In this study Heather Gorman analyses Luke's portrayal of Jesus' death in light of the ancient rhetorical tradition, particularly the progymnasmata and the rhetorical handbooks. In addition to providing a detailed, up-to-date exegetical study of Luke 22:66-23:49, she argues three things. First, through the strategic placement of rhetorical figures and the use of common topics associated with refutation and confi rmation, Luke structures his passion narrative as a debate about Jesus' innocence, which suggests that one of Luke's primary concerns is to portray Jesus as politically innocent. Second, ancient examples of synkrisis suggest that part of the purpose of Luke's characterisation of Jesus in the passion narrative, especially when set in parallel to Paul and Stephen in Acts, was to set up Jesus as a model for his followers lest they face similar persecution or death. Finally, Luke's special material and his variations from Mark are explicable in terms of ancient compositional techniques, especially paraphrase and narration, and thus recourse to a special Passion Source is unnecessary.

Essays that explore early Christian texts and the broader world in which they were written This volume of twelve essays celebrates the contributions of classicist Judith Perkins to the study of early Christianity. Drawing on Perkins's insights related to apocryphal texts, representations of pain and suffering, and the creation of meaning, contributors explore the function of Christian narratives that depict pain and suffering, the motivations of the early Christians who composed these stories, and their continuing value to contemporary people. Contributors also examine how narratives work to create meaning in a religious context. These contributions address these issues from a variety of angles through a wide range of texts. Features: Introductions to and treatments of several largely unknown early Christian texts Essays by ten women and two men influenced or mentored by Judith Perkins Essays on the Deuterocanon, the New Testament, and early Christian relics

Because there are more women in the Gospel of Luke than in any other gospel, feminists have given it much attention. In this commentary, Shelly Matthews and Barbara Reid show that feminist analysis demands much more than counting the number of female characters. Feminist biblical interpretation examines how the female characters function in the narrative and also scrutinizes the workings of power with respect to empire, to anti-Judaism, and to other forms of othering. Matthews and Reid draw attention to the ambiguities of the text-both the liberative possibilities and the ways that Luke upholds the patriarchal status quo-and guide readers to empowering reading strategies.

Because there are more women in the Gospel of Luke than in any other gospel, feminists have given it much attention. In this commentary, Shelly Matthews and Barbara Reid show that feminist analysis demands much more than counting the number of female characters. Feminist biblical interpretation examines how the female characters function in the narrative and also scrutinizes the workings of power with respect to empire, to anti-Judaism, and to other forms of othering. Matthews and Reid draw attention to the ambiguities of the text-both the liberative possibilities and the ways that Luke upholds the patriarchal status quo-and guide readers to empowering reading strategies.

Because there are more women in the Gospel of Luke than in any other gospel, feminists have given it much attention. In this commentary, Shelly Matthews and Barbara Reid show that feminist analysis demands much more than counting the number of female characters. Feminist biblical interpretation examines how the female characters function in the narrative and also scrutinizes the workings of power with respect to empire, to anti-Judaism, and to other forms of othering. Matthews and Reid draw attention to the ambiguities of the text—both the liberative possibilities and the ways that Luke upholds the patriarchal status quo—and guide readers to empowering reading strategies.

What does it mean to participate in the cruciform Lord Jesus Christ so that our life together becomes a living exegesis of the gospel? Michael Gorman has been tremendously influential in exploring this question within the New Testament, particularly in the letters of Paul, the Gospel of John, and the book of Revelation. His 2001 book Cruciformity: Paul’s Narrative Spirituality of the Cross inspired a generation of scholars and was the first in a trilogy of New Testament theology devoted to exploring the role of the cross, participation in Christ, and becoming the gospel in mission. Here, an assemblage of some of the best and brightest current New Testament exegetes honor Gorman’s work with contributions of their own, each of which further explores these three critical themes in various passages of the New Testament. Cruciform Scripture is more than a tribute to a giant of biblical scholarship. Its contributors (including N. T. Wright, Sylvia Keesmaat, and Richard Hays) are masters in their own right who offer incisive interpretations of essential themes of New Testament theology and the core concerns of Christian life in community. As they reason together in this volume, they amplify one another’s voices as well as Gorman’s, modeling a way that careful reflection on Paul’s determination to “know nothing . . . except Jesus Christ and him crucified” can engender fruitful insights on the nature of discipleship. Contributors Ben C. Blackwell, Sherri Brown, Frank E. Dicken, Dennis R. Edwards, Rebekah Eklund, Dean Flemming, Patricia Fosarelli, Stephen E. Fowl, Nijay K. Gupta, Richard B. Hays, Andy Johnson, Sylvia C. Keesmaat, Brent Laytham, Christopher W. Skinner, Klyne R. Snodgrass, Drew J. Strait, and N. T. Wright.

“If all you know is the New Testament, you do not know the New Testament” - so the late New Testament scholar Martin Hengel is reputed to have said. According to the Scriptures considers the way in the New Testament writers utilized the Jewish Scriptures in order to describe, articulate and evaluate the death of Jesus, takes Hengel at his word. What Old Testament texts are quoted in the New Testament, how are they used and what might such analysis mean for the (contemporary) reader? Focusing in particular on the passion narratives in the Synoptic Gospels, According to the Scriptures seeks to engage with these questions. It will provide a useful new framework for thinking about why the early Church understood Jesus' death in terms of the Scriptures, what difference that understanding made, and what relevance that might have for us as we seek to make sense of the death of Jesus.

A detailed comparative analysis of speaker-audience interactions in Greek historiography, Josephus, and Acts that examines historians’ use of speeches as a means of instructing/persuading their readers and highlights Luke’s distinctive depiction of the apostles as adaptable yet frequently alienating orators.

An illustrated version of the folk song in which a fox travels many miles to get dinner for his wife and ten cubs.