In the following pages the Author has placed before the reader an account of the changes in the design of Decorative Furniture and Woodwork, from the earliest period of which we have any reliable or certain record until the present time. A careful selection of illustrations has been made from examples of established authenticity, the majority of which are to be seen, either in the Museums to which reference is made, or by permission of the owners; and the representations of the different "interiors" will convey an idea of the character and disposition of the furniture of the periods to which they refer. These illustrations are arranged, so far as is possible, in chronological order, and the descriptions which accompany them are explanatory of the historical and social changes which have influenced the manners and customs, and directly or indirectly affected the Furniture of different nations. An endeavour is made to produce a "panorama" which may prove acceptable to many, who, without wishing to study the subject deeply, may desire to gain some information with reference to it generally, or with regard to some part of it, in which they may feel a particular interest. It will be obvious that within the limits of a single volume of moderate dimensions it is impossible to give more than an outline sketch of many periods of design and taste which deserve far more consideration than is here bestowed upon them; the reader is, therefore, asked to accept the first chapter, which refers to "Ancient Furniture" and covers a period of several centuries, as introductory to that which follows, rather than as a serious attempt to examine the history of the furniture during that space of time.

This innovative and provocative work introduces complexity theory and its application to both the study of language and the study of material culture. The book begins with a wide-ranging theoretical background, covering the areas of dialect geography, the anthropological study of material culture, and a general introduction to the study of complex adaptive systems. Following this general introduction, the principles of complexity theory are demonstrated in data drawn from linguistics and material culture studies. Language and Material Culture further highlights the principles of complexity through a series of case studies, using data from the Linguistic Atlas, colonial American inventories and the Historic American Building Survey. LMC shows that language and material culture are intertwined as they interact within the same cultural complex system. The book is designed for students in courses that focus on language variation, American English and material culture, in addition to general courses on applications of complex systems.

The Insatiate Countess is an early Jacobean era stage play, a tragedy first published in 1613. The play is generally attributed to Marston, but some regard Barkstead and Machin as contributors.