The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.

Across 1400 years and six continents (sorry, Australia), Impossible Histories examines pivotal moments in history from both sides—what happened and what would have happened had things gone differently. The results are by turns strange, hilarious, tragic...and always fascinating. Imagine a world in which... - Hitler builds a thousand-year Reich - Columbus gets driven from the Americas by mounted knights - Robespierre decapitates Caesar Augustus - The Inca Empire has an air force - Jimmy Carter presses the Button These brave new worlds are merely our own, familiar world—if something small had happened differently. We're all one elephant away from peace in the Middle East, one knife thrust away from nuclear Armageddon. This book examines twenty pivotal moments in history, asks what if?...,and drags the answers kicking and screaming into the light. History--factual and counterfactual has never been so entertaining. A whirlwind ride through history as it never happened--but could have.

In Decolonizing Cultures in the Pacific, Susan Y. Najita proposes that the traumatic history of contact and colonization has become a crucial means by which indigenous peoples of Oceania are reclaiming their cultures, languages, ways of knowing, and political independence. In particular, she examines how contemporary writers from Hawai‘i, Samoa, and Aotearoa/New Zealand remember, re-tell, and deploy this violent history in their work. As Pacific peoples negotiate their paths towards sovereignty and chart their postcolonial futures, these writers play an invaluable role in invoking and commenting upon the various uses of the histories of colonial resistance, allowing themselves and their readers to imagine new futures by exorcising the past. Decolonizing Cultures in the Pacific is a valuable addition to the fields of Pacific and Postcolonial Studies and also contributes to struggles for cultural decolonization in Oceania: contemporary writers’ critical engagement with colonialism and indigenous culture, Najita argues, provides a powerful tool for navigating a decolonized future.

Remembering Mass Violence breaks new ground in oral history, new media, and performance studies by exploring what is at stake when we attempt to represent war, genocide, and other violations of human rights in a variety of creative works. A model of community-university collaboration, it includes contributions from scholars in a wide range of disciplines, survivors of mass violence, and performers and artists who have created works based on these events. This anthology is global in focus, with essays on Africa, Asia, Europe, Latin America, and North America. At its core is a productive tension between public and private memory, a dialogue between autobiography and biography, and between individual experience and societal transformation. Remembering Mass Violence will appeal to oral historians, digital practitioners and performance-based artists around the world, as well researchers and activists involved in human rights research, migration studies, and genocide studies.