In Orthodox theology both the icon and the name of God transmit divine energies, theophanies, or revelations that imprint God's image within us. In Icons and the Name of God renowned Orthodox theologian Sergius Bulgakov explains the theology behind the Orthodox veneration of icons and the glorification of the name of God. In the process Bulgakov covers two major controversies -- the iconoclastic controversy (sixth to eighth centuries) and the "Name of God" controversy (early twentieth century) -- and explains his belief that an icon stops being merely a religious painting and becomes sacred when it is named. This translation of two essays "The Icon and Its Veneration" and "The Name of God" -- available in English for the first time -- makes Bulgakov's rich thinking on these key theological concepts available to a wider audience than ever before.

This book, newly revised and updated, examines the Eastern Church's theology of icons chiefly on the basis of the acta of the Seventh Ecumenical Council of 787. The political circumstances leading to the outbreak of the iconclast controversy in the eighth century are discussed in detail, but the main emphasis is on the theological arguments and assumptions of the council participants. Major themes include the nature of tradition, the relationship between image and reality, and the place of christology. Ultimately the argument over icons was about the accessibility of the divine. Icons were held by the iconophiles to communicate a deifying grace which raised the believer to participation in the life of God.

What is the Church? Some would answer this question by studying the Scriptures, the history of the Church, and contemporary theologians, thus addressing the theological nature of the Church. Others would answer based on statistics, interviews, and personal observation, thus focusing on the experience of the Church. These theological and experiential perspectives are in tension, or at times even opposed. Whereas the first might speak about the local church as the diocese gathered in the Liturgy presided over by its bishop, the latter would describe the local church as the parish community celebrating the Liturgy together with the parish priest, never experiencing a sole liturgy that gathers an entire diocese around its bishop. Whereas a theologian might abstractly describe the Church as a reflection of the Trinity, a regular church-member might concretely experience the Church as a community that manifests the Kingdom of God in its outreach ministries. Radu Bordeianu attempts to bring these two perspectives together, starting from the concrete experience of the Church, engaging this experience with the theological tradition of the Church, extracting ecclesiological principles from this combined approach, and then highlighting concrete situations that reflect those standards or proposing correctives, when necessary. Without pretending to be a complete Orthodox ecclesiology, Icon of the Kingdom of God addresses the most important topics related to the Church. It progresses according to one's experience of the Church from baptism, to the family, parish, Liturgy, and priesthood, followed by analyses of synodality and nationality. Arguing that the Church is an icon of the Kingdom of God, this volume brings together the past theological heritage and the present experience of the Church while having three methodological characteristics: experiential, Kingdom-centered, and ecumenical.

Modern Orthodox theology represents a continuity of the Eastern Christian theological tradition stretching back to the early Church and especially to the Ancient Fathers of the Church. This volume considers the full range of modern Orthodox theology. The first chapters of the book offer a chronological study of the development of modern Orthodox theology, beginning with a survey of Orthodox theology from the fall of Constantinople in 1453 until the early 19th century. Ladouceur then focuses on theology in imperial Russia, the Russian religious renaissance at the beginning of the 20th century, and the origins and nature of neopatristic theology, as well as the new theology in Greece and Romania, and tradition and the restoration of patristic thought. Subsequent chapters examine specific major themes: - God and Creation - Divine-humanity, personhood and human rights - The Church of Christ - Ecumenical theology and religious diversity - The 'Christification' of life - Social and Political Theology - The 'Name-of-God' conflict - The ordination of women The volume concludes with assessments of major approaches of modern Orthodox theology and reflections on the current status and future of Orthodox theology. Designed for classroom use, the book features: - case studies - a detailed index - a list of recommended readings for each chapter

Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to engage them all.

Pentcheva demonstrates that a fundamental shift in the Byzantine cult from relics to icons, took place during the late tenth century. Centered upon fundamental questions of art, religion, and politics, Icons and Power makes a vital contribution to the entire field of medieval studies.

American Researcher & Symbologist Jeff Friday has compiled the world's most extensive list of Art work with the Greek & Latin Names of God produced in the Old World Cultures. Place finds covered in this book are not just limited to the following: Afghanistan, Northern Africa, Roman-Britain, Anglo-Saxon Britain, Bulgaria, Western China, Egypt, France (Frankia & Merovingian), Georgian, Greece, India, Iran, Iraq, Israel, Italy, Jordan, Korean, Scotland, Spain, Switzerland, Turkey and many more former Cultural places in History. - Multiple Artifacts in GOD's various Names discovered in some of the following: Mosaics, Jewelry, Coins, Clothing & Apparel, Tapestries, Illuminations, Candles/Lamps, Shield Armor and much more. - Brief description of each Monogram - 280+ Photos or Illustrations - Keyword Indexed for easy Reference Watch how Jeff reveals these newly discovered GOD Monogram Symbols through illustrations that have been hiding in plain site all this time. The book "GODOGRAMS" reveals new concepts and discoveries in the exploration of Symbols and now answers to their meanings. This book will appeal to a large range of readers: Artists, Non-Fiction Symbologist, Ancient Cultural Image exchanges, Students, Teachers and Spiritual connections to Religious Iconography.

Icon painting has reached its zenith in Ukraine between the 11th and 18th centuries. This art is appealing because of its great openness to other influences – the obedience to the rules of Orthodox Christianity in its early stages, the borrowing from Roman heritage or later to the Western breakthroughs – combined with a never compromised assertion of a distinctly Slavic soul and identity. This book presents a handpicked and representative selection of works from the 11th century to the late Baroque period.

"German--and particularly French--sources of the revolution that has occurred in literary theory during the past thirty years have long been recognized. The Russian contribution to these events has been hinted at previously, but Cassedy documents in detail the extraordinary work of Potebnya, Veselovskij, and other figures virtually unknown in the West. . . . An important contribution to intellectual history and literary theory."--Michael Holquist, author of Dostoevsky and the Novel "An astonishing number of complex movements and ideas--from Humboldt through Russian and French Symbolists to Heidegger, Husserl, Roman Jakobson and the deconstructors, from symbology to logology and iconology--begin to fit together in this wide-ranging and provocative book. . . . Cassedy's book will outrage some readers, delight others, and enlighten all."--Caryl Emerson, author of Boris Godunov: Transpositions of a Russian Theme

Despite the history that divides them, Hinduism and Orthodox Christianity have much in common. In The Human Icon, Christine Mangala Frost explores how both religions seek to realise the divine potential of every human being, and the differences in their approach. Frost, who has experienced both the extraordinary riches and the all-too-human failings of Hinduism and Orthodox Christianity from the inside, is perfectly placed to examine the convergences and divergences between the two faiths. Inspired by a desire to clear up the misunderstandings that exist between the two, The Human Icon is a study in how two faiths, superficially dissimilar, can nevertheless find meeting points everywhere. The powerful intellectual and spiritual patristic traditions of Orthodox Christianity offer a rare tool for revitalising too-often stalled dialogue with Hinduism and present the chance for a broader and more diverse understanding of the oldest religion in the world. Tracing the long history of Orthodox Christianity in India, from the Thomas Christians of ancient times to the distinctive theology of Paulos Mar Gregorios and the Kottayam School, Frost explores the impact of Hindu thought on Indian Christianity and considers the potential for confluence. With a breadth of interest that spans Hindu bhakti, Orthodox devotional theology, Vedanta and theosis, as well as meditational Yoga and hesychastic prayer, Frost offers a fresh perspective on how the devotees of both faiths approach the ideal of divinisation, and presents a thoughtful, modern methodology for a dialogue of life.