Series statement from publisher's website.

The "Dark" in the Dark Corner Years ago, when travelers to northern Greenville County asked a local where the Dark Corner was, invariably their reply was, "Just a little further up the road." In those days few people wanted to admit they lived in that much storied and much maligned part of the county known as the Dark Corner. The Dark Corner in those days was legendary for its moonshine, murder and mayhem. This is the story of that well-known region. We travel back to the Dark Corner's earliest days when its only human inhabitants were the Cherokee, and we move into the present where horse farms and multi-million-dollar homes dot the countryside that once contained moonshine stills and cornfields.

Down East Maine is well known for its breathtaking scenery and art museums. However, much of the history in the traditional mining and fishing area of Rockland and St. George remains untold. Hanson Gregory from Clam Cove invented the donut. Mary Brown Patten sailed a clipper around Cape Horn. Captain Albert Keller was shipwrecked on Easter Island and Effie Canning of Rockland composed the lullaby "Rock a Bye Baby." Captain Charles Holbrook of Tenants Harbor and his ship, the Hattie Dunn, fell victim to a German U-boat in the Atlantic. Local author Jane Merrill uncovers the forgotten stories and personalities that bring this unique area's history into focus.

Beyond the beaten path of local landmarks, residents and tourists can find curious secrets, lost mysteries and fascinating legends. The famed Hope Diamond once found itself, and its mysterious curse, buried in an Asheville girl's sandbox. Elvis once handed a cherished guitar to a local man at an Asheville concert, and he held on to it for forty years. At a flea market, an Asheville attorney paid a few bucks for an old tintype likely of Billy the Kid, and it may be worth millions. Native author Marla Hardee Milling recounts odd, but true, stories hiding behind Asheville's picturesque beauty.

A unique blend of visionaries, risk takers and creative souls lends energy to Asheville's historic streets. Today, bohemian street performers, funky shops, exquisite art galleries, restaurants and craft breweries blend in among some of the most revered vintage architecture in the country. Discover quirky figures like a "nun" named Sister Bad Habit, who entertains passengers on the LaZoom bus; the "Man in White" living statue; and Asheville's Village Witch. Be inspired by innovative dreamers such as Julian Price, who invested millions in the once-desolate downtown Asheville, giving money to an eclectic mix of restaurateurs and shop owners. Author Marla Milling traces the people and places that make her hometown a truly unique city.

Although African Americans make up a small portion of the population of western North Carolina, they have contributed much to the area's physical and cultural landscape. This enlightening study surveys the region's segregated black schools from Reconstruction through integration and reveals the struggles, achievements, and ultimate victory of a unified community intent on achieving an adequate education for its children. The book documents the events that initially brought blacks into Appalachia, early efforts to educate black children, the movement to acquire and improve schools, and the long process of desegregation. Personnel issues, curriculum, extracurricular activities, sports, consolidation, and construction also receive attention. Featuring commentary from former students, teachers and parents, this work weighs the value and achievement of rural segregated black schools as well as their significance for educators today.

Carter and Ralph Stanley—the Stanley Brothers—are comparable to Bill Monroe and Flatt & Scruggs as important members of the earliest generation of bluegrass musicians. In this first biography of the brothers, author David W. Johnson documents that Carter (1925–1966) and Ralph (b. 1927) were equally important contributors to the tradition of old-time country music. Together from 1946 to 1966, the Stanley Brothers began their careers performing in the schoolhouses of southwestern Virginia and expanded their popularity to the concert halls of Europe. In order to re-create this post–World War II journey through the changing landscape of American music, the author interviewed Ralph Stanley, the family of Carter Stanley, former members of the Clinch Mountain Boys, and dozens of musicians and friends who knew the Stanley Brothers as musicians and men. The late Mike Seeger allowed Johnson to use his invaluable 1966 interviews with the brothers. Notable old-time country and bluegrass musicians such as George Shuffler, Lester Woodie, Larry Sparks, and the late Wade Mainer shared their recollections of Carter and Ralph. Lonesome Melodies begins and ends in the mountains of southwestern Virginia. Carter and Ralph were born there and had an early publicity photograph taken at the Cumberland Gap. In December 1966, pallbearers walked up Smith Ridge to bring Carter to his final resting place. In the intervening years, the brothers performed thousands of in-person and radio shows, recorded hundreds of songs and tunes for half a dozen record labels and tried to keep pace with changing times while remaining true to the spirit of old-time country music. As a result of their accomplishments, they have become a standard of musical authenticity.