People’s transnational mobilities, their activities to build homes in their countries of residence and their connectivities have resulted in multiplicities of belonging to encountered, imagined and represented communities operating within various political contexts. Migrants and their descendants labor to form and transform relations with their country of origin and of residence. People who see their origins in India but are now living elsewhere are a case in point. They have been establishing worldwide home places, whose growing number and vibrancy invite reconsideration of Indian diasporic communities and contexts in terms of ‘India(s) beyond India.’ Issues of belonging in Indian diasporas include questions of membership not only in the nation of previous and present residence and/or the nation of origin, but also in other communities and networks in political, economic, religious and social realms at local, regional or global levels. Yet, belonging – and especially simultaneous belonging – to various formations is rarely unambiguous. Rather, belonging in all its modes may entail dilemmas that arise from inclusions and exclusions. Bearing in mind such processes, the contributions to this volume endeavor to provide answers to the question of what kinds of difficulties members of Indian communities abroad encounter in connection with their identifications with and participation in specific collectivities. The underlying argument of all the essays collected is that members of Indian diasporas develop strategies to cope with the dilemmas they face in connection with their sense of belonging to particular communities, while they are subjected to specific power relationships. Thus, the volume sheds light on the ways in which dilemmas of belonging are being negotiated in intercultural fields.

This book is about a ‘Small Island’, namely Mauritius in the southwestern Indian Ocean. It is also about a ‘Large Ocean’, the Indian Ocean world—its peoples, histories and cultures. It casts light on the life of an island through what is known not only about the island itself, but also through what is known about the wider Indian Ocean world. It is also about the Indian Ocean world in that it focuses on an island, which, in many senses and dimensions, is not only a model of, but in some respects also a model for wider developments and features of relevance to the Indian Ocean world as a whole.

The contributions of this volume discuss the broad field of transformation processes in Muslim societies from different perspectives with various disciplinary approaches. Apart from methodological questions the authors investigate religious and social developments in Africa and the Near and Middle East while focusing e.g. on the production of meaning, negotiation of religious values and spaces, gendered agency, and debates of identity.

Drawing on in-depth qualitative research, this book provides a nuanced picture of the everyday identifications experienced and expressed among the superdiverse Tamil migrant population in Britain. It presents the first detailed analysis of the narrative and experiences of Tamils from a diversity of backgrounds – including Sri Lankan, Indian, Singaporean and Malaysian – and addresses the question of their identification with a ‘Tamil diaspora’ in Britain. Theoretically informed by Brubaker’s conception of ‘diaspora as process’ and Werbner’s notion of diasporas as both ‘aesthetic’ and ‘moral’ communities, Jones examines political engagements alongside other, less studied, ‘frames’ of Tamil migrants’ lives: social relationships (local and transnational), the domestic space of home, and performances of faith and ritual. Considering diaspora as a process or practice allows the author to reveal a complex landscape upon which ‘being Tamil’ and ‘doing Tamil-ness’ in diaspora are diversely enacted. Combining original ethnographic research with a theoretical engagement in the key debates in migration, diaspora, ethnicity and superdiversity studies, this book makes a novel contribution to scholarship on Tamil populations and will advance critical understandings of the concept of ‘diaspora’ more generally.

Material Culture and (Forced) Migration argues that materiality is a fundamental dimension of migration. During journeys of migration, people take things with them, or they lose, find and engage things along the way. Movements themselves are framed by objects such as borders, passports, tents, camp infrastructures, boats and mobile phones. This volume brings together chapters that are based on research into a broad range of movements – from the study of forced migration and displacement to the analysis of retirement migration. What ties the chapters together is the perspective of material culture and an understanding of materiality that does not reduce objects to mere symbols. Centring on four interconnected themes – temporality and materiality, methods of object-based migration research, the affective capacities of objects, and the engagement of things in place-making practices – the volume provides a material culture perspective for migration scholars around the globe, representing disciplines such as anthropology, sociology, contemporary archaeology, curatorial studies, history and human geography. The ethnographic nature of the chapters and the focus on everyday objects and practices will appeal to all those interested in the broader conditions and tangible experiences of migration.

In Jungle Passports Malini Sur follows the struggles of the inhabitants of what are now the borderlands of Northeast India and Bangladesh and their efforts to secure shifting land, gain access to rice harvests, and smuggle the cattle and garments upon which their livelihoods depend.

In recent years, Indian writing in English has emerged as a powerful and dynamic force within the global literary landscape. This collection of essays explores the post-colonial concerns and themes that have shaped modern Indian literature, reflecting the complex interplay of cultural, social, and political forces in India's contemporary context. The diverse range of perspectives presented in this book sheds light on the rich tapestry of voices and experiences that define the Indian literary landscape today. The essays in this volume delve into a variety of themes, including identity, gender, social justice, diaspora, and the legacy of colonialism. They interrogate how Indian writers navigate their relationship with the colonial past, while also engaging with the challenges and opportunities presented by India's rapidly changing social and economic landscape. By exploring the intersections of language, identity, and power, these essays offer insightful analyses of how post-colonial concerns are woven into the fabric of contemporary Indian writing in English. Their interdisciplinary and nuanced analyses provide a comprehensive overview of the complex realities and enduring legacies that continue to shape Indian writing in English. Together, they challenge and expand our understanding of the post-colonial concerns that animate contemporary Indian literature, offering new insights and perspectives that will resonate with scholars, students, and enthusiasts of Indian literature alike. It is hoped that the essays in this volume will inspire further exploration and dialogue, and serve as a source of inspiration for those who seek to understand the intricate complexities of contemporary Indian literature from a post-colonial perspective.

The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics.

Contributors from the fields of sociology, anthropology, history and women's studies focus on the everyday social interactions that makeschools, workplaces and neighbourhoods sites of cultural creativity, transformation and resistance.