Since the car crash that took her father’s life three years ago, Emma’s life has been a freaky—and unending—lesson in caution. Surviving “accidents” has taken priority over being a normal seventeen-year-old, so Emma spends her days taking pictures of life instead of living it. Falling in love with a boy was never part of the plan. Falling for a reaper who makes her chest ache and her head spin? Not an option. It’s not easy being dead, especially for a reaper in love with a girl fate has put on his list not once, but twice. Finn’s fellow reapers give him hell about spending time with Emma, but Finn couldn’t let her die before, and he’s not about to let her die now. He will protect the girl he loves from the evil he accidentally unleashed, even if it means sacrificing the only thing he has left...his soul.

This is a book dedicated to Women of Extraordinary Courage who have faced challenges through divorce, death of a spouse or loved one, illness or any other life changing event. Be inspired through the art and writing of Janet O'Neil as she encourages you to keep moving forward.

Thanks to the recent »return to religion«, the holy has become a relevant issue in public debate, as is suggested by concepts such as »re-sacralization« and »re-enchantment«. Holy war and religiously motivated terrorist attacks, the fascination in popular culture for subjects such as the Holy Grail (as in Dan Brown's Da Vinci Code), new spiritual longings both within and outside institutional religion – all testify to the new religious climate. This situation calls for a reassessment of both classical and new theories about the holy.Espen Dahl offers a theoretical account of the holy. Central to its approach is the idea that the holy cannot be reduced to one stable essence, but is fundamentally composite and takes place »in between«. This means that the typical modern dichotomies between the holy and the profane, the pure and the impure, the pious and the violent, cannot be drawn as sharply as scholars once did. Instead, the manifestation of the holy takes place in the interstice between those spheres. Such a position is not strong – it attests to the weakness of the holy. Through a critical dialogue with the most influential recent contributions, various theories and responses to them are presented on the basis of the book's overall perspective.Espen Dahl deals with various theoretical perspectives, corresponding to the numerous dimensions of the holy. Phenomenology plays the principal role, because it offers the best means to preserve the experiential dimensions which are essential to the holy. From this perspective, the book discusses theories from religious science, theology, philosophy, and psychology.

This original study intertwining Latina feminism, existential phenomenology, and race theory offers a new philosophical approach to understanding selfhood and identity. Focusing on writings by Gloría Anzaldúa, María Lugones, and Linda Martín Alcoff, Mariana Ortega articulates a phenomenology that introduces a conception of selfhood as both multiple and singular. Her Latina feminist phenomenological approach can account for identities belonging simultaneously to different worlds, including immigrants, exiles, and inhabitants of borderlands. Ortega's project forges new directions not only in Latina feminist thinking on such issues as borders, mestizaje, marginality, resistance, and identity politics, but also connects this analysis to the existential phenomenology of Martin Heidegger and to such concepts as being-in-the-world, authenticity, and intersubjectivity. The pairing of the personal and the political in Ortega's work is illustrative of the primacy of lived experience in the development of theoretical understandings of who we are. In addition to bringing to light central metaphysical issues regarding the temporality and continuity of the self, Ortega models a practice of philosophy that draws from work in other disciplines and that recognizes the important contributions of Latina feminists and other theorists of color to philosophical pursuits.

Poor seamstress Sira Quiroga forges a new identity during the Spanish Civil War and becomes the most sought-after couture designer in North Africa, where she is enlisted to pass coded information to the British Secret Service.

When Nancy Tucker was eight years old, her class had to write about what they wanted in life. She thought, and thought, and then, though she didn't know why, she wrote: 'I want to be thin.' Over the next twelve years, she developed anorexia nervosa, was hospitalised, and finally swung the other way towards bulimia nervosa. She left school, rejoined school; went in and out of therapy; ebbed in and out of life. From the bleak reality of a body breaking down to the electric mental highs of starvation, hers has been a life held in thrall by food. Told with remarkable insight, dark humour and acute intelligence, The Time in Between is a profound, important window into the workings of an unquiet mind – a Wasted for the 21st century.

Through a tumultuous journey, Everything in Between explains why it’s OK not to feel good all the time and that, sometimes, life hurts. Everything in Between tells stories of loss, of letting go, and of learning how to love again. Most of all, Everything in Between tells stories of hope in the midst of darkness, joy in the pain, and how to hold on when it feels like life is falling away. Everything in Between is the story of a life searching for hope in the midst of hurt and meeting the Lord in all his glory instead. This is my story of discovering the truths of the Bible through the goodness of God.

In Between and Across acknowledges the boundaries that have separated different modes of historical inquiry, but views law as a way of talking across them. It recognizes that legal history allows scholars to talk across many boundaries, such as those between markets and politics, between identity and state power, as well as between national borders and the flows of people, capital and ideas around the world.

The selected papers of this volume cover five main topics, namely ‘Certainty: The conceptual differential’; ‘(Un)Certainty as attitudinality’; ‘Dialogical exchange and speech acts’; ‘Onomasiology’; and ‘Applications in exegesis and religious discourse’. By examining the general theme of the communication of certainty and uncertainty from different scientific fields, theoretical approaches and perspectives, this compendium of state-of-the-art research papers provides both an interdisciplinary comparison of the latest investigations, methods and findings, and new advances and theoretical insights with a common focus on human communication.

The New Iranian Cinema has had a fascinating success story in world cinema and critics have hailed Iranian films as alternatives to the homogenising global influence of mainstream Hollywood cinema. Drawing on seminal ideas of 'art cinema', Christopher Gow examines how the success of this cinema and the films of Abbas Kiarostami, its foremost proponent, can be accounted for by the extent to which they fit into a pre-established notion of art cinema. Gow also expands understanding of post-revolutionary Iranian cinema by examining the links between the New Iranian Cinema and emigre Iranian filmmaking, from the uncompromising German films of Sohrab Shahid Saless, to Vadim Perlman's exploration of the Iranian experience of exile in the Oscar-nominated 'House of Sand and Fog'. He reveals how this large and dispersed emigre Iranian cinema challenges our understanding of New Iranian Cinema itself and of national cinema in general.