The star of Hitchcock’s Rope and Strangers on a Train “recalls life onstage and in film in an engaging, colorful memoir” (Kirkus Reviews, starred review). Synonymous with the golden age of Broadway, the dazzling lights of Hollywood, and the rise of television arts, Farley Granger’s charm and talent captivated the acting community and audiences alike. Working with creative visionaries like Alfred Hitchcock, Luchino Visconti, and Nick Ray, Granger was a celebrated figure in films like Strangers on a Train, Rope, Senso, and They Live by Night, bringing to the big screen a stunningly memorable presence. But behind his characters, he was an intensely complex man. In his richly told memoir, Granger details his life with disarming candor. Rich in personal insight, he describes his relationships with both men and women and reminisces about legends he knew with private familiarity—from Shelley Winters and Joan Crawford to Leonard Bernstein and Tyrone Power. Recreating not only his personal struggles but his legendary struggle to free himself of his contract with Sam Goldwyn, Granger reveals none so elegantly as he does himself. Include Me Out is as much a story of classic Hollywood glamour as it is a collection of iconic theatrical portraits, all from the man who knew them all. “This polished and perceptive memoir etches a scintillating portrait of life inside Tinseltown soundstages where ‘nothing was real except anxiety, insecurity and fear’ . . . The book has a huge celebrity cast, from Mike Todd, Rita Hayworth and Cornelia Otis Skinner to Leonard Bernstein and Peggy Guggenheim. Granger and Calhoun write with a stylish and iridescent flair.” —Publishers Weekly

With his characteristic wit, Zizek addresses the burning question of how to reformulate a leftist project in an era of global capitalism and liberal-democratic multiculturalism. Copyright © Libri GmbH. All rights reserved.

Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the practices of art education in academic, practical, ethical, and philosophical terms. The essays in the book range over continents, histories, traditions, experiments, and fantasies of education. Accompanying the essays are conversations with such prominent artist/educators as John Baldessari, Michael Craig-Martin, Hans Haacke, and Marina Abramovic, as well as questionnaire responses from a dozen important artists—among them Mike Kelley, Ann Hamilton, Guillermo Kuitca, and Shirin Neshat—about their own experiences as students. A fascinating analysis of the architecture of major historical art schools throughout the world looks at the relationship of the principles of their designs to the principles of the pedagogy practiced within their halls. And throughout the volume, attention is paid to new initiatives and proposals about what an art school can and should be in the twenty-first century—and what it shouldn't be. No other book on the subject covers more of the questions concerning art education today or offers more insight into the pressures, challenges, risks, and opportunities for artists and art educators in the years ahead. Contributors Marina Abramovic, Dennis Adams, John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Saskia Bos, Tania Bruguera, Luis Camnitzer, Michael Craig-Martin, Thierry de Duve, Clémentine Deliss, Charles Esche, Liam Gillick, Boris Groys, Hans Haacke, Ann Lauterbach, Ken Lum, Steven Henry Madoff, Brendan D. Moran, Ernesto Pujol, Raqs Media Collective, Charles Renfro, Jeffrey T. Schnapp, Michael Shanks, Robert Storr, Anton Vidokle

This book is about poetry. Poetry regarding how it affected and continues to affect my life through working, church, family, and living.

These God-inspired poems were written while Myles traveled locally, nationally, and internationally as a field engineer. Myles learned that education is invaluable for advancing in society. At the age of eight, Myles's third-grade teacher inspired him to read books. By the time he was nine, he had read three hundred books, many of them were poetry books. Through poetry, he is able to express his deep feelings about humankind. Myles enjoys meeting and conversing with people of all ages, genders, and cultures. He continues to seek knowledge. Of the many poems Myles has written, he does not have a favorite. He loves them all. Reading and writing poetry are still two of Myles's favorite activities. Thank you for purchasing this book. Please enjoy it. Sybil C. Wallace

Abraham Lincoln never said, "You cannot fool all the people all the time." Thomas Jefferson never said, "That government is best which governs least." And Horace Greeley never said, "Go west, young man." In They Never Said It, Paul F. Boller, Jr. and John George examine hundreds of misquotations, incorrect attributions, and blatant fabrications, outlining the origins of the quotes and revealing why we should consign them to the historical trashcan. Many of the misquotes are quite harmless. Some are inadvertent misquotes that have become popular (Shakespeare actually said, "The best part of valor is discretion"), others, the inventions of reporters embellishing a story (Franklin Roosevelt never opened a speech to a DAR group with the salutation, "My fellow immigrants"). But some of the quotes, such as Charles Darwin's supposed deathbed recantation of evolution, falsify the historical record with their blatant dishonesty. And other chillingly vicious ones, filled with virulent racial and religious prejudices, completely distort the views of the person supposedly quoted and spread distrust and hatred among the gullible. These include the forged remarks attributed to Benjamin Franklin that Jews should be excluded from America and the fabricated condemnation of Catholics attributed to Lincoln. An entertaining and thought-provoking book, They Never Said It covers a great deal of history and sets it right. Going beyond a mere catalog of popular misconceptions, Boller and George reveal how rightists and leftists, and atheists and evangelists all have at times twisted and even invented the words of eminent figures to promote their own ends. The ultimate debunking reference, it perfectly complements handbooks of quotations.

Following in the footsteps of A Glass Half Full, Lone Wolf and When Jack Sued Jill, Homeless In My Heart - Felix Dennis's long-awaited new collection of verse - is 'the story of a fool whose life was saved by poetry'. Felix Dennis's life has been a long series of unlikely events: incarceration by the British government in 1971 following the longest conspiracy trial in British history; recording a chart single with John Lennon; co-authoring Muhammad Ali's first biography; becoming one of the richest individuals in Britain; launching one of the most successful media brands in the world; falling into crack cocaine addiction; beginning the task of planting a huge native broad-leaf forest in the Heart of England; salvaging the wreckage of a life dedicated to hedonism; and, lastly, and most surprisingly of all, discovering that he could write the kind of poetry that people wanted to read and to hear. Now, with the publication of Homeless In My Heart, Felix Dennis's extraordinary talents have come to fruition - from ironic tales of darkness and savagery to hymns of praise for the glories of nature. Homeless In My Heart fulfils the promise predicted by the author and critic Tom Wolfe, who has called Dennis 'a 21st-century Kipling [whose poetry] rollicks and rolls with rhyme, meter and melody'.

Mapping Modern Beijing investigates the five methods of representing Beijing-a warped hometown, a city of snapshots and manners, an aesthetic city, an imperial capital in comparative and cross-cultural perspective, and a displaced city on the Sinophone and diasporic postmemory-by authors travelling across mainland China, Taiwan, Hong Kong, and overseas Sinophone and non-Chinese communities. The metamorphosis of Beijing's everyday spaces and the structural transformation of private and public emotions unfold Manchu writer Lao She's Beijing complex about a warped native city. Zhang Henshui's popular snapshots of fleeting shocks and everlasting sorrows illustrate his affective mapping of urban transition and human manners in Republican Beijing. Female poet and architect Lin Huiyin captures an aesthetic and picturesque city vis- -vis the political and ideological urban planning. The imagined imperial capital constructed in bilingual, transcultural, and comparative works by Lin Yutang, Princess Der Ling, and Victor Segalen highlights the pleasures and pitfalls of collecting local knowledge and presenting Orientalist and Cosmopolitan visions. In the shadow of World Wars and Cold War, a multilayered displaced Beijing appears in the Sinophone postmemory by diasporic Beijing native Liang Shiqiu, Taiwan sojourners Zhong Lihe and Lin Haiyin, and migr martial arts novelist Jin Yong in Hong Kong. Weijie Song situates Beijing in a larger context of modern Chinese-language urban imaginations, and charts the emotional topography of the city against the backdrop of the downfall of the Manchu Empire, the rise of modern nation-state, the 1949 great divide, and the formation of Cold War and globalizing world. Drawing from literary canons to exotic narratives, from modernist poetry to chivalric fantasy, from popular culture to urban planning, Song explores the complex nexus of urban spaces, archives of emotions, and literary topography of Beijing in its long journey from imperial capital to Republican city and to socialist metropolis.

Collecting advice, quotes, essays, and observations from hundreds of famous actors and highly regarded acting teachers, The Quotable Actor covers a wide range of topics on the art and history of acting. Entertaining, instructive, and informative, it is organized into specific, easy-to-search categories, such as "On Why We Act"; "On Auditioning"; "On Struggling and Building a Career"; and "On Gender Differences and Aging in the Biz." From art and technique to business and lifestyle, entries include fascinating anecdotes and advice from some of the greatest actors in history: Marlon Brando commenting on the rehearsal process Meryl Streep’s advice on building a character Al Pacino recalling what it was like to be a starving young artist Beauty tips from some of Hollywood’s leading ladies Recollections of horrible auditions from A-list stars Musings from Jack Nicholson, Edwin Booth, and many others Additional contributors include Constantin Stanislavski, Daniel Day-Lewis, Ellen Burstyn, Julie Andrews, Paul Newman, and Peter O’Toole—providing insights into the actor’s craft that are equally useful to young actors just starting out and accomplished professionals looking for inspiration in the words of peers.