"Embark on a enchanting journey through the cultural and artistic wonders of Italy with Lilian Whiting in 'Italy the Magic Land.' This travelogue, penned in the early 20th century, is a literary exploration of Italy's timeless beauty, rich history, and the allure that has captivated travelers for centuries. Whiting's narrative takes readers through the iconic landscapes of Italy, from the romantic canals of Venice to the ancient ruins of Rome and the picturesque countryside. Through her eloquent prose, she unveils the magic woven into the very fabric of Italy – its art, architecture, and the warmth of its people. 'Italy the Magic Land' is more than a travel narrative; it's a celebration of the extraordinary and the ordinary, an invitation to savor the essence of Italy. Join Whiting on this literary expedition where each page reveals a new layer of the country's enchantment, making it an essential read for those who dream of exploring the magic that is Italy."

Reprint of the original, first published in 1882.

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

A radically new version of Anglo-Italian cultural relations in the late Romantic and Victorian periods that corrects traditional male-centred accounts.

Excerpt from Italy: The Magic Land That youth's sweet-scented manuscript should close! The nightingale that in the branches sang. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.