A famous cowboy in trouble, an almost-nurse with nothing to lose, and the hard times that bind them… Actor Everett McClaren has got himself in a bit of a bind. After being attacked, he is forced to go into hiding with the care of a gal he keeps forgetting. Clara Walker is less than a year away from earning her RN when her parents unexpectedly pass, tearing her away from accomplishing her dream. Left with nothing, she takes an offer she can’t refuse to care for a man with amnesia. Though she isn’t told of the dangers involved, including the danger of losing her heart. Book Five of Unforgettable Cowboys, a clean & wholesome romance series with a touch of suspense.

The anthology "60 WESTERNS: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures" encapsulates the essence and ethos of the American frontiers, offering an exploratory journey through the diverse terrains of Western literature. This collection is remarkable not only for the breadth of its geographic and thematic scope but also for the variety of its literary styles, including adventure tales, reflective narratives, and depictions of historical events. The selected works engage deeply with the complexities of frontier life, reflecting on the themes of bravery, exploration, conflict, and the relentless pursuit of freedom and prosperity. Standout pieces within the collection vividly reanimate the rugged landscapes of the American West, making tangible the untamed spirit of its inhabitants and the period's cultural ethos. The contributing authors and editors to this comprehensive collection bring a wealth of perspectives to the evocation of the Western experience. Comprising icons such as Mark Twain, Jack London, and Willa Cather, among others, the anthology intersects with critical historical, cultural, and literary movements spanning the tumultuous Gold Rush era to the mythic storytelling of the Yukon. The magnitude of contributing talents provides a panoramic view of the West, delving into its legends, its hardships, and its enduring allure. Collectively, their works offer profound insights into the transformation of the American landscape and identity. "60 WESTERNS" invites readers to traverse the rich and varied landscapes of Western American literature. Each story, drawn from a unique voice and perspective, weaves together a broader narrative of struggle, survival, and triumph against the backdrop of some of history's most defining moments and locales. This anthology stands as an indispensable resource for students, historians, and literature aficionados alike, fostering a deeper appreciation for the multifaceted tapestry of Western American culture and the narrative potential it holds. Through engaging with this extensive collection, readers are given the unique opportunity to explore the frontiers of human experience, guided by some of the most influential voices of American literature.

Marsha Bugler leaves town to raise her baby, leaving the father behind. Will Cash is clueless that he has a child but both he and Marsha have grown up in many ways since their days of being lovers and he wants to prove he has what it takes to be a father to his teenage son.

In the American psyche, the "e;Wild West"e; is a mythic-historical place where our nation's values and ideologies were formed. In this violent and uncertain world, the cowboy is the ultimate hero, fighting the bad guys, forging notions of manhood, and delineating what constitutes honor as he works to build civilization out of wilderness. Tales from this mythical place are best known from that most American of media: film. In the Greco-Roman societies that form the foundation of Western civilization, similar narratives were presented in what for them was the most characteristic, and indeed most filmic, genre: epic. Like Western film, the epics of Homer and Virgil focus on the mythic-historical past and its warriors who worked to establish the ideological framework of their respective civilizations. Through a close reading of films like High Noon and Shane, this book examines the surprising connections between these seemingly disparate yet closely related genres, shedding light on both in the process.

Return to Thunder Mountain! Matt Forrest was born to be an actor, but grew up a cowboy. That's why, when things go haywire after he shoots his first Hollywood movie, he retreats to Thunder Mountain Ranch. PR agent Geena Lysander isn't about to lose one of her best clients – so she goes after him! And, yes, it's complicated...because she is attracted to Matt, and not just for his movie star looks. As she gets to know the man behind the cowboy, their professional relationship becomes passionately personal. Could Matt's next big role be as Geena's leading man?

This book presents a comprehensive and systematic study of the narrative history and narrative methods of Chinese and Western popular fiction from the perspectives of narratology, comparative literature, and art and literature studies by adopting the methodology of parallel comparison. The book is a pioneering work that systematically investigates the similarities and differences between Chinese and Western popular fiction, and traces the root causes leading to the differences. By means of narrative comparison, it explores the conceptual and spiritual correlations and differences between Chinese and Western popular fiction and, by relating them to the root causes of cultural spirit, allows us to gain an insight into the cultural heritage of different nations. The book is structured in line with a cause-and-effect logical sequence and moves from the macroscopic to the microscopic, from history to reality, and from theory to practice. The integration of macro-level theoretical studies and micro-level case studies is both novel and effective. This book was awarded Second Prize at the Sixth Outstanding Achievement Awards in Scientific Research for Chinese Institutions of Higher Learning (Humanities & Social Sciences, 2013).

The only way out of my horrible life is to become a mail order bride. But will my new cowboy husband be willing to take a chance on love? Tia I’m trying to start my life over as someone new. But with no skills or education, my options are pretty limited. Until I see the ad to become a mail order bride. Suddenly, I have hope. Maybe I can escape and live free. The only problem is I’m pretty sure my husband doesn’t like me at all. The more time I spend with him, the more I can’t help falling in love. But will my new cowboy husband break my heart? Ranger Grandpa was a diehard romantic. The kind of guy who believed in forever and soulmates. Too bad he’s made marriage a condition for inheriting the family ranch. Now I’m stuck with a mail order bride. I didn’t expect my bride to be so young and innocent. I didn’t expect this age gap or the things her curves would do to me. I certainly didn’t expect to be attracted to her. But will a beautiful, curvy woman like Tia be willing to accept a disfigured, grumpy cowboy like me? The Scott Brothers are fierce cowboys in need of mail order brides so they can claim their rightful inheritance. But that’s not the only thing these rough and dirty cowboys plan to claim! Each book in the Courage County Brides series is standalone with NO cheating and NO cliffhangers. Just a sweet, sexy HEA so you can get your swoon on.

She’s moved home, but can she move on? One night with professional bull rider Trent Campbell had been everything that Kelly Sullivan had fantasized about. Unfortunately, it cost her everything. When she became pregnant, her father threw her out because she wouldn’t tell him the baby's father was his rodeo hero—the hero who ghosted her when she tried so many times to tell him about their daughter. Trent Campbell never forgot the best night of his life. It was what kept him going when a 2,000-lbs bull ended his career and almost his life. Throughout his long recovery, thinking of Kelly and wishing he still had his stolen phone so he could contact her, were what got him through the tough days—that, and his bull-headed stubbornness that he’d not only walk again, he’d ride. When Kelly returns to Last Stand, Texas, in a last-ditch effort to keep her family from selling the Three Sisters Ranch, she has a plan to make her father proud of her again by turning part of the land into a destination wedding location. Her father, however, has already temporary leased Trent some land for a rodeo school. Kelly and Trent still have the same explosive chemistry, but now the stakes are higher. If she lets Trent into her life, it won’t only be her heart he breaks this time if he leaves, it will be their daughter’s.

This collection provides readers with a diverse and contemporary overview of research in the field. Drawing upon scholarly writing from a range of disciplines and approaches, it provides case studies from a wide range of 'non Western' musical contexts. In so doing the volume attends to the central themes that have emerged in this area of popular music studies; cultural politics, identity and the role of technology. This collection does not seek to establish a new theoretical paradigm, but being primarily aimed at researchers and students, offers as comprehensive a view of the research that has been carried out over the last few decades as possible, given the global scope of the subject. Inevitably, the experience of globalisation itself runs through many of the contributions, not only because musicians find themselves part of an immense flow of international culture, technology and finance, but also because Western scholarship can also be considered an aspect of such a flow. The articles selected for the volume take different disciplinary approaches; many are close ethnographic descriptions of musical practices whilst others take a more historical view of a musical 'scene' or even a single musician. Some essays consider the effects of emerging technologies upon the production, dissemination and consumption of music, whilst the political context is central to other authors. The collection as a whole serves as a resource for those who wish to be better acquainted with the diversity of research that has been carried out into non-western pop, whilst also highlighting the broader themes that have, so far, shaped academic approaches to the subject.

Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.