greatest Yiddish newspaper, in English for the first time. The Forward, founded in 1897, is the most renowned Yiddish newspaper in the world. It welcomed generations of immigrants to the United States, brought them news of Europe and the Middle East, and provided them with sundry comforts such as comic strips and noodle kugel recipes. It also published some of the most acclaimed Yiddish fiction writers of all time: Nobel Prize laureate Isaac Bashevis Singer on justice slyly being served when the governor of Lublin comes to town; celebrated Forward editor Abraham Cahan on how place and luck can change character; and Roshelle Weprinsky, setting her story in Florida, on the rupture between European parents and American children. Cahan described the newspaper as a “living novel,” with good reason. Taken together, these stories reveal the human side of the challenges that faced Jews throughout this time, including immigration, modernization, poverty, assimilation, the two world wars, and changing forms of Jewish identity. These concerns were taken up by a diverse group of writers, from novelists Sholem Asch and Chaim Grade to short-story writers like Lyala Kaufman and Miriam Karpilove. Ezra Glinter has combed through the archives to find the best stories published during the newspaper’s 120-year history, digging up such varied works as wartime novellas, avant-garde fiction, and satirical sketches about immigrant life in New York. Glinter’s introductions to the thematic sections and short biographies of the contributors provide insight into the concerns of not only the writers but also their avid readers. The collection has been rendered into English by today’s best Yiddish translators, who capture the sound of the authors and the subtleties of nuance and context.

With his intense, quickfire psychological fiction and consistent portrayal of characters’ subconscious minds, Jonah Rosenfeld is a standout among Yiddish authors of the early twentieth century. In his dedication to observing human psychology, he frequently confronted issues rarely dealt with by his contemporaries. In A Plague of Cholera and Other Stories, Rosenfeld confronts the issues of his day, whether they be epidemics, differing social expectations for men and women, financial instability, or challenges to Jewish life at the beginning of the twentieth century. His themes are as relevant today as when the stories were first published. This new translation from the original Yiddish is culled from anthologies spanning Rosenfeld’s career, starting in 1924 and running through 1959 and contextualized alongside Rosenfeld’s biography and other writings. These short stories are presented in a fresh, approachable way, welcoming to students as well as seasoned readers of Yiddish texts and translations. By narrating the lives of impoverished and working-class Jews in Europe and urban North America, A Plague of Cholera and Other Stories shines a light on the secular, uniquely Yiddish challenges of its day while offering a comprehensive, informed perspective by one of the most prominent writers of the language.

A fascinating glimpse into the complex and often unexpected ways that women and ideas about women shaped widely read Jewish newspapers Between the 1880s and 1920s, Yiddish-language newspapers rose from obscurity to become successful institutions integral to American Jewish life. During this period, Yiddish-speaking immigrants came to view newspapers as indispensable parts of their daily lives. For many Jewish immigrants from Eastern Europe, acclimating to America became inextricably intertwined with becoming a devoted reader of the Yiddish periodical press, as the newspapers and their staffs became a fusion of friends, religious and political authorities, tour guides, matchmakers, and social welfare agencies. In A Revolution in Type, Ayelet Brinn argues that women were central to the emergence of the Yiddish press as a powerful, influential force in American Jewish culture. Through rhetorical debates about women readers and writers, the producers of the Yiddish press explored how to transform their newspapers to reach a large, diverse audience. The seemingly peripheral status of women’s columns and other newspaper features supposedly aimed at a female audience—but in reality, read with great interest by male and female readers alike—meant that editors and publishers often used these articles as testing grounds for the types of content their newspapers should encompass. The book explores the discovery of previously unknown work by female writers in the Yiddish press, whose contributions most often appeared without attribution; it also examines the work of men who wrote under women’s names in order to break into the press. Brinn shows that instead of framing issues of gender as marginal, we must view them as central to understanding how the American Yiddish press developed into the influential, complex, and diverse publication field it eventually became.

Murder puts Lawrence Sanders’s Palm Beach PI in the prime suspect spotlight in the series “effortlessly written to be effortlessly enjoyed” (The Boston Globe). Hired to retrieve a client’s kiss-and-tell-all diary from her blackmailing ex-lover, Archy McNally doesn’t expect the mission to go awry. He makes the exchange easily enough, but as the Palm Beach private investigator returns to his sports car, he’s knocked out cold. When he wakes up, the diary is gone. Except it wasn’t a diary McNally was playing go-between to collect. It was the Holy Grail of lost literature—the original manuscript of Truman Capote’sAnswered Prayers. McNally will need some divine intervention of his own when he becomes the prime suspect in a homicide investigation headed by vampy, green-eyed blonde Georgia O’Hara. With everyone trying to seize the Capote opus, it’s up to McNally to write off a killer who’s waiting to close the book on him—permanently.

With five Nobel Prize-winners, seven Pulitzer Prize-winners and two Booker Prize-winning novelists, modern Irish writing has contributed something special and permanent to our understanding of the twentieth century. Irish Writing in the Twentieth Century provides a useful, comprehensive and pleasurable introduction to modern Irish literature in a single volume. Organized chronologically by decade, this anthology provides the reader with a unique sense of the development and richness of Irish writing and of the society it reflected. It embraces all forms of writing, not only the major forms of drama, fiction and verse, but such material as travel writing, personal memoirs, journalism, interviews and radio plays, to offer the reader a complete and wonderfully varied sense of Ireland's contribution our literary heritage. David Pierce has selected major literary figures as well as neglected ones, and includes many writers from the Irish diaspora. The range of material is enormous, and ensures that work that is inaccessible or out of print is now easily available. The book is a delightful compilation, including many well known pieces and captivating "discoveries," which anyone interested in literature will long enjoy browsing and dipping into.

This collection of 19 horror stories, culled from the career of a writer best known for his literary science fiction, explores horror as a product of the human mind by allowing personal, political, and metaphysical obsessions to unleash terrors that beset these characters and by refusing to rely on genre-typical terrors such as serial killers and ancient curses. The original novella "Black Pockets" depicts a hate so all-consuming that a man makes a bargain to carry out the revenge plot of a dying enemy in order to gain the power to pursue his own victims. In unusual zombie tale, "I Walked with Fidel", Fidel Castro's ideals are slowly betrayed by both Cold War superpowers. And a Kafka-like uneasiness pervades "A Piano Full of Dead Spiders", in which a composer's music actually is the result of spiders walking on piano strings. Posing as philosophical puzzles, the stories gain emotional power from an attention to character development and the insightful investigation of both private and collective nightmares.