Through a curated collection of key Jain paintings, this volume offers a glimpse into the way people lived in western India during the medieval times: What they wore, how they ornamented themselves, what they amused themselves with, what furniture they sat on, which modes of transport they used. It includes Jain paintings from various collections in India and abroad to underscore the value of pictorial evidence in piecing together the past. The book takes the reader on a breath-taking visual journey through the varied costumes, exquisite textiles, handcrafted ornaments, curiously shaped vessels and containers, musical instruments, arms and armour, conveyances, and many such articles of everyday use. These articles of everyday use are corroborated with the descriptions left by foreign travellers passing through western India at that time. It explores contemporary lexicons and vernacular literature from this period, for possible names in vogue for the articles of Material Culture. The work is richly illustrated with line drawings by the author to highlight the objects being referred to. What comes across clearly through this book is that art is the mirror of the times, and as such, paintings reflect the society in which they are created. A magnificent read, this book will be essential for scholars and researchers of Indian painting, art history, Indian art, arts and aesthetics, Jainism, visual arts, South Asian history, Indian history, heritage studies and cultural history. It will also be a must-have for history and visual arts enthusiasts all over the world.

Examining the history and intellectual activity of the medieval Svetambara Jain renunciant order, the Tapa Gaccha, this book focuses on the consolidation by the Tapa Gaccha from the thirteenth century of its identity as the leading Svetambara order. The author argues that this was variously effected by negotiating the primacy of lineage, the posthumous divinity of one of its leaders, the validity of styles of scriptural exegesis and customary practice and the status of non-Jains through the medium of chronicles and poetry and polemical engagement with other Jain orders and dissident elements within its own ranks. Drawing on largely unstudied primary sources, the author demonstrates how Tapa Gaccha writers created a sophisticated intellectual culture which was a vehicle for the maintenance of sectarian identity in the early modern period. The book explores issues which have been central to our understanding of many of the questions currently being asked about the development not just of Jainism but of South Asian religions in general, such as the manner in which authority is established in relation to texts, the relationship between scripture, commentary and tradition and tensions both between and within sects.

John Cort explores the narratives by which the Jains have explained the presence of icons of Jinas (their enlightened and liberated teachers) that are worshiped and venerated in the hundreds of thousands of Jain temples throughout India. Most of these narratives portray icons favorably, and so justify their existence; but there are also narratives originating among iconoclastic Jain communities that see the existence of temple icons as a sign of decay and corruption. The veneration of Jina icons is one of the most widespread of all Jain ritual practices. Nearly every Jain community in India has one or more elaborate temples, and as the Jains become a global community there are now dozens of temples in North America, Europe, Africa, and East Asia. The cult of temples and icons goes back at least two thousand years, and indeed the largest of the four main subdivisions of the Jains are called Murtipujakas, or "Icon Worshipers." A careful reading of narratives ranging over the past 15 centuries, says Cort, reveals a level of anxiety and defensiveness concerning icons, although overt criticism of the icons only became explicit in the last 500 years. He provides detailed studies of the most important pro- and anti-icon narratives. Some are in the form of histories of the origins and spread of icons. Others take the form of cosmological descriptions, depicting a vast universe filled with eternal Jain icons. Finally, Cort looks at more psychological explanations of the presence of icons, in which icons are defended as necessary spiritual corollaries to the very fact of human embodiedness.

Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.

"There is no doubt that the wealth of new data and ideas offered in this exquisite book provides the deepest insights yet into the contemporary religious world of Jain laity. It will serve for some time as a paradigmatic monograph for future empirical studies of Jain religious life." --Bulletin of the School of Oriental and African Studies "Jains in the World is a significant and welcome ethnography of contemporary Jains in western India by the most prominent scholar of Jainism in North America. This book is a must for scholars of South Asian religions and will provide scholars of Hindu traditions fine grounding both in a central dialectic of Jain thought and in contemporary Jain praxis." --International Journal of Hindu Studies "A valuable addition to the literature on Jainism as a living faith. Since it has the additional merits of being clearly written, attractively illustrated, and free of unnecessary theoretical baggage, it should serve as a good introduction to this tradition for college students." --Journal of the American Oriental Society "A must-read for understanding, by and large, the ritual world of the Jains. He has succeeded in proving that the concept of well-being is as central to the Jains' moral universe as their more entrenched pursuit of the goal of liberation of soul from karmic bondage."--History of Religions "An essential read for students and scholars of Jainism. . . . it identifies and defines a realm of value in Jainism strongly alluded to by recent scholarship, but which, until now, had not been explicitly stated. For this reason Jains in the World will doubtless prove to be a fundamental turning point in the development of Jaina studies."-- The Journal of Religion This book presents a detailed fieldwork-based study of the ancient Indian religion of Jainism. Drawing on field research in northern Gujarat and on the study of both ancient Sanskrit and Prakrit and modern vernacular Jain religious literature, John Cort provides a rounded portrait of the religion as it is practiced today.

Garland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.

SWASTIKA: Epigraphy, Numismatics, Religion and Philosophical Studies is a Festschrift presented to Prof. Hampa Nagarajaiah a renowned Jaina Scholar in India, on his 85th birth anniversary (7th October 1936) . Prof. Hampana one of the major litterateurs of Karnataka, has authored more than 80 books in English and Kannada. His writings, spread over more than five decades, cover a wide range of topics embracing different disciplines and fields of research. Some of his books have been translated into English, Hindi, Marathi, Gujarati, Tulu, Tamil and Telugu. He has taught undergraduate and post- graduates students, for over 37 years. He has served Kannada sahitya parishad , as secretary for 8 years, as well president for 8 years , With ‘hampana’ as his nam de plume , he is a recipient of a number of state and national Awards. Contemporary literati honoured him with 8 festschrifts.. His contribution to the study of Jainology, in particular, insignificant and seminal. These articles in other way serve as garland of flowers to decor Prof. Hampa Nagarajaiah; A great scholar in Jainism, Literature, Epigraphy, Numismatics, Religion and Philosophy , History and Cultural Studies. There are more than 31 articles shedding light on Recent Trends in Jainism Studies. This prestigious volume contains a wide spectrum of research articles covering Jainism in Archaeology, Art, and Architecture. The volume containing a good collection of research papers contributed by renowned authors from India and abroad will serve as an important source of information and reference book for research students and teachers as well. Incidentally, this volume also highlights the love and affection of Prof. Hampa Nagarajaiah enjoys in the intellectual world.

This volume focuses on the religious shrine in western India as an institution of cultural integration in the period spanning 200 BCE to 800 CE. It presents an analysis of religious architecture at multiple levels, both temporal and spatial, and distinguishes it as a ritual instrument that integrates individuals and communities into a cultural fabric. The work shows how these structures emphasise on communication with a host of audiences such as the lay worshipper, the ritual specialist, the royalty and the elite as well as the artisan and the sculptor. It also examines religious imagery, inscriptions, traditional lore and Sanskrit literature. The book will be of special interest to researchers and scholars of ancient Indian history, Hinduism, religious studies, architecture and South Asian studies.

In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatrīs ("umbrellas"; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrīs for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatrīs within their original social, political, and religious milieux. It also compares the chatrīs to other Rajput arts to understand how arts of different media targeted specific audiences.

Explores how objects shape the worlds of religious participants across a range of South Asian traditions. Sacred Matters explores the lives of material objects in South Asian religions. Spanning a range of traditions including Hinduism, Islam, Jainism, Buddhism, and Christianity, the book demonstrates how sacred items influence and enliven the worlds of religious participants across South Asia and into the diaspora. Contributors examine a variety of objects to describe the ways sacred materials derive and confer meaning and efficacy, emerging from and giving shape to religious and nonreligious realms alike. Material forms of deity and divine power are considered along with commonplace ritual items, including images, clay pots, and camphor. The work also attends to materiality’s complex role within the “materially suspicious” contexts of Islam, Theravada Buddhism, and Roman Catholicism. This engaging collection presents new frameworks for contemplating the ways in which historical, social, and sacred processes intertwine and collectively shape human and divine activity.