The Indians of the northwestern plains always laughed at the tales about Old-man, heard around the lodge fire in the wintertime after sunset. For a powerful character, he was comically flawed. Old-man made the world but sometimes forgot the names of things. Victim and victimizer, he seemed closer to common experience than the awesome god Manitou. Frank B. Linderman thought Old-man was, under different names, a god for many Indian communities. ø These stories?collected from Chippewa and Cree elders and first published in 1920?are full of wonder at the way things are. Why children lose their teeth, why eyesight fails with age, why dogs howl at night, why some animals wear camouflage?these and other mysteries, large and small, are made vividly sensible.

Reimagining Indians investigates a group of Anglo-American writers whose books about Native Americans helped reshape Americans' understanding of Indian peoples at the turn of the twentieth century. Hailing from the Eastern United States, these men and women traveled to the American West and discovered "exotics" in their midst. Drawn to Indian cultures as alternatives to what they found distasteful about modern American culture, these writers produced a body of work that celebrates Indian cultures, religions, artistry, and simple humanity. Although these writers were not academically trained ethnographers, their books represent popular versions of ethnography. In revealing their own doubts about the superiority of European-American culture, they sought to provide a favorable climate for Indian cultural survival in a world indisputably dominated by non-Indians. They also encouraged notions of cultural relativism, pluralism, and tolerance in American thought. For the historian and general reader alike, this volume speaks to broad themes of American cultural history, Native American history, and the history of the American West.

Living with Animals presents over 100 images from oral and written sources – including birch bark scrolls, rock art, stories, games, and dreams – in which animals appear as kindred beings, spirit powers, healers, and protectors.

The papers in this collection deal with the traditions and past history of the Plains Cree, and the effects, fifty years ago, of a changing way of life. Topics covered are the following: a winter of hardship; Indian laws; revenge against the Blackfoot; Thunderchild takes his first horses from the Blackfoot; it is Pu-chi-to now who tells his story; Thunderchild takes part in a dangerous game; encounter with the Blackfoot in the Eagle hills; a fight with the Scarcee; a story of friendship; truce making and truce breaking; Buffalo pounds; the Buffalo chase; the Grizzly bear; walking wind tell his story of the Grizzly; Thunderchild's adventure with the bears; the foot-race; a faithless woman; the first man; the sun dance; the thirst dance; and, Thunderchild's conclusion.

This first comprehensive biography of Charles M. Russell examines the colorful life and times of Montana’s famed Cowboy Artist. Born to an affluent St. Louis family in 1864, young Russell read thrilling tales of the West and filled sketchbooks with imagined frontier scenes. At sixteen he left home and headed west to become a cowboy. In Montana Territory he consorted with cowpunchers, Indians, preachers, saloon keepers, and prostitutes, while celebrating the waning American frontier’s glory days in some 4,000 paintings, watercolors, drawings, and sculptures. Before his death in 1926, Russell saw the world change dramatically, and the West he loved passed into legend. By then he was revered as one of the country’s ranking Western artist with works displayed in the finest galleries, his romantic vision of the Old West forever shaping our own. Taliaferro reveals the man behind the myth in his multifaceted complexity: extraordinarily gifted, self-effacing, charming, mischievous, and playful, a friend to rough frontier denizens and Hollywood stars alike. The author also explores Russell’s controversial partnership with his fiery young wife, Nancy, whose ambition and business savvy helped establish Russell as one of America’s most popular artists.

Classic case studies surveying the use, role and function of language and speech in social life.

Well known for his sketches, paintings, and sculptures of the Old West, Charles M. Russell (1864-1926) was also an accomplished author in the humorous genre known as "local color." Raphael Cristy sorts Russell's writings into four general categories: serious Indian stories, men encountering wildlife, cattle range characters, and nineteenth-century westerners facing twentieth-century challenges. Russell's art is often misinterpreted as mere longing for a fading open-range west, but his writings tell a different story. Cristy shows how Russell amused his peers with stories that also delivered sharp observations of Euro-American suppression of Indians and humorous treatment of wilderness and range issues plus the emergence of women and urbanization as bewildering agents of change in the modern West. "A welcome departure from the usual biographies and coffee table volumes on Russell and his art. . . . [Cristy] deals with an important, yet relatively unexplored, aspect of the career of one of the most influential interpreters of the American West."--Byron Price, Director, C. M. Russell Center for the Study of Art

After Nancy Cooper married Charlie Russell in 1895, she helped turn a journeyman cowboy and ranch hand who sketched and sculpted in his spare time into a full-time artist who sold and exhibited all over the globe. In Behind Every Man: The Story of Nancy Cooper Russell, Joan Stauffer offers the first biography of the person whom Charles Russell called “the best booster and pardner a man ever had.” Stauffer’s portrait, evoked in the voice of its subject and based on a decade of research, offers readers both a complete life story of Nancy Russell and creative insight into her thoughts and feelings. Stauffer reveals that Nancy and Charles’s union created a practical synergy. Always an advocate for her husband, a steward of his art, and a liaison to his admirers and critics, Nancy’s greatest contribution may have been the inspiration she provided Charles. “I done my best work for her,” the cowboy artist once remarked.