On the heels of his account of traveling by foot through Bosnia and Herzegovina in the early days of the region's insurrection in 1877, Evans here focuses on the details of the insurrection itself. Making his way through the western part of the Balkan peninsula, the author shares his observations of a country in turmoil in a series of letters to the Manchester Guardian-charting the region's history, its factions, and its prospects for peace. In the process, he provides a detailed and comprehensive portrait of a place whose unrest continues to this day. For anyone hoping to understand the people and history of the Balkans, this book, first published in 1878, is essential reading. Best known for discovering and naming the Bronze Age civilization of the Minoans, SIR ARTHUR JOHN EVANS (1851-1941) was a British archaeologist who also wrote Through Bosnia and Herzegovina, The Mycenaean Tree and Pillar Cult, and The Palace of Minos.

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Cyrllic and Glagolitic alphabet tables from Western and Eastern sources. The illustrations have been enhanced, cleaned up and digitally restored.

"This is history as it should be written. In When Ethnicity Did Not Matter in the Balkans, a logical advancement on his earlier studies, Fine has successfully tackled a fascinating historical question, one having broad political implications for our own times. Fine's approach is to demonstrate how ideas of identity and self-identity were invented and evolved in medieval and early-modern times. At the same time, this book can be read as a critique of twentieth-century historiography-and this makes Fine's contribution even more valuable. This book is an original, much-needed contribution to the field of Balkan studies." -Steve Rapp, Associate Professor of Caucasian, Byzantine, and Eurasian History, and Director, Program in World History and Cultures Department of History, Georgia State University Atlanta When Ethnicity Did Not Matter in the Balkans is a study of the people who lived in what is now Croatia during the Middle Ages (roughly 600-1500) and the early-modern period (1500-1800), and how they identified themselves and were identified by others. John V. A. Fine, Jr., advances the discussion of identity by asking such questions as: Did most, some, or any of the population of that territory see itself as Croatian? If some did not, to what other communities did they consider themselves to belong? Were the labels attached to a given person or population fixed or could they change? And were some people members of several different communities at a given moment? And if there were competing identities, which identities held sway in which particular regions? In When Ethnicity Did Not Matter in the Balkans, Fine investigates the identity labels (and their meaning) employed by and about the medieval and early-modern population of the lands that make up present-day Croatia. Religion, local residence, and narrow family or broader clan all played important parts in past and present identities. Fine, however, concentrates chiefly on broader secular names that reflect attachment to a city, region, tribe or clan, a labeled people, or state. The result is a magisterial analysis showing us the complexity of pre-national identity in Croatia, Dalmatia, and Slavonia. There can be no question that the medieval and early-modern periods were pre-national times, but Fine has taken a further step by demonstrating that the medieval and early-modern eras in this region were also pre-ethnic so far as local identities are concerned. The back-projection of twentieth-century forms of identity into the pre-modern past by patriotic and nationalist historians has been brought to light. Though this back-projection is not always misleading, it can be; Fine is fully cognizant of the danger and has risen to the occasion to combat it while frequently remarking in the text that his findings for the Balkans have parallels elsewhere. John V. A. Fine, Jr. is Professor of History at the University of Michigan.

In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.