Hockey Night in Canada has reached a great age (and for television, practically an immortal one) because it made itself into something that Canada couldn't live without. It is this surge of emotion that connected us all each week, and which connects us through the years to now. Hockey Night in Canada didn't just aim a camera at a game and observe what happened-it actively gave the country a prism through which it could see itself and its evolving diversity. We look where the eye of Hockey Night in Canada looks, and it looks at us. We remember what it remembers. We feel what it feels. That is the dynamic that has made the show much more than a long-lived TV success; it is a cultural juggernaut. Ask fans where they saw their first hockey game, and chances are it was on Hockey Night in Canada. Ask the players-male or female-what first got them into the rink, and the answer will be the same: they wanted to be like the players on Hockey Night in Canada.

★ “This simple story of discovery, sport, and friendship is filled with likable characters and innocently joyful moments...Delightful.”—Kirkus Reviews, starred review Kenyan orphans, Kitoo and Nigosi, spend their days studying, playing soccer, helping their elders with chores around the orphanage and reading from the limited selection of books in their library. When the librarian gives Kitoo a copy of Sports Around the World he becomes fascinated by an image of the Canadian national men's ice hockey team. Then one day the fates align and Kitoo finds a pair of beat up old roller blades, he teaches himself to skate and dreams of one day playing hockey like the men in his book. But you can’t play ice hockey in Kenya, can you?

During the 1980s, the geography of minor-league professional hockey changed radically, moving from its roots in the Maritime provinces and in the New England and midwestern states into the American south. In addition to cities like Oklahoma City, Dallas, Charlotte and Norfolk, which had long traditions of minor-league hockey, unlikely places such as Biloxi, Baton Rouge, Little Rock and Augusta hosted teams. Over an 18-year period, minor-league hockey was played in 72 different southern cities, and at one point there were more minor-league teams in Texas than in all of Canada. Hockey Night in Dixie examines this phenomenon with a historical overview of the period, including interviews with people involved in the founding and early years of each of the 13 leagues. There are also in-depth portraits of four teams, one from each of the four lower minor leagues that played during the 200506 season. These portraits feature interviews with owners, coaches, players, officials, fans and reporters. Illustrated with photographs, Hockey Night in Dixie paints a vivid picture of this extraordinary development in minor-league sports.

Twelve-year-old Cody Powell is a wizard on the ice. For years he's honed his hockey skills by playing pickup games with his friends.

Highlights the important people and events of the 1930's, such as the politicians, the disasters, the entertainment, and the world events.

When Toronto’s Maple Leaf Gardens opened in 1931, manager Conn Smythe envisioned an arena that would project an aura of middle-class respectability. In A Night at the Gardens, Russell Field shares how this new arena anticipated spectators by examining varying spectator behaviours, who the spectators were, and what the experience of spectating was like. Drawing on archival records, the book explores the neighbourhood in which Maple Leaf Gardens was situated, the design of the arena’s interior spaces, and the ways in which the venue was operated in order to appeal to respectable spectators at a particular intersection of class and gender. Oral history interviews with former spectators at Maple Leaf Gardens detail the experience of watching the spectacle that unfolded on the ice during each hockey game. A Night at the Gardens tells the fascinating story of how one prominent public building became such an important part of Toronto society.

Celebrity Cultures in Canada is an interdisciplinary collection that explores celebrity phenomena and the ways they have operated and developed in Canada over the last two centuries. The chapters address a variety of cultural venues—politics, sports, film, and literature—and examine the political, cultural, material, and affective conditions that shaped celebrity in Canada and its uses both at home and abroad. The scope of the book enables the authors to highlight the trends that characterize Canadian celebrity—such as transnationality and bureaucracy—and explore the regional, linguistic, administrative, and indigenous cultures and institutions that distinguish fame in Canada from fame elsewhere. In historicizing and theorizing Canada’s complicated cultures of celebrity, Celebrity Cultures in Canada rejects the argument that nations are irrelevant in today’s global celebrityscapes or that Canada lacks a credible or adequate system for producing, distributing, and consuming celebrity. Nation and national identities continue to matter—to celebrities, to fans, and to institutions and industries that manage and profit from celebrity systems—and Canada, this collection argues, has a vibrant, powerful, and often complicated and controversial relationship to fame.