The title of our volume refers to what is well described by the following two quota tions:"Godcreated man in his own image"l and "Man creates God in his own image."2 Our approach to symmetry is subjective, and the term "personal" symmetry reflects this approach in our discussion of selected scientific events. We have chosen six icons to symbolize six areas: Kepler for modeling, Fuller for new molecules, Pauling for helical structures, Kitaigorodskii for packing, Bernal for quasicrystals, and Curie for dissymmetry. For the past three decades we have been involved in learning, thinking, speaking, and writing about symmetry. This involvement has augmented our principal activities in molecular structure research. Our interest in symmetry had started with a simple fascination and has evolved into a highly charged personal topic for us. At the start of this volume, we had had several authored and edited symmetry related books behind 3 us. We owe a debt of gratitude to the numerous people whose interviews are quoted 4 in this volume. We very much appreciate the kind and gracious cooperation of Edgar J. Applewhite (Washington, DC), Lawrence S. Bartell (University of Michigan), R.

'TIMELY AND IMPORTANT' JIM AL-KHALILI In Our Own Image by Dr George Zarkadakis explores one of humankind’s oldest love–hate relationships – our ties with Artificial Intelligence or AI. Zarkadakis traces AI’s origins in ancient myth, through literary classics such as Frankenstein, to today’s sci-fi blockbusters, arguing that a fascination with AI is hardwired into the human psyche. He explains AI’s history, technology and potential; its manifestations in intelligent machines; its connections to neurology and consciousness, as well as – perhaps most tellingly – what AI reveals about us as human beings. In Our Own Image argues that we are on the brink of a fourth industrial revolution – poised to enter the age of Artificial Intelligence as science fiction becomes science fact. Ultimately, Zarkadakis observes, the fate of AI has profound implications for the future of science and humanity itself...

In Our Own Image is a work of comparative philosophical theology. It is a study of the roles anthropomorphism and apophaticism play in the construction of conceptual models of ultimate reality. Leading scholar Wesley J. Wildman considers whether we create our ideas of God. He offers a comparative analysis of three major classes of ultimacy models, paying particular attention to the way those classes are impacted by anthropomorphism while tracing their relative strengths and weaknesses. Wildman provides a constructive theological argument on behalf of an apophatic understanding of ultimate reality, showing how this understanding subsumes, challenges, and relates ultimacy models from the three classes being compared. He describes and compares competing ultimacy models, fairly and sympathetically. The conclusion is that all models cognitively break on the shoals of ultimate reality, but that the ground-of-being class of models carries us further than the others in regard to the comparative criteria that matter most.

This publication looks at fictional portrayals of William Shakespeare with a focus on novels, short stories, plays, occasional poems, films, television series and even comics. In terms of time span, the analysis covers the entire twentieth century and ends in the present-day. The authors included range from well-known figures (G.B. Shaw, Kipling, Joyce) to more obscure writers. The depictions of Shakespeare are varied to say the least, with even interpretations giving credence to the Oxfordian theory and feminist readings involving a Shakespearian sister of sorts. The main argument is that readings of Shakespeare almost always inform us more about the particular author writing the specific work than about the historical personage.

The author addresses sensitive issues emerging from changing Christianity's messages to the world and the resulting influence, not only to Christianity itself, but to western world governments. He maintains that Governments and Christianity have both fallen prey to political manipulation of man's sensitive ego; and the only reason that has happened is because official Institutional Christianity now "coddles" ego to enlarge its membership. He concludes that gaining control of personal "ego" is the primary biblical message to living out Christian standards and traces the decline in western culture and the dismantling of free societies to the abandonment of traditional Christianity.

Acclaimed Maori filmmaker Barry Barclay’s Our Own Image relates the experiences of making his documentaries and his critically acclaimed feature-length film Ngati (1987), widely credited as the first fiction feature by a member of an indigenous community. Barclay details his views on the process of filmmaking within his own Maori community and discusses how his work differed from popular cinema, advocating for indigenous control, participation, and perspectives in media. Our Own Image gives an in-depth depiction of the changes Barclay’s approach contributed to the field of documentaries, as well as displaying the respect for community Barclay brought to his filming technique. His insistence on letting people speak for themselves demonstrated authenticity to audiences, creating awareness of indigenous cinema in New Zealand and worldwide.

Etching Our Own Image: Voices From Within the Arab American Art Movement is a celebration of Arab American art and identity. In the wake of 9/11, the need for Arab Americans to define themselves, rather than be defined by others has galvanized an artistic movement. This collection of writers includes poets, musicians, playwrights, creative writers, painters, conceptual artists, comedians and scholars of the arts who have gathered to assert for themselves what it means to be Arab American and an artist. Arab American artists use their art both to resist and to embrace their past, present and future. Through their art they retain their origins, while creating something new. They collaborate and come together. The artists included here are above all artists and the artistic renderings in this collection demonstrate their commitment to craft, innovation, and expression. They take on the task of etching their own image willingly or unwillingly, consciously or unconsciously. By telling their own stories through their own artistic mediums, these voices from within the Arab American art movement reclaim their own image and tell the world who they are.

The Jazz Age of the 1920s is an era remembered for illegal liquor, innovative music and dance styles, and burgeoning ideas of social equality. It was also the period during which second-generation Jews began to emerge as a significant demographic in New York City. In TheirOwn Image examines thegrowing cultural visibility of Jewish life amid this vibrant scene. From the vaudeville routines of Fanny Brice, Eddie Cantor, George Jessel, and Sophie Tucker, to the slew of Broadway comedies about Jewish life and the silent films that showed immigrant families struggling to leave the ghetto, images and representations of Jews became staples of interwar popular culture. Through the performing arts, Jews expressed highly ambivalent feelings about their identification with Jewish and American cultures. Ted Merwin shows how they became American by producing and consuming not images of another group, but images of themselves. As a result, they humanized Jewish stereotypes, softened anti-Semitic attitudes, and laid the groundwork for today's Jewish comedians. An entertaining look at the role popular culture plays in promoting the acculturation of an ethnic group, In Their Own Image enhances our understanding of American Jewish history and provides a model for the study of other groups and their integration into mainstream society.

Addressing a dilemma that spiritual seekers and others face in their pursuit of happiness, Beyond Our Self-Image presents a unique and simple approach to experiencing true happiness - free from confusing thoughts and wavering satisfaction. You may be an experienced meditator facing difficulty receiving the full benefits of your meditation, stuck at one level of absorption, or you may be on the brink of transcendence. The practices in this book resolve those obstacles and help you experience your true self. While its purpose is primarily to enhance your first-hand experiences of well-being through practices in this book, Beyond Our Self-Image also attempts to heal a world divided by petty differences and wakes its readers up to a wiser civilization, resulting in widespread peace in this world.

A rich collection of first-person renderings that both enhances and challenges traditional narratives of American religious life.