This book, first published in 1975, is an examination of the theoretical foundation of the sociology of art and literature and an in-depth study in the sociology of knowledge. In discussing and clarifying some of the important philosophical issues in this field, the constant underlying reference is to the creative and artistic-expressive areas of knowledge – so that the better understanding of the social nature and genesis of all knowledge may point the way towards a similar comprehension of art and society.

What can Sociology add to our understanding of art? This volume brings together a range of respected scholars in the field who demonstrate the many ways in which sociology can add to our understanding of artistic issues. Covering all the major schools of thought, and dealing with many different art forms, the book offers the reader a comprehensive and accessible guide to an often complex area. It will be an invaluable resource for students seeking to understand sociology's contributions to the study of artistic and aesthetic issues.

Hermeneutics and Modern Philosophy is a collection of interpretive and critical essays on philosophical hermeneutics, focusing on the seminal work of Heidegger and Gadamer. The anthology brings together classic pieces in the field that previously were widely scattered and includes articles that shed light on issues in contemporary hermeneutics.

This 11-volume set reissues a host of classic titles on Continental Philosophy. Written by leading scholars in the field, they form an essential reference resource that tackles philosophers and subjects such as Deleuze, Derrida, hermeneutics and phenomenology.

The essays address the following questions: How and under what conditions has our culture come to represent the individual? What characterizes individualistic ideology and the social, economic, and political systems within which it has emerged? What is the role of the individual within them? What have been the major challenges to individualism? What aspects of contemporary thought and research point to new ways of thinking about the individual?

The Lived Body takes a fresh look at the notion of human embodiment and provides an ideal textbook for undergraduates on the growing number of courses on the sociology of the body. The authors propose a new approach - an 'Embodied Sociology' - one which makes embodiment central rather than peripheral. They critically examine the dualist legacies of the past, assessing the ideas of a range of key thinkers, from Marx to Freud, Foucault to Giddens, Deleuze to Guattari and Irigary to Grosz, in terms of the bodily themes and issues they address. They also explore new areas of research, including the 'fate' of embodiment in late modernity, sex, gender, medical technology and the body, the sociology of emotions, pain, sleep and artistic representations of the body. The Lived Body will provide students and researchers in medical sociology, health sciences, cultural studies and philosophy with clear, accessible coverage of the major theories and debates in the sociology of the body and a challenging new way of thinking.

A major contribution to criminology in which Taylor, Walton and Young provide a framework for a fully social theory of crime.

"The most profound and enduring social theorist of sociology's classical period, Max Weber speaks as cogently to concerns of the new century as he did to those of the past. Over the past seventy years, those special ideas that have become identified as ""Weberian"" have become especially pertinent to those who would analyze today's socioeconomic and cultural life. They offer the possibility of a more acute understanding of our immediate future than reliance on the ideas of any other social theorist in the pantheon. Alan Sica demonstrates Weber's preeminent position and lasting vitality within social theory by applying them to topics of contemporary concern. The result will appeal to experts and novices alike.Max Weber and the New Century documents the continuing usefulness of Weber's unrivalled social thought. Sica offers a series of linked studies that treat Weber's concept of rationalization as expressed in different cultural forms, the role of Weberian ideas in contemporary historiography, the uses of Weber's image in the popular imagination, the rhetorical structure of Economy and Society, and Weber's relationship to modern philosophical thought. Conceptually and practically, this volume is a companion piece to the author's forthcoming Max Weber: A Comprehensive Bibliography--a 3,600-item bibliography of works by and about Weber in English--which, for the first time, will allow scholars to explore the universe of Weberian analysis.Max Weber and the New Century is a valuable addition to the library of social scientists, historians, philosophers, economists, and students of intellectual history. It shows that Weber--the scholar as much as his ideas--continues to inspire fruitful social and cultural analyses."

First published in 1975, this collection of essays expands upon the themes and ideas developed in the editors’ previous work, the visionary and groundbreaking text: The New Criminology. Directed at orthodox criminology, this is a partisan work written by a group of criminologists committed to a social transformation: a transformation to a society that does not criminalize deviance. Included are American contributions, particularly from the School of Criminology at Berkeley, represented by Hermann and Julia Schwendinger and Tony Platt, together with essays by Richard Quinney and William Chambliss. From Britain, Geoff Pearson considers deviancy theory as ‘misfit sociology’ and Paul Hirst attacks deviancy theory from an Althusserian Marxist position. The editors contribute a detailed introductory essay extending the position developed in The New Criminology, and two other pieces which attempt to continue the task of translating criminology from its traditional correctionalist stance to a commitment to socialist diversity and a crime-free set of social arrangements.

Originally published in 1979, Ideology and Cultural Production examines the contribution to the debate surrounding ‘culture’, ‘ideology’, and ‘representation’, in this collection of essays. Originally presented as papers at the 1978 British Sociological Conference on the theme of culture, the collection is tied together under the argument for a definition, which emphasizes the material and ideological conditions of cultural production. The volume discusses key issues, such as the break with ‘super-structural theory’, the question of economism, and the argument between culturalism and structuralism, as well as the central debates of determinism and autonomy.