In light of its upcoming centenary in 2016, the time seems ripe to ask: why, how and in what ways has memory of Ireland’s 1916 Rising persisted over the decades? In pursuing answers to these questions, which are not only of historical concern, but of contemporary political and cultural importance, this book breaks new ground by offering a wide-ranging exploration of the making and remembrance of the story of 1916 in modern times. It draws together the interlocking dimensions of history-making, commemoration and heritage to reveal the Rising’s undeniable influence upon modern Ireland’s evolution, both instantaneous and long-term. In addition to furnishing a history of the tumultuous events of Easter 1916, which rattled the British Empire’s foundations and enthused independence movements elsewhere, Ireland’s 1916 Rising mainly concentrates on illuminating the evolving relationship between the Irish past and present. In doing so, it unearths the far-reaching political impacts and deep-seated cultural legacies of the actions taken by the rebels, as evidenced by the most pivotal episodes in the Rising’s commemoration and the myriad varieties of heritage associated with its memory. This volume also presents a wider perspective on the ways in which conceptualisations of heritage, culture and identity in Westernised societies are shaped by continuities and changes in politics, society and economy. In a topical conclusion, the book examines the legacy of Queen Elizabeth II’s visit to the Garden of Remembrance in 2011, and looks to the Rising’s 100th anniversary by identifying the common ground that can be found in pluralist and reconciliatory approaches to remembrance.

This ground-breaking political history of the two Irish States provides unique new insights into the 'Troubles' and the peace process. It examines the impact of the fraught dynamics between the competing identities of the Nationalist-Catholic-Irish Community on the one hand and the Unionist-Protestant-British community on the other.

This book examines ethnoterritorial conflict and reconciliation in Ireland from the 1916 Rising to Brexit (2021), including the production and consequences of the island’s two distinct political units. Highlighting key geographic themes of bordering, unity, division, and national narratives, it explores how geopolitical space has been employed over time to (re)define divided national allegiances throughout Ireland and within Irish–British relations. The analysis draws from in-depth interviews and archival research, and spans supranational, state, municipal, neighborhood, and individual scales. The book pays particular attention to uneven power structures, statecraft, perceived truths, lived experiences, reconciliation efforts, and renegotiations of national narratives in the production of symbolic landscapes, divided cities, and "shared" space. An Introduction to the Geopolitics of Conflict, Nationalism, and Reconciliation in Ireland provides readers with an analysis of geopolitical power relations and different spatial productions of conflict and peacebuilding in Ireland. Offering deeper understanding of these historic and contemporary geopolitical intersections, this book makes a valuable contribution to the fields of Political Geography, Border Studies, Irish Studies, European Studies, International Relations, Cultural Geography, and Regional Studies.

Jeremy Smith explores relations between Britain and Ireland during the late nineteenth and early twentieth century with a story that still raises deep passions and bitter disagreements both among historians and within wider public opinion. This examination attempts to chart a more dispassionate course between the various contending positions and has enormous relevance to the unfolding events in both Northern Ireland and Britain as the united Kingdom moves towards a federal constitutional structure. Books in this Seminar Studies in History series bridge the gap between textbook and specialist survey and consists of a brief "Introduction" and/or "Background" to the subject, valuable in bringing the reader up-to-speed on the area being examined, followed by a substantial and authoritative section of "Analysis" focusing on the main themes and issues. There is a succinct "Assessment" of the subject, a generous selection of "Documents" and a detailed bibliography. Incorporates a large amount of research on Irish history during the last two decades and gives particular focus to the dramatic events between the Easter rising of 1916 and the intense negotiations surrounding the Treaty in the autumn of 1921. For those interested in the history between Ireland and Britain.

Uniting Catholic Ireland and Protestant Ireland was a central idea of the "Irish Revival," a literary and cultural manifestation of Irish nationalism that began in the 1890s and continued into the early twentieth century. Yet many of the Revival's Protestant leaders, including W. B. Yeats, Lady Gregory, and John Synge, failed to address the profound cultural differences that made uniting the two Irelands so problematic, while Catholic leaders of the Revival, particularly the journalist D. P. Moran, turned the movement into a struggle for greater Catholic power. This book fully explores James Joyce's complex response to the Irish Revival and his extensive treatment of the relationship between the "two Irelands" in his letters, essays, book reviews, and fiction up to Finnegans Wake. Willard Potts skillfully demonstrates that, despite his pretense of being an aloof onlooker, Joyce was very much a part of the Revival. He shows how deeply Joyce was steeped in his whole Catholic culture and how, regardless of the harsh way he treats the Catholic characters in his works, he almost always portrays them as superior to any Protestants with whom they appear. This research recovers the historical and cultural roots of a writer who is too often studied in isolation from the Irish world that formed him.

This book traces a significant shift in 20th century Irish theatre from the largely national plays produced in Dublin to a more expansive international art form. Confirmed by the recent success outside of Ireland of the "third wave" of Irish playwrights writing in the 1990s, the new Irish drama has encouraged critics to reconsider both the early national theatre and the dramatic tradition it fostered. On the occasion of the centenary of the first professional production of the Irish Literary Theatre, the contributors to this volume investigate contemporary Irish drama's aesthetic features and socio-political commitments and re-read the plays produced earlier in the century. Although these essayists cover a wide range of topics, from the productions and objectives of the Abbey Theatre's first rivals to mid-century theatre festivals, to plays about the "Troubles" in the North, they all reassess the oppositions so commonplace in critical discussions of Irish drama: nationalism vs. internationalism, high vs. low culture, urban experience vs. rural or peasant life. A Century of Irish Drama includes essays on such figures as W. B. Yeats, Lady Gregory, J. M. Synge, Sean O'Casey, Brendan Behan, Samuel Beckett, Marina Carr, Brian Friel, Frank McGuinness, Christina Read, Martin McDonagh, and many more. Stephen Watt is Professor of English and Cultural Studies at Indiana University-Bloomington, and author of Postmodern/Drama: Reading the Contemporary Stage, Joyce, O'Casey, and the Irish Popular Theatre, and essays on Irish and Irish-American culture. He has also written extensively on higher education, most recently Academic Keywords: A Devil's Dictionary for Higher Education (with Cary Nelson). Eileen M. Morgan is a lecturer in English and Irish Studies at the University of Michigan, Ann Arbor. She is currently working on Sean O'Faolain's biographies of De Valera and on Edna O'Brien's 1990s trilogy, and is preparing a book-length study on the influence of radio in Ireland. Shakir Mustafa is a Visiting Instructor in the English department at Indiana University. His work has appeared in such journals as New Hibernia Review and The Canadian Journal of Irish Studies, and he is now translating Arabic short stories into English. Drama and Performance Studies--Timothy Wiles, general editor

This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.

Fighting Irish is a meticulous and engaging account of the First World War from the perspective of the men of the Irish Regiments of the British Army, revealing the extent of the Irish military commitment to the Great War effort from 1914-1918. Startling and sympathetic matters, from campaign strategy to the soldiers’ intimate war experiences, are addressed with fascinating documentary evidence and poignant eye-witness accounts. Persisting humour and unexpected trials; mounting reputations and the mundane drudgery of routine military life – all is touched upon in the lives of these men, and undercut by the pervasive loss of life. Whether fighting at Ypres, the Somme, Gallipoli, Kostorino or Nablus, the story of the Irish Regiments is compelling and evocative, with reasons for enlistment as varied as the men themselves. Though entrenched in warfare, many minds were set on the increasing unrest at home, swaying their interests and shaping the communications they left to posterity. Fighting Irish defines the diverse backgrounds of all those who served with the Irish regiments in these years, recounting their deeds through exacting historical research within a gripping and affecting narrative.

Introduction by Garret Fitzgerald. This book seeks to interpret the events of Easter Week 1916 as the central defining event of a 'long revolution' in Irish history. The origins of the long revolution lie in the second half of the nineteenth century, and its legacy is still being played out in the first years of the twenty-first century. Acknowledged experts on specific topics seek to explore the layered domestic and international, political, legal and moral aspects of this uniquely influential and controversial event. Contributors are: Rory O' Dwyer, Michael Wheatley, Brendan O'Shea and Gerry White, D.G. Boyce, Francis M. Carroll, Rosemary Cullen Owens, Jérôme aan de Wiel, Adrian Hardiman, Keith Jeffery, Mary McAleese, Owen McGee, Seamus Murphy and Brian P. Murphy.

For over 130 years the GAA has been at the heart of Irish life. Now, in The People’s Games, John Scally tells the compelling stories of the men and women behind the rich history of Gaelic Games. Since the introduction of television Gaelic Games have become a huge entertainment industry, yet at their core remain deeply embedded in the local community. They shape the national conversation and lift the mood of the country. Hurling, ladies’ football, camogie and Gaelic football are Ireland’s greatest national treasures. Gaelic Games are part of the DNA of the Irish Race, and the people are the beating heart of the Games. This comprehensive collection captures the GAA’s evolving history, the fabled heroes, the controversies, the scandals, the pulsating games, the fans, the centrality of the clubs, and the unending and heart-stopping drama. Full of fascinating insights, amusing anecdotes, thrilling tales and new revelations about famous incidents and epic encounters, this volume brings the people’s games alive in all their vibrancy. Based on exclusive interviews, this captivating compendium explores the rich history of the men and women of the GAA who made it all happen.